Free Read, 1994 October 1 [FF0043]

FF0043

Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. This footage was originally recorded on a MII videocassette.

FF0043

Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. This footage was originally recorded on a MII videocassette.

Annotations

00:00:00 - 00:00:09

New Year's and play Nina Simone in the bedroom while we twirl like conductors batons and point to where the notes should have been.

Unknown speaker 1
Poetry Reading

00:00:00 - 00:00:08

New Year's and play Nina Simone in the bedroom while we twirl like conductors batons and point to where the notes should have been.

Unknown speaker 1

00:00:10 - 00:00:15

We sometimes cry in corners and curse the air for its lack of affection.

Unknown speaker 1
Poetry Reading

00:00:10 - 00:00:15

We sometimes cry in corners and curse the air for its lack of affection.

Unknown speaker 1

00:00:16 - 00:00:25

Our womb pleads for us to take notice while we crush the past underneath our heels and condemn ourselves to the fire next time.

Unknown speaker 1
Poetry Reading

00:00:16 - 00:00:25

Our womb pleads for us to take notice while we crush the past underneath our heels and condemn ourselves to the fire next time.

Unknown speaker 1

00:00:26 - 00:00:29

We sometimes punctuate the earth with our beauty.

Unknown speaker 1
Poetry Reading

00:00:26 - 00:00:29

We sometimes punctuate the earth with our beauty.

Unknown speaker 1

00:00:30 - 00:00:34

And challenge the galaxy with our smiles we sometimes transform.

Unknown speaker 1
Poetry Reading

00:00:30 - 00:00:34

And challenge the galaxy with our smiles we sometimes transform.

Unknown speaker 1

00:00:35 - 00:00:37

Because evolution is in us all.

Unknown speaker 1
Poetry Reading

00:00:35 - 00:00:37

Because evolution is in us all.

Unknown speaker 1

00:00:37 - 00:00:39

And to prove Satan a liar.

Unknown speaker 1

00:00:38 - 00:00:40

And to prove Satan a liar.

Unknown speaker 1
Poetry Reading

00:00:40 - 00:00:41

And

Unknown speaker 1
Poetry Reading

00:00:40 - 00:00:40

And

Unknown speaker 1

00:00:40 - 00:00:46

we sometimes take life by the hand and peel her like an orange.

Unknown speaker 1

00:00:41 - 00:00:46

we sometimes take life by the hand and peel her like an orange.

Unknown speaker 1
Poetry Reading

00:00:46 - 00:00:48

Slowly, slowly.

Unknown speaker 1

00:00:47 - 00:00:48

Slowly, slowly.

Unknown speaker 1
Poetry Reading

00:00:53 - 00:00:57

Wendell Otley, followed by Yapet Brinson.

Unknown speaker 2

00:00:54 - 00:00:57

Wendell Otley, followed by Yapet Brinson.

Unknown speaker 2
Speaker Introduction

00:01:07 - 00:01:08

Good afternoon.

Wendell Otley
Speaker Introduction

00:01:07 - 00:01:07

Good afternoon.

Wendell Otley

00:01:10 - 00:01:16

My name is Wendell Otley, and um, I want to thank you first before I start, since I won't when I'm finished.

Wendell Otley
Speaker Introduction

00:01:10 - 00:01:16

My name is Wendell Otley, and um, I want to thank you first before I start, since I won't when I'm finished.

Wendell Otley

00:01:18 - 00:01:20

Um, my poem is Damnation.

Wendell Otley
Speaker Introduction

00:01:18 - 00:01:20

Um, my poem is Damnation.

Wendell Otley

00:01:22 - 00:01:29

Come from behind the protection of the white sheets you've worn, the piles of the ashes of the crosses you've burned, the

Wendell Otley
Poetry Reading

00:01:22 - 00:01:28

Come from behind the protection of the white sheets you've worn, the piles of the ashes of the crosses you've burned, the

Wendell Otley

00:01:28 - 00:01:32

stinking rotting corpses of the niggers you've lynched, and face your damnation.

Wendell Otley

00:01:29 - 00:01:32

stinking rotting corpses of the niggers you've lynched, and face your damnation.

Wendell Otley
Poetry Reading

00:01:33 - 00:01:38

Pretend that my problems don't exist, that I'm just bitching for no reason in particular.

Wendell Otley

00:01:34 - 00:01:38

Pretend that my problems don't exist, that I'm just bitching for no reason in particular.

Wendell Otley
Poetry Reading

00:01:38 - 00:01:41

That I'm full of shit, and you will face damnation.

Wendell Otley
Poetry Reading

00:01:38 - 00:01:40

That I'm full of shit, and you will face damnation.

Wendell Otley

00:01:42 - 00:01:47

Continue to show an abundance of my negative side, without giving equal weight to my positive.

Wendell Otley
Poetry Reading

00:01:42 - 00:01:46

Continue to show an abundance of my negative side, without giving equal weight to my positive.

Wendell Otley

00:01:47 - 00:01:51

To show me as a menace to society, but find no faults in the society I menace.

Wendell Otley
Poetry Reading

00:01:47 - 00:01:51

To show me as a menace to society, but find no faults in the society I menace.

Wendell Otley

00:01:52 - 00:01:56

To arrest me for committing a blue collar crime, but acquit yourself of white collar crimes.

Wendell Otley
Poetry Reading

00:01:52 - 00:01:56

To arrest me for committing a blue collar crime, but acquit yourself of white collar crimes.

Wendell Otley

00:01:56 - 00:01:58

And you will suffer damnation.

Wendell Otley

00:01:57 - 00:01:58

And you will suffer damnation.

Wendell Otley
Poetry Reading

00:01:59 - 00:02:04

Ask, why am I not happy being a lower case letter in your capitalistic system?

Wendell Otley
Poetry Reading

00:01:59 - 00:02:03

Ask, why am I not happy being a lower case letter in your capitalistic system?

Wendell Otley

00:02:04 - 00:02:08

Why am I not satisfied with the rats and roaches that come with low income housing?

Wendell Otley
Poetry Reading

00:02:04 - 00:02:07

Why am I not satisfied with the rats and roaches that come with low income housing?

Wendell Otley

00:02:08 - 00:02:14

Why am I not filled from head to toe with hot dog and apple pie chanting USA every four years patriotism?

Wendell Otley

00:02:09 - 00:02:14

Why am I not filled from head to toe with hot dog and apple pie chanting USA every four years patriotism?

Wendell Otley
Poetry Reading

00:02:15 - 00:02:18

And I will say, because I didn't ask to come to this damn nation.

Wendell Otley
Poetry Reading

00:02:15 - 00:02:18

And I will say, because I didn't ask to come to this damn nation.

Wendell Otley

00:02:18 - 00:02:22

Yafet

Unknown speaker 2
Speaker Introduction

00:02:18 - 00:02:21

Yafet

Unknown speaker 2

00:02:25 - 00:02:27

Brinson, followed by DJ Renegade.

00:02:26 - 00:02:28

Brinson, followed by DJ Renegade.

Unknown speaker 2
Speaker Introduction

00:02:38 - 00:02:39

Hey, what up?

Yafet Brinson

00:02:39 - 00:02:39

Hey, what up?

Yafet Brinson
Speaker Introduction

00:02:39 - 00:02:40

How's it going?

Yafet Brinson
Speaker Introduction

00:02:39 - 00:02:39

How's it going?

Yafet Brinson

00:02:42 - 00:02:43

My name is Yafet.

Yafet Brinson
Speaker Introduction

00:02:42 - 00:02:42

My name is Yafet.

Yafet Brinson

00:02:43 - 00:02:45

The poem is called Roman Catholic Hit and Run.

Yafet Brinson
Speaker Introduction

00:02:43 - 00:02:45

The poem is called Roman Catholic Hit and Run.

Yafet Brinson

00:02:48 - 00:02:54

Yesterday, a black cop, while crossing the street, was hit and killed by two black nuns on a mountain bike.

Yafet Brinson
Poetry Reading

00:02:48 - 00:02:54

Yesterday, a black cop, while crossing the street, was hit and killed by two black nuns on a mountain bike.

Yafet Brinson

00:02:55 - 00:03:03

The cop dude didn't have a chance to pull his trigger, call for backup, down that day old donut, or polish his plastic badge.

Yafet Brinson
Poetry Reading

00:02:55 - 00:03:02

The cop dude didn't have a chance to pull his trigger, call for backup, down that day old donut, or polish his plastic badge.

Yafet Brinson

00:03:03 - 00:03:05

You see, the cop wasn't paying attention.

Yafet Brinson
Poetry Reading

00:03:03 - 00:03:05

You see, the cop wasn't paying attention.

Yafet Brinson

00:03:05 - 00:03:11

He crossed in between, not at the green, saw nothing at all of oncoming traffic, didn't even look before stepping off the curb.

Yafet Brinson

00:03:06 - 00:03:12

He crossed in between, not at the green, saw nothing at all of oncoming traffic, didn't even look before stepping off the curb.

Yafet Brinson
Poetry Reading

00:03:12 - 00:03:14

Besides, the nuns had right of way anyway.

Yafet Brinson

00:03:13 - 00:03:14

Besides, the nuns had right of way anyway.

Yafet Brinson
Poetry Reading

00:03:15 - 00:03:18

And no, no funeral was given, no investigation was done.

Yafet Brinson
Poetry Reading

00:03:15 - 00:03:17

And no, no funeral was given, no investigation was done.

Yafet Brinson

00:03:18 - 00:03:21

All that remained were the skid marks of the Roman Catholic nigger nuns.

Yafet Brinson

00:03:19 - 00:03:21

All that remained were the skid marks of the Roman Catholic nigger nuns.

Yafet Brinson
Poetry Reading

00:03:27 - 00:03:27

D.

Unknown speaker 2
Speaker Introduction

00:03:27 - 00:03:28

J.

Unknown speaker 2
Speaker Introduction

00:03:27 - 00:03:27

D.

Unknown speaker 2

00:03:27 - 00:03:27

J.

Unknown speaker 2

00:03:27 - 00:03:31

Renegade, followed by Ta-Nehisi Coates.

Unknown speaker 2

00:03:28 - 00:03:31

Renegade, followed by Ta-Nehisi Coates.

Unknown speaker 2
Speaker Introduction

00:03:45 - 00:03:48

Somebody go wake up Shakespeare and tell him DJ Renegade's in the house.

D. J. Renegade

00:03:46 - 00:03:48

Somebody go wake up Shakespeare and tell him DJ Renegade's in the house.

D. J. Renegade
Speaker Introduction

00:03:53 - 00:03:57

Subterranean night colored magi, three moods in the mode of Miles.

D. J. Renegade
Poetry Reading

00:03:53 - 00:03:57

Subterranean night colored magi, three moods in the mode of Miles.

D. J. Renegade

00:04:04 - 00:04:07

Subterranean means underground.

D. J. Renegade
Poetry Reading

00:04:04 - 00:04:06

Subterranean means underground.

00:04:07 - 00:04:11

Deep, profound, and Miles was one deep brother.

D. J. Renegade

00:04:08 - 00:04:11

Deep, profound, and Miles was one deep brother.

D. J. Renegade
Poetry Reading

00:04:12 - 00:04:16

Miles deep like a shaft, descending to the mother load, blowing undersongs.

D. J. Renegade

00:04:13 - 00:04:16

Miles deep like a shaft, descending to the mother load, blowing undersongs.

D. J. Renegade
Poetry Reading

00:04:17 - 00:04:21

Miles on tenor trumpet, tenor eleven levels deeper than the next cat.

D. J. Renegade
Poetry Reading

00:04:17 - 00:04:21

Miles on tenor trumpet, tenor eleven levels deeper than the next cat.

D. J. Renegade

00:04:21 - 00:04:25

Painting all up under the canvas, making it blue bleed out the other side.

D. J. Renegade

00:04:22 - 00:04:25

Painting all up under the canvas, making it blue bleed out the other side.

D. J. Renegade
Poetry Reading

00:04:25 - 00:04:28

Blowing solo, only we hear his bedrock blues.

D. J. Renegade

00:04:26 - 00:04:29

Blowing solo, only we hear his bedrock blues.

D. J. Renegade
Poetry Reading

00:04:28 - 00:04:30

Underground cultural resistance.

D. J. Renegade

00:04:29 - 00:04:31

Underground cultural resistance.

D. J. Renegade
Poetry Reading

00:04:31 - 00:04:35

A virtual virtuoso battling musical mafiosos burrowing under their skin.

D. J. Renegade
Poetry Reading

00:04:31 - 00:04:34

A virtual virtuoso battling musical mafiosos burrowing under their skin.

D. J. Renegade

00:04:35 - 00:04:41

Miles, the son of a dentist doing root work with a hoodoo horn hollering bebop toast like he was Petey

D. J. Renegade

00:04:36 - 00:04:41

Miles, the son of a dentist doing root work with a hoodoo horn hollering bebop toast like he was Petey

D. J. Renegade
Poetry Reading

00:04:41 - 00:04:47

Wheatstraw, Satchmo's son in law, or Stagger Lee stabbing mediocrity with a sharpened fifth, or a signifying

D. J. Renegade
Poetry Reading

00:04:41 - 00:04:47

Wheatstraw, Satchmo's son in law, or Stagger Lee stabbing mediocrity with a sharpened fifth, or a signifying

D. J. Renegade

00:04:47 - 00:04:54

junkie jumping cold turkey out the lion's mouth, or shine below the deck of the Titanic, bluing up the boilers.

D. J. Renegade
Poetry Reading

00:04:47 - 00:04:53

junkie jumping cold turkey out the lion's mouth, or shine below the deck of the Titanic, bluing up the boilers.

D. J. Renegade

00:04:54 - 00:05:03

You see, Miles could blue like bird and freight like train, early like bird and night like train, wing like bird and rail like train, tunneling underground.

D. J. Renegade

00:04:55 - 00:05:04

You see, Miles could blue like bird and freight like train, early like bird and night like train, wing like bird and rail like train, tunneling underground.

D. J. Renegade
Poetry Reading

00:05:04 - 00:05:10

A night color is blacker than a thousand asphalts and Miles was one deep black brother.

D. J. Renegade

00:05:05 - 00:05:10

A night color is blacker than a thousand asphalts and Miles was one deep black brother.

D. J. Renegade
Poetry Reading

00:05:11 - 00:05:13

Black and mysterious as smoke.

D. J. Renegade
Poetry Reading

00:05:11 - 00:05:13

Black and mysterious as smoke.

D. J. Renegade

00:05:13 - 00:05:17

Black as the sky, round midnight, round midnight.

D. J. Renegade

00:05:14 - 00:05:17

Black as the sky, round midnight, round midnight.

D. J. Renegade
Poetry Reading

00:05:18 - 00:05:21

Black as the pot that stewed a bitch's brood.

D. J. Renegade
Poetry Reading

00:05:18 - 00:05:20

Black as the pot that stewed a bitch's brood.

D. J. Renegade

00:05:20 - 00:05:25

Black and turning like a tire, treadmarking musical notation on the asphalt of life.

D. J. Renegade

00:05:21 - 00:05:26

Black and turning like a tire, treadmarking musical notation on the asphalt of life.

D. J. Renegade
Poetry Reading

00:05:25 - 00:05:34

Miles was slick as black ice, cool as black snow, sweet as black cherries, hitting harder A black Jack Hammer, black Jack Johnson, or a black Jack Daniels.

D. J. Renegade

00:05:26 - 00:05:35

Miles was slick as black ice, cool as black snow, sweet as black cherries, hitting harder A black Jack Hammer, black Jack Johnson, or a black Jack Daniels.

D. J. Renegade
Poetry Reading

00:05:34 - 00:05:38

See, Miles was a Jack of spades, but an ace at his trade, blowing night colors.

D. J. Renegade

00:05:35 - 00:05:39

See, Miles was a Jack of spades, but an ace at his trade, blowing night colors.

D. J. Renegade
Poetry Reading

00:05:39 - 00:05:46

Like deep black, triple black, shiny black, cinder black, ashy black, quarter black, mega black, multi black, all shades of Miles.

D. J. Renegade
Poetry Reading

00:05:39 - 00:05:46

Like deep black, triple black, shiny black, cinder black, ashy black, quarter black, mega black, multi black, all shades of Miles.

D. J. Renegade

00:05:46 - 00:05:49

Shifting harmonic gears in his chromatic Ferrari.

D. J. Renegade
Poetry Reading

00:05:46 - 00:05:48

Shifting harmonic gears in his chromatic Ferrari.

D. J. Renegade

00:05:49 - 00:05:52

Blowing with his black turn to the audience.

D. J. Renegade
Poetry Reading

00:05:49 - 00:05:51

Blowing with his black turn to the audience.

D. J. Renegade

00:05:51 - 00:05:59

Speaking coolly Magi are priests, wailing wizards, soloing sorcerers.

D. J. Renegade

00:05:52 - 00:05:59

Speaking coolly Magi are priests, wailing wizards, soloing sorcerers.

D. J. Renegade
Poetry Reading

00:05:59 - 00:06:02

And Miles was one deep black magic brother.

D. J. Renegade
Poetry Reading

00:05:59 - 00:06:02

And Miles was one deep black magic brother.

D. J. Renegade

00:06:02 - 00:06:05

Miles, conjuring in the key of we.

D. J. Renegade

00:06:03 - 00:06:06

Miles, conjuring in the key of we.

D. J. Renegade
Poetry Reading

00:06:05 - 00:06:08

Magi, Magi, that's the confused ones.

D. J. Renegade

00:06:06 - 00:06:09

Magi, Magi, that's the confused ones.

D. J. Renegade
Poetry Reading

00:06:08 - 00:06:11

Miles is singular, they say.

D. J. Renegade

00:06:09 - 00:06:11

Miles is singular, they say.

D. J. Renegade
Poetry Reading

00:06:11 - 00:06:14

But Miles, we know you plural, you y'all.

D. J. Renegade
Poetry Reading

00:06:11 - 00:06:13

But Miles, we know you plural, you y'all.

D. J. Renegade

00:06:14 - 00:06:19

You be bop miles, hard bop miles, cool miles, fusion miles.

D. J. Renegade
Poetry Reading

00:06:14 - 00:06:18

You be bop miles, hard bop miles, cool miles, fusion miles.

D. J. Renegade

00:06:18 - 00:06:24

Lord, Lord, Lord, you reverend miles, tonally testifying from the book of the blues.

D. J. Renegade

00:06:19 - 00:06:25

Lord, Lord, Lord, you reverend miles, tonally testifying from the book of the blues.

D. J. Renegade
Poetry Reading

00:06:25 - 00:06:30

Blowing muted magic like chapter and verse, making a joyful noise unto the Lord.

D. J. Renegade
Poetry Reading

00:06:25 - 00:06:30

Blowing muted magic like chapter and verse, making a joyful noise unto the Lord.

D. J. Renegade

00:06:30 - 00:06:33

And anybody else hip enough to dig the scene?

D. J. Renegade
Poetry Reading

00:06:30 - 00:06:32

And anybody else hip enough to dig the scene?

D. J. Renegade

00:06:32 - 00:06:36

Magi Miles with crazy styles, even sported a tutu.

D. J. Renegade

00:06:33 - 00:06:37

Magi Miles with crazy styles, even sported a tutu.

D. J. Renegade
Poetry Reading

00:06:36 - 00:06:38

Miles, 1.

D. J. Renegade

00:06:37 - 00:06:38

Miles, 1.

D. J. Renegade
Poetry Reading

00:06:38 - 00:06:39

6 kilometers of cool.

D. J. Renegade
Poetry Reading

00:06:38 - 00:06:39

6 kilometers of cool.

D. J. Renegade

00:06:39 - 00:06:42

Miles, 5, 280 dancing feet.

D. J. Renegade
Poetry Reading

00:06:39 - 00:06:42

Miles, 5, 280 dancing feet.

D. J. Renegade

00:06:42 - 00:06:47

Miles, too much distance for their musical rulers, pouring decades of music like vintage wine.

D. J. Renegade

00:06:43 - 00:06:48

Miles, too much distance for their musical rulers, pouring decades of music like vintage wine.

D. J. Renegade
Poetry Reading

00:06:47 - 00:06:50

Miles, wily, never smiley, too quick to hit and took no shit.

D. J. Renegade

00:06:48 - 00:06:51

Miles, wily, never smiley, too quick to hit and took no shit.

D. J. Renegade
Poetry Reading

00:06:50 - 00:06:53

Nobody's fool, sleek, satin, cool, anciently new, kind of blue.

D. J. Renegade

00:06:51 - 00:06:53

Nobody's fool, sleek, satin, cool, anciently new, kind of blue.

D. J. Renegade
Poetry Reading

00:07:05 - 00:07:09

Our subterranean, night colored magic.

D. J. Renegade

00:07:06 - 00:07:09

Our subterranean, night colored magic.

D. J. Renegade
Poetry Reading

00:07:20 - 00:07:23

Ta-Nehisi

Unknown speaker 2

00:07:21 - 00:07:24

Ta-Nehisi

Unknown speaker 2
Speaker Introduction

00:07:23 - 00:07:25

Coates, followed by Dorothy Marie Wright.

Unknown speaker 2

00:07:24 - 00:07:26

Coates, followed by Dorothy Marie Wright.

Unknown speaker 2
Speaker Introduction

00:07:31 - 00:07:33

Um, I am Ta Nehisi Coates.

Ta-Nehisi Coates

00:07:32 - 00:07:34

Um, I am Ta Nehisi Coates.

Ta-Nehisi Coates
Speaker Introduction

00:07:34 - 00:07:36

That's alright, everybody do it.

Ta-Nehisi Coates

00:07:35 - 00:07:36

That's alright, everybody do it.

Ta-Nehisi Coates
Speaker Introduction

00:07:36 - 00:07:38

Um, and I'm from Baltimore.

Ta-Nehisi Coates
Speaker Introduction

00:07:36 - 00:07:37

Um, and I'm from Baltimore.

Ta-Nehisi Coates

00:07:38 - 00:07:41

Um, but I came down here, I guess, with the DCP, because that's where I go to school.

Ta-Nehisi Coates

00:07:39 - 00:07:42

Um, but I came down here, I guess, with the DCP, because that's where I go to school.

Ta-Nehisi Coates
Speaker Introduction

00:07:42 - 00:07:44

I'm gonna read a piece entitled, Last Night.

Ta-Nehisi Coates
Speaker Introduction

00:07:42 - 00:07:44

I'm gonna read a piece entitled, Last Night.

Ta-Nehisi Coates

00:07:44 - 00:07:46

It goes like this.

Ta-Nehisi Coates
Speaker Introduction

00:07:44 - 00:07:46

It goes like this.

Ta-Nehisi Coates

00:07:48 - 00:07:57

On this dark of bottomless night, She returns, touching, quiet, making us Silhouette swimmers in an ocean of sheets.

Ta-Nehisi Coates
Poetry Reading

00:07:48 - 00:07:57

On this dark of bottomless night, She returns, touching, quiet, making us Silhouette swimmers in an ocean of sheets.

Ta-Nehisi Coates

00:07:58 - 00:08:07

What I have missed is my hand gracing tender up the arc of her back and her whispering music before the tune escapes my lips.

Ta-Nehisi Coates

00:07:59 - 00:08:07

What I have missed is my hand gracing tender up the arc of her back and her whispering music before the tune escapes my lips.

Ta-Nehisi Coates
Poetry Reading

00:08:08 - 00:08:16

What I have wanted is her so nuclear with wanting that she melts sun and paints the sky plum purple with passion.

Ta-Nehisi Coates
Poetry Reading

00:08:08 - 00:08:16

What I have wanted is her so nuclear with wanting that she melts sun and paints the sky plum purple with passion.

Ta-Nehisi Coates

00:08:17 - 00:08:26

And the stroke is so good that I jump crazy at the sudden of my alarm as it screams reality across the mess of a lonely room.

Ta-Nehisi Coates
Poetry Reading

00:08:17 - 00:08:26

And the stroke is so good that I jump crazy at the sudden of my alarm as it screams reality across the mess of a lonely room.

Ta-Nehisi Coates

00:08:26 - 00:08:30

I peep the digital demon whose red eyes wail six o'clock.

Ta-Nehisi Coates

00:08:27 - 00:08:31

I peep the digital demon whose red eyes wail six o'clock.

Ta-Nehisi Coates
Poetry Reading

00:08:31 - 00:08:34

And now I know why I hate mornings.

Ta-Nehisi Coates
Poetry Reading

00:08:31 - 00:08:33

And now I know why I hate mornings.

Ta-Nehisi Coates

00:08:34 - 00:08:38

They always leave me holding pillows like lovers.

Ta-Nehisi Coates
Poetry Reading

00:08:34 - 00:08:37

They always leave me holding pillows like lovers.

Ta-Nehisi Coates

00:08:44 - 00:08:46

Dorothy Marie Rice followed by Michael Collins.

Unknown speaker 2

00:08:45 - 00:08:47

Dorothy Marie Rice followed by Michael Collins.

Unknown speaker 2
Speaker Introduction

00:08:57 - 00:09:06

As I read this poem, well, before I read this poem, I want to make a comment to Bert, my friend, and say, I won't explain.

Dorothy Marie Rice

00:08:58 - 00:09:07

As I read this poem, well, before I read this poem, I want to make a comment to Bert, my friend, and say, I won't explain.

Dorothy Marie Rice
Speaker Introduction

00:09:07 - 00:09:08

He understands.

Dorothy Marie Rice

00:09:08 - 00:09:09

He understands.

Dorothy Marie Rice
Speaker Introduction

00:09:09 - 00:09:15

And also give homage to Gwendolyn Brooks, who said, it's okay to have a poem that's not crafted.

Dorothy Marie Rice
Speaker Introduction

00:09:09 - 00:09:15

And also give homage to Gwendolyn Brooks, who said, it's okay to have a poem that's not crafted.

Dorothy Marie Rice

00:09:15 - 00:09:17

This was written this morning.

Dorothy Marie Rice

00:09:16 - 00:09:17

This was written this morning.

Dorothy Marie Rice
Speaker Introduction

00:09:18 - 00:09:19

Ambrosia.

Dorothy Marie Rice
Poetry Reading

00:09:18 - 00:09:19

Ambrosia.

Dorothy Marie Rice

00:09:20 - 00:09:21

Hush.

Dorothy Marie Rice
Poetry Reading

00:09:20 - 00:09:21

Hush.

Dorothy Marie Rice

00:09:22 - 00:09:26

Somebody's calling your name.

Dorothy Marie Rice
Poetry Reading

00:09:22 - 00:09:26

Somebody's calling your name.

Dorothy Marie Rice

00:09:26 - 00:09:32

The first buzz you hear, tiny as a raindrop, is the Scout.

Dorothy Marie Rice

00:09:27 - 00:09:33

The first buzz you hear, tiny as a raindrop, is the Scout.

Dorothy Marie Rice
Poetry Reading

00:09:33 - 00:09:39

She travels miles on sturdy wings, thin as mica.

Dorothy Marie Rice

00:09:34 - 00:09:40

She travels miles on sturdy wings, thin as mica.

Dorothy Marie Rice
Poetry Reading

00:09:40 - 00:09:44

Miles through ozone drenched currents.

Dorothy Marie Rice

00:09:41 - 00:09:44

Miles through ozone drenched currents.

Dorothy Marie Rice
Poetry Reading

00:09:44 - 00:09:47

Miles past housing projects.

Dorothy Marie Rice

00:09:45 - 00:09:48

Miles past housing projects.

Dorothy Marie Rice
Poetry Reading

00:09:48 - 00:09:49

Miles.

Dorothy Marie Rice
Poetry Reading

00:09:48 - 00:09:49

Miles.

Dorothy Marie Rice

00:09:50 - 00:09:58

Miles past bald headed little boys, pot bellied little girls, and weary grandmothers.

Dorothy Marie Rice
Poetry Reading

00:09:50 - 00:09:58

Miles past bald headed little boys, pot bellied little girls, and weary grandmothers.

Dorothy Marie Rice

00:09:59 - 00:10:17

Finally, a field, wild flowers, clover, she tongues the purple sweetness, baptizes herself, returns to her kin, miles and miles away.

Dorothy Marie Rice
Poetry Reading

00:09:59 - 00:10:16

Finally, a field, wild flowers, clover, she tongues the purple sweetness, baptizes herself, returns to her kin, miles and miles away.

Dorothy Marie Rice

00:10:17 - 00:10:20

Children, go where I send thee.

Dorothy Marie Rice

00:10:18 - 00:10:21

Children, go where I send thee.

Dorothy Marie Rice
Poetry Reading

00:10:21 - 00:10:26

We swarm, nestle ourselves in the bosom of mountains.

Dorothy Marie Rice

00:10:22 - 00:10:27

We swarm, nestle ourselves in the bosom of mountains.

Dorothy Marie Rice
Poetry Reading

00:10:27 - 00:10:34

Our hymns, a chorus, reverberating, breaking sound barriers.

Dorothy Marie Rice
Poetry Reading

00:10:27 - 00:10:34

Our hymns, a chorus, reverberating, breaking sound barriers.

Dorothy Marie Rice

00:10:41 - 00:10:43

Michael Collins, followed by Tony Blackman.

Unknown speaker 2
Speaker Introduction

00:10:41 - 00:10:43

Michael Collins, followed by Tony Blackman.

Unknown speaker 2

00:10:51 - 00:10:52

My name is Michael L.

Michael L. L. Collins

00:10:52 - 00:10:53

My name is Michael L.

Michael L. L. Collins
Speaker Introduction

00:10:52 - 00:10:52

L.

Michael L. L. Collins

00:10:52 - 00:10:53

Collins.

Michael L. L. Collins

00:10:53 - 00:10:53

L.

Michael L. L. Collins
Speaker Introduction

00:10:53 - 00:10:53

Collins.

Michael L. L. Collins
Speaker Introduction

00:10:53 - 00:10:55

I'm from Indianapolis, Indiana.

Michael L. L. Collins
Speaker Introduction

00:10:53 - 00:10:54

I'm from Indianapolis, Indiana.

Michael L. L. Collins

00:10:55 - 00:11:02

I'm a jazz poet, and I love reading jazz poems, and I love the fact that out there there are not only other

Michael L. L. Collins

00:10:56 - 00:11:03

I'm a jazz poet, and I love reading jazz poems, and I love the fact that out there there are not only other

Michael L. L. Collins
Speaker Introduction

00:11:02 - 00:11:06

poets, but poets out there with books, and poets out there teaching.

Michael L. L. Collins

00:11:03 - 00:11:06

poets, but poets out there with books, and poets out there teaching.

Michael L. L. Collins
Speaker Introduction

00:11:06 - 00:11:12

So it means also that I have, there's an audience that listens, it's not just waiting here to read.

Michael L. L. Collins

00:11:07 - 00:11:12

So it means also that I have, there's an audience that listens, it's not just waiting here to read.

Michael L. L. Collins
Speaker Introduction

00:11:14 - 00:11:19

But anyway, I read one time, and I, like I said, I love doing my jazz poems, I read one time in Indianapolis,

Michael L. L. Collins
Speaker Introduction

00:11:14 - 00:11:19

But anyway, I read one time, and I, like I said, I love doing my jazz poems, I read one time in Indianapolis,

Michael L. L. Collins

00:11:19 - 00:11:25

I read one of my jazz poems, and Mari was out in the audience, and uh, You know, I thought I did pretty good.

Michael L. L. Collins
Speaker Introduction

00:11:19 - 00:11:24

I read one of my jazz poems, and Mari was out in the audience, and uh, You know, I thought I did pretty good.

Michael L. L. Collins

00:11:24 - 00:11:27

She said what you did wasn't of any substance.

Michael L. L. Collins

00:11:25 - 00:11:28

She said what you did wasn't of any substance.

Michael L. L. Collins
Poetry Reading

00:11:29 - 00:11:31

I said, damn, you're right.

Michael L. L. Collins
Poetry Reading

00:11:29 - 00:11:30

I said, damn, you're right.

Michael L. L. Collins

00:11:30 - 00:11:33

Because I had read back to it and it wasn't of any substance.

Michael L. L. Collins

00:11:31 - 00:11:34

Because I had read back to it and it wasn't of any substance.

Michael L. L. Collins
Poetry Reading

00:11:33 - 00:11:36

She said it didn't address any issues in the community.

Michael L. L. Collins

00:11:34 - 00:11:36

She said it didn't address any issues in the community.

Michael L. L. Collins
Poetry Reading

00:11:37 - 00:11:38

I said, damn, you're right.

Michael L. L. Collins

00:11:38 - 00:11:39

I said, damn, you're right.

Michael L. L. Collins
Poetry Reading

00:11:40 - 00:11:44

I said, uh, got to do a little bit more writing.

Michael L. L. Collins
Poetry Reading

00:11:40 - 00:11:43

I said, uh, got to do a little bit more writing.

Michael L. L. Collins

00:11:44 - 00:11:49

And there were some important issues in the community and important issues where I was at.

Michael L. L. Collins

00:11:45 - 00:11:50

And there were some important issues in the community and important issues where I was at.

Michael L. L. Collins
Poetry Reading

00:11:50 - 00:11:52

And I was going to church at the time.

Michael L. L. Collins

00:11:51 - 00:11:53

And I was going to church at the time.

Michael L. L. Collins
Poetry Reading

00:11:53 - 00:12:05

So I thought I'd write a little bit about the church, and uh, I wanted to say, there's one important question when you go to church that you need to ask.

Michael L. L. Collins
Poetry Reading

00:11:53 - 00:12:04

So I thought I'd write a little bit about the church, and uh, I wanted to say, there's one important question when you go to church that you need to ask.

Michael L. L. Collins

00:12:05 - 00:12:09

That is, ask, who gave the money?

Michael L. L. Collins

00:12:06 - 00:12:09

That is, ask, who gave the money?

Michael L. L. Collins
Poetry Reading

00:12:12 - 00:12:16

Ask, where does the money go?

Michael L. L. Collins

00:12:13 - 00:12:17

Ask, where does the money go?

Michael L. L. Collins
Poetry Reading

00:12:20 - 00:12:24

Now, sisters, ask the preacher.

Michael L. L. Collins
Poetry Reading

00:12:20 - 00:12:24

Now, sisters, ask the preacher.

Michael L. L. Collins

00:12:25 - 00:12:27

To read with you from the book of Mark.

Michael L. L. Collins
Poetry Reading

00:12:25 - 00:12:27

To read with you from the book of Mark.

Michael L. L. Collins

00:12:29 - 00:12:35

Now ask if the Bible is opened when he opens the finance books.

Michael L. L. Collins
Poetry Reading

00:12:29 - 00:12:35

Now ask if the Bible is opened when he opens the finance books.

Michael L. L. Collins

00:12:37 - 00:12:43

Ask if the message in one book can answer the message in the other.

Michael L. L. Collins
Poetry Reading

00:12:37 - 00:12:42

Ask if the message in one book can answer the message in the other.

Michael L. L. Collins

00:12:45 - 00:12:51

Ask him to turn to chapter 12, verse 38 through 44.

Michael L. L. Collins

00:12:46 - 00:12:52

Ask him to turn to chapter 12, verse 38 through 44.

Michael L. L. Collins
Poetry Reading

00:12:52 - 00:12:54

Ask him to preach from that passage.

Michael L. L. Collins

00:12:53 - 00:12:54

Ask him to preach from that passage.

Michael L. L. Collins
Poetry Reading

00:12:56 - 00:12:58

Ask them to preach it's meaning.

Michael L. L. Collins
Poetry Reading

00:12:56 - 00:12:57

Ask them to preach it's meaning.

Michael L. L. Collins

00:13:00 - 00:13:01

Now ask,

Michael L. L. Collins

00:13:01 - 00:13:01

Now ask,

Michael L. L. Collins
Poetry Reading

00:13:05 - 00:13:07

why are there no women trustees?

Michael L. L. Collins

00:13:06 - 00:13:08

why are there no women trustees?

Michael L. L. Collins
Poetry Reading

00:13:11 - 00:13:16

Ask, why no sisters sit on the deacon board?

Michael L. L. Collins
Poetry Reading

00:13:11 - 00:13:15

Ask, why no sisters sit on the deacon board?

Michael L. L. Collins

00:13:18 - 00:13:21

Ask, why brothers ask sisters not to ask?

Michael L. L. Collins
Poetry Reading

00:13:18 - 00:13:21

Ask, why brothers ask sisters not to ask?

Michael L. L. Collins

00:13:24 - 00:13:26

Where does the money go?

Michael L. L. Collins
Poetry Reading

00:13:24 - 00:13:26

Where does the money go?

Michael L. L. Collins

00:13:29 - 00:13:31

Then, counter him.

Michael L. L. Collins

00:13:30 - 00:13:32

Then, counter him.

Michael L. L. Collins
Poetry Reading

00:13:33 - 00:13:36

ount to him the number of sisters in the church.

Michael L. L. Collins
Poetry Reading

00:13:33 - 00:13:35

ount to him the number of sisters in the church.

Michael L. L. Collins

00:13:37 - 00:13:47

Count to him the sisters who serve on the usher board, who sing in the choir, and tell him not to forget those who teach in the Sunday schools.

Michael L. L. Collins

00:13:38 - 00:13:47

Count to him the sisters who serve on the usher board, who sing in the choir, and tell him not to forget those who teach in the Sunday schools.

Michael L. L. Collins
Poetry Reading

00:13:49 - 00:13:50

Yeah.

Michael L. L. Collins

00:13:50 - 00:13:50

Yeah.

Michael L. L. Collins
Poetry Reading

00:13:50 - 00:13:55

Count to him the small number of men in the church.

Michael L. L. Collins

00:13:51 - 00:13:56

Count to him the small number of men in the church.

Michael L. L. Collins
Poetry Reading

00:13:58 - 00:14:05

Count to him the number of times you've heard that only brothers can count the money.

Michael L. L. Collins

00:13:59 - 00:14:06

Count to him the number of times you've heard that only brothers can count the money.

Michael L. L. Collins
Poetry Reading

00:14:10 - 00:14:13

They have to count the money early in the afternoon.

Michael L. L. Collins
Poetry Reading

00:14:10 - 00:14:12

They have to count the money early in the afternoon.

Michael L. L. Collins

00:14:14 - 00:14:23

Because baseball, basketball, football, boxing.

Michael L. L. Collins

00:14:15 - 00:14:23

Because baseball, basketball, football, boxing.

Michael L. L. Collins
Poetry Reading

00:14:23 - 00:14:24

I said boxing.

Michael L. L. Collins

00:14:24 - 00:14:25

I said boxing.

Michael L. L. Collins
Poetry Reading

00:14:27 - 00:14:29

They create conflicts.

Michael L. L. Collins

00:14:28 - 00:14:30

They create conflicts.

Michael L. L. Collins
Poetry Reading

00:14:31 - 00:14:32

And they just can't stay late.

Michael L. L. Collins
Poetry Reading

00:14:31 - 00:14:32

And they just can't stay late.

Michael L. L. Collins

00:14:34 - 00:14:35

Except,

Michael L. L. Collins
Poetry Reading

00:14:34 - 00:14:35

Except,

Michael L. L. Collins

00:14:37 - 00:14:39

oh yeah, except.

Michael L. L. Collins
Poetry Reading

00:14:37 - 00:14:39

oh yeah, except.

Michael L. L. Collins

00:14:39 - 00:14:42

Except if there's a special service.

Michael L. L. Collins
Poetry Reading

00:14:39 - 00:14:42

Except if there's a special service.

Michael L. L. Collins

00:14:43 - 00:14:48

Like that time the champ was called.

Michael L. L. Collins

00:14:44 - 00:14:49

Like that time the champ was called.

Michael L. L. Collins
Poetry Reading

00:14:50 - 00:14:52

Yeah, it was that special Sunday.

Michael L. L. Collins
Poetry Reading

00:14:50 - 00:14:51

Yeah, it was that special Sunday.

Michael L. L. Collins

00:14:51 - 00:14:56

The champ, Iron Mike Tyson was called to walk down the aisle.

Michael L. L. Collins

00:14:52 - 00:14:56

The champ, Iron Mike Tyson was called to walk down the aisle.

Michael L. L. Collins
Poetry Reading

00:15:00 - 00:15:03

And he gave an exceptional donation.

Michael L. L. Collins
Poetry Reading

00:15:00 - 00:15:02

And he gave an exceptional donation.

Michael L. L. Collins

00:15:04 - 00:15:05

All the brothers were there.

Michael L. L. Collins

00:15:05 - 00:15:06

All the brothers were there.

Michael L. L. Collins
Poetry Reading

00:15:07 - 00:15:08

Preacher was there.

Michael L. L. Collins

00:15:08 - 00:15:09

Preacher was there.

Michael L. L. Collins
Poetry Reading

00:15:10 - 00:15:11

You should have been there

Michael L. L. Collins
Poetry Reading

00:15:10 - 00:15:11

You should have been there

Michael L. L. Collins

00:15:13 - 00:15:14

to ask.

Michael L. L. Collins
Poetry Reading

00:15:13 - 00:15:13

to ask.

Michael L. L. Collins

00:15:15 - 00:15:17

Ask him to open that book again.

Michael L. L. Collins

00:15:16 - 00:15:17

Ask him to open that book again.

Michael L. L. Collins
Poetry Reading

00:15:19 - 00:15:22

Yeah, ask him to read that message again.

Michael L. L. Collins
Poetry Reading

00:15:19 - 00:15:21

Yeah, ask him to read that message again.

Michael L. L. Collins

00:15:24 - 00:15:27

Ask him to read the part about when the collection was taken.

Michael L. L. Collins
Poetry Reading

00:15:24 - 00:15:27

Ask him to read the part about when the collection was taken.

Michael L. L. Collins

00:15:29 - 00:15:36

Ask him to read the part about when that multi multi millionaire gave that multi multi money.

Michael L. L. Collins
Poetry Reading

00:15:29 - 00:15:36

Ask him to read the part about when that multi multi millionaire gave that multi multi money.

Michael L. L. Collins

00:15:37 - 00:15:39

And that little itty bitty woman.

Michael L. L. Collins

00:15:38 - 00:15:39

And that little itty bitty woman.

Michael L. L. Collins
Poetry Reading

00:15:41 - 00:15:43

Oh, she gave a little itty bitty bit.

Michael L. L. Collins
Poetry Reading

00:15:41 - 00:15:42

Oh, she gave a little itty bitty bit.

Michael L. L. Collins

00:15:45 - 00:15:46

Read your Bible now.

Michael L. L. Collins

00:15:46 - 00:15:47

Read your Bible now.

Michael L. L. Collins
Poetry Reading

00:15:48 - 00:15:50

Ask who the Bible said gave the most.

Michael L. L. Collins

00:15:49 - 00:15:51

Ask who the Bible said gave the most.

Michael L. L. Collins
Poetry Reading

00:15:53 - 00:15:55

Now, then ask.

Michael L. L. Collins
Poetry Reading

00:15:53 - 00:15:54

Now, then ask.

Michael L. L. Collins

00:15:57 - 00:16:05

Ask if the church's Sunday school teacher says that she's been raped.

Michael L. L. Collins

00:15:58 - 00:16:06

Ask if the church's Sunday school teacher says that she's been raped.

Michael L. L. Collins
Poetry Reading

00:16:07 - 00:16:11

Raped by that same sports hero,

Michael L. L. Collins

00:16:08 - 00:16:11

Raped by that same sports hero,

Michael L. L. Collins
Poetry Reading

00:16:13 - 00:16:14

Iron Mike Tyson.

Michael L. L. Collins

00:16:14 - 00:16:14

Iron Mike Tyson.

Michael L. L. Collins
Poetry Reading

00:16:17 - 00:16:20

That same Seventh Commandment breaking sports hero.

Michael L. L. Collins

00:16:18 - 00:16:21

That same Seventh Commandment breaking sports hero.

Michael L. L. Collins
Poetry Reading

00:16:22 - 00:16:25

Ask, who will the church believe?

Michael L. L. Collins

00:16:23 - 00:16:26

Ask, who will the church believe?

Michael L. L. Collins
Poetry Reading

00:16:28 - 00:16:31

Ask, if his book is still open.

Michael L. L. Collins

00:16:29 - 00:16:32

Ask, if his book is still open.

Michael L. L. Collins
Poetry Reading

00:16:34 - 00:16:35

Finance book

Michael L. L. Collins
Poetry Reading

00:16:34 - 00:16:35

Finance book

Michael L. L. Collins

00:16:37 - 00:16:38

or Bible book.

Michael L. L. Collins

00:16:38 - 00:16:38

or Bible book.

Michael L. L. Collins
Poetry Reading

00:16:40 - 00:16:43

Ask, who gave the money?

Michael L. L. Collins
Poetry Reading

00:16:40 - 00:16:43

Ask, who gave the money?

Michael L. L. Collins

00:16:45 - 00:16:52

Ask, where does that money go?

Michael L. L. Collins
Poetry Reading

00:16:45 - 00:16:52

Ask, where does that money go?

Michael L. L. Collins

00:16:56 - 00:16:59

Toni Blackman, followed by Jonathan Gray.

Unknown speaker 2

00:16:57 - 00:16:59

Toni Blackman, followed by Jonathan Gray.

Unknown speaker 2
Speaker Introduction

00:17:01 - 00:17:03

Toni Blackman, followed by Jonathan Gray.

Unknown speaker 2
Speaker Introduction

00:17:01 - 00:17:03

Toni Blackman, followed by Jonathan Gray.

00:17:10 - 00:17:12

The black woman's struggle.

Toni Blackman

00:17:11 - 00:17:12

The black woman's struggle.

Toni Blackman
Poetry Reading

00:17:13 - 00:17:19

Her head swings low like Sweet's chariot, but she ain't coming forth to carry you home.

Toni Blackman

00:17:14 - 00:17:20

Her head swings low like Sweet's chariot, but she ain't coming forth to carry you home.

Toni Blackman
Poetry Reading

00:17:20 - 00:17:24

She and her sister, carrying too much as it is.

Toni Blackman

00:17:21 - 00:17:25

She and her sister, carrying too much as it is.

Toni Blackman
Poetry Reading

00:17:26 - 00:17:28

Hello, my name is Toni Blackman.

Toni Blackman
Poetry Reading

00:17:26 - 00:17:27

Hello, my name is Toni Blackman.

Toni Blackman

00:17:27 - 00:17:28

I want to give a shout out to E.

Toni Blackman

00:17:28 - 00:17:29

I want to give a shout out to E.

Toni Blackman
Poetry Reading

00:17:28 - 00:17:29

Ethelbert Miller.

Toni Blackman

00:17:29 - 00:17:30

Ethelbert Miller.

Toni Blackman
Poetry Reading

00:17:30 - 00:17:33

One of the reasons that I've been writing for so long.

Toni Blackman
Poetry Reading

00:17:30 - 00:17:32

One of the reasons that I've been writing for so long.

Toni Blackman

00:17:32 - 00:17:33

Irving G.

Toni Blackman

00:17:33 - 00:17:33

Irving G.

Toni Blackman
Poetry Reading

00:17:33 - 00:17:33

Russell.

Toni Blackman
Poetry Reading

00:17:33 - 00:17:36

He's a very helpful brother.

Toni Blackman
Poetry Reading

00:17:33 - 00:17:33

Russell.

Toni Blackman

00:17:33 - 00:17:35

He's a very helpful brother.

Toni Blackman

00:17:36 - 00:17:40

I write a lot of four poems that have maybe seven words in them at the most.

Toni Blackman

00:17:37 - 00:17:41

I write a lot of four poems that have maybe seven words in them at the most.

Toni Blackman
Poetry Reading

00:17:42 - 00:17:46

So, um, I think today that's what I feel like reading.

Toni Blackman
Poetry Reading

00:17:42 - 00:17:45

So, um, I think today that's what I feel like reading.

Toni Blackman

00:17:47 - 00:17:50

And this one is called Accident at the Church.

Toni Blackman
Poetry Reading

00:17:47 - 00:17:49

And this one is called Accident at the Church.

Toni Blackman

00:17:50 - 00:17:58

The steeple toppled into the parking lot, causing the parishioners to scream, to actually care about one another.

Toni Blackman

00:17:51 - 00:17:59

The steeple toppled into the parking lot, causing the parishioners to scream, to actually care about one another.

Toni Blackman
Poetry Reading

00:18:01 - 00:18:02

Spell number three.

Toni Blackman

00:18:02 - 00:18:03

Spell number three.

Toni Blackman
Poetry Reading

00:18:03 - 00:18:11

I tried to write a poem about your eyes, but you kept staring at me.

Toni Blackman

00:18:04 - 00:18:11

I tried to write a poem about your eyes, but you kept staring at me.

Toni Blackman
Poetry Reading

00:18:12 - 00:18:13

Intercourse.

Toni Blackman

00:18:13 - 00:18:14

Intercourse.

Toni Blackman
Poetry Reading

00:18:15 - 00:18:19

Last night I made love to myself for the very first time.

Toni Blackman
Poetry Reading

00:18:15 - 00:18:18

Last night I made love to myself for the very first time.

Toni Blackman

00:18:19 - 00:18:23

There was absolutely nothing painful about it.

Toni Blackman

00:18:20 - 00:18:23

There was absolutely nothing painful about it.

Toni Blackman
Poetry Reading

00:18:28 - 00:18:29

Every Sunday.

Toni Blackman
Poetry Reading

00:18:28 - 00:18:28

Every Sunday.

Toni Blackman

00:18:30 - 00:18:35

Miss Lucy in that old tired red velvet hat struts the avenue as if it were the night.

Toni Blackman
Poetry Reading

00:18:30 - 00:18:35

Miss Lucy in that old tired red velvet hat struts the avenue as if it were the night.

Toni Blackman

00:18:35 - 00:18:47

And my final piece is written for my brothers who chant the pussy song.

Toni Blackman
Poetry Reading

00:18:35 - 00:18:47

And my final piece is written for my brothers who chant the pussy song.

Toni Blackman

00:18:49 - 00:18:54

Obsessed with vaginal chants of regions of acts of nonsense.

Toni Blackman

00:18:50 - 00:18:54

Obsessed with vaginal chants of regions of acts of nonsense.

Toni Blackman
Poetry Reading

00:18:54 - 00:18:58

Not moving us forward, stagnant we remain.

Toni Blackman

00:18:55 - 00:18:58

Not moving us forward, stagnant we remain.

Toni Blackman
Poetry Reading

00:18:58 - 00:19:04

Clutching to those concepts with which they have brainwashed us, with which they have controlled us.

Toni Blackman

00:18:59 - 00:19:04

Clutching to those concepts with which they have brainwashed us, with which they have controlled us.

Toni Blackman
Poetry Reading

00:19:04 - 00:19:09

Sex can be hypnotic if you allow it to be.

Toni Blackman
Poetry Reading

00:19:04 - 00:19:08

Sex can be hypnotic if you allow it to be.

Toni Blackman

00:19:09 - 00:19:13

Sex can be an escape if you allow it to be.

Toni Blackman
Poetry Reading

00:19:09 - 00:19:12

Sex can be an escape if you allow it to be.

Toni Blackman

00:19:13 - 00:19:16

The only true escape from reality is death.

Toni Blackman

00:19:14 - 00:19:17

The only true escape from reality is death.

Toni Blackman
Poetry Reading

00:19:17 - 00:19:22

And we are allowing it to happen one by one by one by one.

Toni Blackman
Poetry Reading

00:19:17 - 00:19:21

And we are allowing it to happen one by one by one by one.

Toni Blackman

00:19:21 - 00:19:23

We are an endangered species.

Toni Blackman

00:19:22 - 00:19:24

We are an endangered species.

Toni Blackman
Poetry Reading

00:19:23 - 00:19:26

Sex is not for our people, no.

Toni Blackman

00:19:24 - 00:19:27

Sex is not for our people, no.

Toni Blackman
Poetry Reading

00:19:27 - 00:19:30

We cannot allow it to happen.

Toni Blackman
Poetry Reading

00:19:27 - 00:19:29

We cannot allow it to happen.

Toni Blackman

00:19:29 - 00:19:33

For we, we must make love.

Toni Blackman

00:19:30 - 00:19:34

For we, we must make love.

Toni Blackman
Poetry Reading

00:19:33 - 00:19:38

Applause

Audience

00:19:34 - 00:19:38

Applause

Applause

00:19:42 - 00:19:46

Next we have Jonathan Gray, followed by Kwame Alexander.

Unknown speaker 2

00:19:43 - 00:19:47

Next we have Jonathan Gray, followed by Kwame Alexander.

Unknown speaker 2
Speaker Introduction

00:19:48 - 00:19:48

Jonathan

Jonathan Gray

00:19:49 - 00:19:49

Jonathan

Jonathan Gray
Speaker Introduction

00:19:56 - 00:19:57

from Howard University.

Jonathan Gray

00:19:57 - 00:19:58

from Howard University.

Jonathan Gray
Speaker Introduction

00:19:57 - 00:20:00

Peace to all the brothers from 8 Rock.

Jonathan Gray

00:19:58 - 00:20:00

Peace to all the brothers from 8 Rock.

Jonathan Gray
Speaker Introduction

00:20:01 - 00:20:04

Um, if you think this poem applies to you, then it probably does.

Jonathan Gray
Speaker Introduction

00:20:01 - 00:20:04

Um, if you think this poem applies to you, then it probably does.

Jonathan Gray

00:20:06 - 00:20:07

What?

Jonathan Gray

00:20:07 - 00:20:07

What?

Jonathan Gray
Poetry Reading

00:20:08 - 00:20:09

You don't really want to battle.

Jonathan Gray

00:20:09 - 00:20:10

You don't really want to battle.

Jonathan Gray
Poetry Reading

00:20:10 - 00:20:17

Are you buggin Comin at me with some old muley mouth bullshit about why can't the brothers and sisters get along.

Jonathan Gray
Poetry Reading

00:20:10 - 00:20:17

Are you buggin Comin at me with some old muley mouth bullshit about why can't the brothers and sisters get along.

Jonathan Gray

00:20:18 - 00:20:20

Fuck that, fake punk.

Jonathan Gray
Poetry Reading

00:20:18 - 00:20:20

Fuck that, fake punk.

Jonathan Gray

00:20:20 - 00:20:29

You know you only kickin that shit so you can have sex with a pseudo revolutionary, nappy headed, falsetto intellectual who is jockin you because you have a nose ring.

Jonathan Gray

00:20:21 - 00:20:30

You know you only kickin that shit so you can have sex with a pseudo revolutionary, nappy headed, falsetto intellectual who is jockin you because you have a nose ring.

Jonathan Gray
Poetry Reading

00:20:30 - 00:20:31

A nose ring.

Jonathan Gray

00:20:31 - 00:20:32

A nose ring.

Jonathan Gray
Poetry Reading

00:20:32 - 00:20:36

And you surely ain't no bull like I am.

Jonathan Gray
Poetry Reading

00:20:32 - 00:20:35

And you surely ain't no bull like I am.

Jonathan Gray

00:20:35 - 00:20:36

Preachin about respect.

Jonathan Gray

00:20:36 - 00:20:37

Preachin about respect.

Jonathan Gray
Poetry Reading

00:20:37 - 00:20:39

You don't respect what I stand for.

Jonathan Gray
Poetry Reading

00:20:37 - 00:20:39

You don't respect what I stand for.

Jonathan Gray

00:20:39 - 00:20:44

Always talking about represent, hmm, what the fuck do you represent?

Jonathan Gray

00:20:40 - 00:20:44

Always talking about represent, hmm, what the fuck do you represent?

Jonathan Gray
Poetry Reading

00:20:45 - 00:20:49

Bourgeois black trust fund baby trying to be real, phony punk, what?

Jonathan Gray
Poetry Reading

00:20:45 - 00:20:48

Bourgeois black trust fund baby trying to be real, phony punk, what?

Jonathan Gray

00:20:49 - 00:20:50

I know you ain't saying nothing.

Jonathan Gray

00:20:50 - 00:20:51

I know you ain't saying nothing.

Jonathan Gray
Poetry Reading

00:20:51 - 00:20:55

Doing this rhythm and poetry to rebel against your parents.

Jonathan Gray

00:20:52 - 00:20:56

Doing this rhythm and poetry to rebel against your parents.

Jonathan Gray
Poetry Reading

00:20:56 - 00:20:57

I don't have parents.

Jonathan Gray

00:20:57 - 00:20:57

I don't have parents.

Jonathan Gray
Poetry Reading

00:20:58 - 00:21:00

My mother dropped me off when I was 12.

Jonathan Gray

00:20:59 - 00:21:01

My mother dropped me off when I was 12.

Jonathan Gray
Poetry Reading

00:21:01 - 00:21:03

I was old.

Jonathan Gray

00:21:02 - 00:21:03

I was old.

Jonathan Gray
Poetry Reading

00:21:03 - 00:21:06

I have suppositions.

Jonathan Gray
Poetry Reading

00:21:03 - 00:21:06

I have suppositions.

Jonathan Gray

00:21:07 - 00:21:09

And you want to battle me?

Jonathan Gray
Poetry Reading

00:21:07 - 00:21:09

And you want to battle me?

Jonathan Gray

00:21:10 - 00:21:12

Bitch ass nigga, step!

Jonathan Gray

00:21:11 - 00:21:12

Bitch ass nigga, step!

Jonathan Gray
Poetry Reading

00:21:13 - 00:21:16

I ain't got nothin to live for, and nothin to lose.

Jonathan Gray
Poetry Reading

00:21:13 - 00:21:16

I ain't got nothin to live for, and nothin to lose.

Jonathan Gray

00:21:17 - 00:21:18

So what, nigga?

Jonathan Gray
Poetry Reading

00:21:17 - 00:21:17

So what, nigga?

Jonathan Gray

00:21:18 - 00:21:19

Step.

Jonathan Gray

00:21:19 - 00:21:19

Step.

Jonathan Gray
Poetry Reading

00:21:21 - 00:21:22

Yeah, that's what I thought.

Jonathan Gray
Poetry Reading

00:21:21 - 00:21:22

Yeah, that's what I thought.

Jonathan Gray

00:21:29 - 00:21:33

Kwame Alexander, followed by, uh, Nehassaiu deGannes.

Unknown speaker 2
Speaker Introduction

00:21:29 - 00:21:32

Kwame Alexander, followed by, uh, Nehassaiu deGannes.

Unknown speaker 2

00:21:33 - 00:21:37

What's happenin

Kwame Alexander
Poetry Reading

00:21:33 - 00:21:37

What's happenin

Kwame Alexander

00:21:48 - 00:21:51

Much props to my daughter, Nandi, the creator.

Kwame Alexander

00:21:49 - 00:21:51

Much props to my daughter, Nandi, the creator.

Kwame Alexander
Poetry Reading

00:21:52 - 00:21:53

Poet from D.

Kwame Alexander
Poetry Reading

00:21:52 - 00:21:52

Poet from D.

Kwame Alexander

00:21:52 - 00:21:53

C., 8 Rock.

Kwame Alexander

00:21:53 - 00:21:54

C., 8 Rock.

Kwame Alexander
Poetry Reading

00:21:54 - 00:21:55

It's your mug.

Kwame Alexander

00:21:55 - 00:21:55

It's your mug.

Kwame Alexander
Poetry Reading

00:21:55 - 00:21:56

Stage Black.

Kwame Alexander

00:21:56 - 00:21:57

Stage Black.

Kwame Alexander
Poetry Reading

00:21:58 - 00:22:03

My favorite piece of a journal slash book that I'm editing called The Flow.

Kwame Alexander

00:21:59 - 00:22:03

My favorite piece of a journal slash book that I'm editing called The Flow.

Kwame Alexander
Poetry Reading

00:22:04 - 00:22:05

New black poetry in motion.

Kwame Alexander
Poetry Reading

00:22:04 - 00:22:05

New black poetry in motion.

Kwame Alexander

00:22:06 - 00:22:07

Manpower.

Kwame Alexander

00:22:07 - 00:22:07

Manpower.

Kwame Alexander
Poetry Reading

00:22:10 - 00:22:11

Appetizer.

Kwame Alexander
Poetry Reading

00:22:10 - 00:22:10

Appetizer.

Kwame Alexander

00:22:12 - 00:22:13

Strawberries.

Kwame Alexander
Poetry Reading

00:22:12 - 00:22:13

Strawberries.

Kwame Alexander

00:22:13 - 00:22:14

Orange slices.

Kwame Alexander

00:22:14 - 00:22:15

Orange slices.

Kwame Alexander
Poetry Reading

00:22:15 - 00:22:16

Pineapples.

Kwame Alexander
Poetry Reading

00:22:15 - 00:22:16

Pineapples.

Kwame Alexander

00:22:16 - 00:22:17

Grapes.

Kwame Alexander

00:22:17 - 00:22:17

Grapes.

Kwame Alexander
Poetry Reading

00:22:17 - 00:22:18

Apples.

Kwame Alexander

00:22:18 - 00:22:19

Apples.

Kwame Alexander
Poetry Reading

00:22:19 - 00:22:22

So I ask her, What about the watermelon?

Kwame Alexander

00:22:20 - 00:22:23

So I ask her, What about the watermelon?

Kwame Alexander
Poetry Reading

00:22:24 - 00:22:28

She reads me like a page out of the Afro listic Guide to Nutrition.

Kwame Alexander
Poetry Reading

00:22:24 - 00:22:27

She reads me like a page out of the Afro listic Guide to Nutrition.

Kwame Alexander

00:22:28 - 00:22:30

You never mix citrus fruits with melons.

Kwame Alexander

00:22:29 - 00:22:31

You never mix citrus fruits with melons.

Kwame Alexander
Poetry Reading

00:22:32 - 00:22:35

Start with the scratch, and there will be no itch.

Kwame Alexander

00:22:33 - 00:22:36

Start with the scratch, and there will be no itch.

Kwame Alexander
Poetry Reading

00:22:36 - 00:22:39

We must return to the old ways, to the old way.

Kwame Alexander

00:22:37 - 00:22:40

We must return to the old ways, to the old way.

Kwame Alexander
Poetry Reading

00:22:40 - 00:22:43

Abandon that which is new and confusing.

Kwame Alexander
Poetry Reading

00:22:40 - 00:22:42

Abandon that which is new and confusing.

Kwame Alexander

00:22:42 - 00:22:45

Just because it's modern, don't make it real.

Kwame Alexander

00:22:43 - 00:22:45

Just because it's modern, don't make it real.

Kwame Alexander
Poetry Reading

00:22:45 - 00:22:49

It just become temporary, like my job.

Kwame Alexander
Poetry Reading

00:22:45 - 00:22:48

It just become temporary, like my job.

Kwame Alexander

00:22:50 - 00:22:57

Paid 5 G's a week to smile at corporate fearing would be Tarzans with jungled bellies who make 5 G's a day to smile

Kwame Alexander

00:22:51 - 00:22:57

Paid 5 G's a week to smile at corporate fearing would be Tarzans with jungled bellies who make 5 G's a day to smile

Kwame Alexander
Poetry Reading

00:22:57 - 00:23:02

at corporate wannabes who waste no time making well thought of jokes about OJ.

Kwame Alexander
Poetry Reading

00:22:57 - 00:23:01

at corporate wannabes who waste no time making well thought of jokes about OJ.

Kwame Alexander

00:23:02 - 00:23:05

Obey your thirst, drink Sprite.

Kwame Alexander

00:23:03 - 00:23:05

Obey your thirst, drink Sprite.

Kwame Alexander
Poetry Reading

00:23:06 - 00:23:08

Obey your drink, thirst Sprite.

Kwame Alexander

00:23:07 - 00:23:09

Obey your drink, thirst Sprite.

Kwame Alexander
Poetry Reading

00:23:09 - 00:23:11

Drink your Sprite, obey thirst.

Kwame Alexander

00:23:10 - 00:23:11

Drink your Sprite, obey thirst.

Kwame Alexander
Poetry Reading

00:23:11 - 00:23:13

Thirst your drink, obey Sprite.

Kwame Alexander

00:23:12 - 00:23:13

Thirst your drink, obey Sprite.

Kwame Alexander
Poetry Reading

00:23:13 - 00:23:15

Obey Sprite, obey Sprite.

Kwame Alexander
Poetry Reading

00:23:13 - 00:23:15

Obey Sprite, obey Sprite.

Kwame Alexander

00:23:17 - 00:23:19

The blacker the smile, the sweeter the pension.

Kwame Alexander

00:23:17 - 00:23:19

The blacker the smile, the sweeter the pension.

Kwame Alexander
Poetry Reading

00:23:20 - 00:23:23

The slower the walk, the faster the lynching.

Kwame Alexander
Poetry Reading

00:23:20 - 00:23:22

The slower the walk, the faster the lynching.

Kwame Alexander

00:23:24 - 00:23:26

We remember Roots, the latest version.

Kwame Alexander

00:23:25 - 00:23:27

We remember Roots, the latest version.

Kwame Alexander
Poetry Reading

00:23:27 - 00:23:31

Written, directed, produced, conceived, created, marketed, and starring.

Kwame Alexander
Poetry Reading

00:23:27 - 00:23:31

Written, directed, produced, conceived, created, marketed, and starring.

Kwame Alexander

00:23:31 - 00:23:33

Introduction, I don't recall.

Kwame Alexander

00:23:32 - 00:23:34

Introduction, I don't recall.

Kwame Alexander
Poetry Reading

00:23:34 - 00:23:37

Part one, the untouchable, airborne nigger.

Kwame Alexander

00:23:35 - 00:23:38

Part one, the untouchable, airborne nigger.

Kwame Alexander
Poetry Reading

00:23:38 - 00:23:42

Part two, the innocent, crotch grabbing, more than black nigger.

Kwame Alexander
Poetry Reading

00:23:38 - 00:23:41

Part two, the innocent, crotch grabbing, more than black nigger.

Kwame Alexander

00:23:43 - 00:23:45

And the saga continues with part three.

Kwame Alexander

00:23:44 - 00:23:45

And the saga continues with part three.

Kwame Alexander
Poetry Reading

00:23:46 - 00:23:49

The most recent unstoppable airport nigger.

Kwame Alexander
Poetry Reading

00:23:46 - 00:23:48

The most recent unstoppable airport nigger.

Kwame Alexander

00:23:50 - 00:23:51

Caution, niggers.

Kwame Alexander
Poetry Reading

00:23:50 - 00:23:51

Caution, niggers.

Kwame Alexander

00:23:51 - 00:23:55

Mixing citrus fruits with melons is hazardous to you and your health.

Kwame Alexander

00:23:52 - 00:23:56

Mixing citrus fruits with melons is hazardous to you and your health.

Kwame Alexander
Poetry Reading

00:23:56 - 00:23:58

Lately, everything has become sexual.

Kwame Alexander

00:23:57 - 00:23:59

Lately, everything has become sexual.

Kwame Alexander
Poetry Reading

00:23:59 - 00:24:04

The way you walk, the way we talk, and even my job has become sexual.

Kwame Alexander
Poetry Reading

00:23:59 - 00:24:03

The way you walk, the way we talk, and even my job has become sexual.

Kwame Alexander

00:24:04 - 00:24:07

Want to stick my disc in the drive and load my software.

Kwame Alexander
Poetry Reading

00:24:04 - 00:24:07

Want to stick my disc in the drive and load my software.

Kwame Alexander

00:24:09 - 00:24:10

Error.

Kwame Alexander
Poetry Reading

00:24:09 - 00:24:09

Error.

Kwame Alexander

00:24:09 - 00:24:11

Unable to read the disc.

Kwame Alexander

00:24:10 - 00:24:12

Unable to read the disc.

Kwame Alexander
Poetry Reading

00:24:12 - 00:24:14

The program worked last week.

Kwame Alexander
Poetry Reading

00:24:12 - 00:24:14

The program worked last week.

Kwame Alexander

00:24:15 - 00:24:21

So I checked my hardware and discovered that the problem is my memory.

Kwame Alexander

00:24:16 - 00:24:21

So I checked my hardware and discovered that the problem is my memory.

Kwame Alexander
Poetry Reading

00:24:22 - 00:24:24

I discovered that the problem is my memory.

Kwame Alexander

00:24:23 - 00:24:25

I discovered that the problem is my memory.

Kwame Alexander
Poetry Reading

00:24:25 - 00:24:27

Was it French or Italian?

Kwame Alexander
Poetry Reading

00:24:25 - 00:24:27

Was it French or Italian?

Kwame Alexander

00:24:27 - 00:24:30

The tomatoes and olives should be seasoned with feta cheese.

Kwame Alexander

00:24:28 - 00:24:30

The tomatoes and olives should be seasoned with feta cheese.

Kwame Alexander
Poetry Reading

00:24:30 - 00:24:35

Break the lettuce into half inch pieces and then add the croutons and the radishes.

Kwame Alexander
Poetry Reading

00:24:30 - 00:24:34

Break the lettuce into half inch pieces and then add the croutons and the radishes.

Kwame Alexander

00:24:35 - 00:24:38

Mix everything in one bowl and chill.

Kwame Alexander
Poetry Reading

00:24:35 - 00:24:37

Mix everything in one bowl and chill.

Kwame Alexander

00:24:39 - 00:24:43

We walked the slow walk, the walk of zombies and snow.

Kwame Alexander
Poetry Reading

00:24:39 - 00:24:42

We walked the slow walk, the walk of zombies and snow.

Kwame Alexander

00:24:43 - 00:24:49

We don't owe nobody, don't own nobody, and don't know nobody who listens to Garth Brooks.

Kwame Alexander
Poetry Reading

00:24:43 - 00:24:48

We don't owe nobody, don't own nobody, and don't know nobody who listens to Garth Brooks.

Kwame Alexander

00:24:49 - 00:24:52

Khaled Mohamed maybe, but not Garth Brooks.

Kwame Alexander

00:24:50 - 00:24:52

Khaled Mohamed maybe, but not Garth Brooks.

Kwame Alexander
Poetry Reading

00:24:52 - 00:24:55

Leonard Jeffries maybe, but not Garth Brooks.

Kwame Alexander
Poetry Reading

00:24:52 - 00:24:54

Leonard Jeffries maybe, but not Garth Brooks.

Kwame Alexander

00:24:54 - 00:24:57

Maulana Karenga maybe, but not Garth Brooks.

Kwame Alexander

00:24:55 - 00:24:57

Maulana Karenga maybe, but not Garth Brooks.

Kwame Alexander
Poetry Reading

00:24:57 - 00:25:01

Professor Egypt himself, but not Garth Brooks.

Kwame Alexander

00:24:58 - 00:25:01

Professor Egypt himself, but not Garth Brooks.

Kwame Alexander
Poetry Reading

00:25:01 - 00:25:08

How you gonna practice an ancient philosophy in 1994 and expect it to work for you when it didn't work for them in four?

Kwame Alexander

00:25:02 - 00:25:08

How you gonna practice an ancient philosophy in 1994 and expect it to work for you when it didn't work for them in four?

Kwame Alexander
Poetry Reading

00:25:09 - 00:25:11

Silly rabbits, Afrocentrics are for kids.

Kwame Alexander

00:25:10 - 00:25:12

Silly rabbits, Afrocentrics are for kids.

Kwame Alexander
Poetry Reading

00:25:13 - 00:25:21

Grownups walk in the sun, avoid snow at all costs, and attend narrow nationalist pre Afro historic lectures as much as they listen to Garth Brooks.

Kwame Alexander

00:25:14 - 00:25:22

Grownups walk in the sun, avoid snow at all costs, and attend narrow nationalist pre Afro historic lectures as much as they listen to Garth Brooks.

Kwame Alexander
Poetry Reading

00:25:22 - 00:25:23

The phone rings.

Kwame Alexander

00:25:23 - 00:25:24

The phone rings.

Kwame Alexander
Poetry Reading

00:25:23 - 00:25:24

It's 6.

Kwame Alexander

00:25:24 - 00:25:24

It's 6.

Kwame Alexander
Poetry Reading

00:25:24 - 00:25:25

30.

Kwame Alexander
Poetry Reading

00:25:24 - 00:25:24

30.

Kwame Alexander

00:25:24 - 00:25:25

It's not her.

Kwame Alexander

00:25:25 - 00:25:26

It's not her.

Kwame Alexander
Poetry Reading

00:25:26 - 00:25:30

Fresh green peppers, diced onions, marinated in tamari overnight.

Kwame Alexander

00:25:27 - 00:25:31

Fresh green peppers, diced onions, marinated in tamari overnight.

Kwame Alexander
Poetry Reading

00:25:30 - 00:25:33

Mushrooms sautéed in olive oil for three minutes.

Kwame Alexander

00:25:31 - 00:25:33

Mushrooms sautéed in olive oil for three minutes.

Kwame Alexander
Poetry Reading

00:25:33 - 00:25:37

Fresh green peppers, diced onions, marinated in tamari overnight.

Kwame Alexander

00:25:34 - 00:25:37

Fresh green peppers, diced onions, marinated in tamari overnight.

Kwame Alexander
Poetry Reading

00:25:37 - 00:25:40

Mushrooms sautéed in olive oil for three minutes.

Kwame Alexander
Poetry Reading

00:25:37 - 00:25:39

Mushrooms sautéed in olive oil for three minutes.

Kwame Alexander

00:25:40 - 00:25:47

Fresh green peppers, diced onions, marinated in tamari overnight, mushrooms sautéed in olive oil for three minutes.

Kwame Alexander
Poetry Reading

00:25:40 - 00:25:46

Fresh green peppers, diced onions, marinated in tamari overnight, mushrooms sautéed in olive oil for three minutes.

Kwame Alexander

00:25:47 - 00:25:52

I removed a package of Japanese stir fried vegetables from their freezer, where they had been sitting overnight.

Kwame Alexander
Poetry Reading

00:25:47 - 00:25:51

I removed a package of Japanese stir fried vegetables from their freezer, where they had been sitting overnight.

Kwame Alexander

00:25:52 - 00:25:53

Enter mock duck.

Kwame Alexander

00:25:53 - 00:25:54

Enter mock duck.

Kwame Alexander
Poetry Reading

00:25:53 - 00:25:55

Not real duck, fake duck.

Kwame Alexander

00:25:54 - 00:25:56

Not real duck, fake duck.

Kwame Alexander
Poetry Reading

00:25:56 - 00:25:57

Fake deal.

Kwame Alexander
Poetry Reading

00:25:56 - 00:25:57

Fake deal.

Kwame Alexander

00:25:57 - 00:25:58

Real late.

Kwame Alexander
Poetry Reading

00:25:57 - 00:25:58

Real late.

Kwame Alexander

00:25:58 - 00:25:59

She's supposed to be here.

Kwame Alexander

00:25:59 - 00:26:00

She's supposed to be here.

Kwame Alexander
Poetry Reading

00:26:00 - 00:26:02

I'm supposed to be finished.

Kwame Alexander
Poetry Reading

00:26:00 - 00:26:01

I'm supposed to be finished.

Kwame Alexander

00:26:01 - 00:26:03

Supposing it's 8 o'clock and she still ain't here.

Kwame Alexander

00:26:02 - 00:26:04

Supposing it's 8 o'clock and she still ain't here.

Kwame Alexander
Poetry Reading

00:26:04 - 00:26:06

Supposing the game is on in one hour.

Kwame Alexander
Poetry Reading

00:26:04 - 00:26:05

Supposing the game is on in one hour.

Kwame Alexander

00:26:06 - 00:26:08

Supposing she comes at 8.

Kwame Alexander
Poetry Reading

00:26:06 - 00:26:07

Supposing she comes at 8.

Kwame Alexander

00:26:07 - 00:26:08

45 and expects to eat.

Kwame Alexander

00:26:08 - 00:26:09

45 and expects to eat.

Kwame Alexander
Poetry Reading

00:26:10 - 00:26:11

Supposing she don't call.

Kwame Alexander
Poetry Reading

00:26:10 - 00:26:11

Supposing she don't call.

Kwame Alexander

00:26:12 - 00:26:12

She don't.

Kwame Alexander
Poetry Reading

00:26:12 - 00:26:12

She don't.

Kwame Alexander

00:26:13 - 00:26:15

Supposing I sit down to eat by myself.

Kwame Alexander

00:26:14 - 00:26:15

Supposing I sit down to eat by myself.

Kwame Alexander
Poetry Reading

00:26:15 - 00:26:18

Supposing I finish eating and sit down to watch the game.

Kwame Alexander

00:26:16 - 00:26:18

Supposing I finish eating and sit down to watch the game.

Kwame Alexander
Poetry Reading

00:26:18 - 00:26:21

Supposing I find that the game has been preempted by another game.

Kwame Alexander
Poetry Reading

00:26:18 - 00:26:21

Supposing I find that the game has been preempted by another game.

Kwame Alexander

00:26:21 - 00:26:22

I thought he retired.

Kwame Alexander

00:26:22 - 00:26:23

I thought he retired.

Kwame Alexander
Poetry Reading

00:26:24 - 00:26:26

Maybe him just tired.

Kwame Alexander
Poetry Reading

00:26:24 - 00:26:25

Maybe him just tired.

Kwame Alexander

00:26:26 - 00:26:28

Replenish the body, black people.

Kwame Alexander

00:26:27 - 00:26:28

Replenish the body, black people.

Kwame Alexander
Poetry Reading

00:26:28 - 00:26:30

Feed the mind, African people.

Kwame Alexander
Poetry Reading

00:26:28 - 00:26:29

Feed the mind, African people.

Kwame Alexander

00:26:30 - 00:26:32

Reawaken the soul, Sun people.

Kwame Alexander
Poetry Reading

00:26:30 - 00:26:31

Reawaken the soul, Sun people.

Kwame Alexander

00:26:31 - 00:26:33

Chocula for the children.

Kwame Alexander

00:26:32 - 00:26:33

Chocula for the children.

Kwame Alexander
Poetry Reading

00:26:33 - 00:26:35

Food for the dissatisfied buppies.

Kwame Alexander
Poetry Reading

00:26:33 - 00:26:34

Food for the dissatisfied buppies.

Kwame Alexander

00:26:35 - 00:26:36

Chocula for the CBC.

Kwame Alexander
Poetry Reading

00:26:35 - 00:26:36

Chocula for the CBC.

Kwame Alexander

00:26:36 - 00:26:37

Food for the NAACP.

Kwame Alexander

00:26:37 - 00:26:38

Food for the NAACP.

Kwame Alexander
Poetry Reading

00:26:37 - 00:26:39

BET.

Kwame Alexander

00:26:38 - 00:26:39

BET.

Kwame Alexander
Poetry Reading

00:26:39 - 00:26:41

BDP.

Kwame Alexander
Poetry Reading

00:26:39 - 00:26:40

BDP.

Kwame Alexander

00:26:40 - 00:26:41

BBD.

Kwame Alexander

00:26:41 - 00:26:41

BBD.

Kwame Alexander
Poetry Reading

00:26:41 - 00:26:42

You and me.

Kwame Alexander
Poetry Reading

00:26:41 - 00:26:42

You and me.

Kwame Alexander

00:26:42 - 00:26:44

Everything that survives on this planet needs food.

Kwame Alexander

00:26:43 - 00:26:45

Everything that survives on this planet needs food.

Kwame Alexander
Poetry Reading

00:26:45 - 00:26:47

Ask the questions, poets.

Kwame Alexander
Poetry Reading

00:26:45 - 00:26:46

Ask the questions, poets.

Kwame Alexander

00:26:46 - 00:26:48

Answer the questions, scientists.

Kwame Alexander

00:26:47 - 00:26:48

Answer the questions, scientists.

Kwame Alexander
Poetry Reading

00:26:48 - 00:26:49

Probe the mind.

Kwame Alexander
Poetry Reading

00:26:48 - 00:26:49

Probe the mind.

Kwame Alexander

00:26:49 - 00:26:50

Teach the truth.

Kwame Alexander
Poetry Reading

00:26:49 - 00:26:50

Teach the truth.

Kwame Alexander

00:26:50 - 00:26:51

Grow the child.

Kwame Alexander
Poetry Reading

00:26:50 - 00:26:51

Grow the child.

Kwame Alexander

00:26:51 - 00:26:52

Till the soil.

Kwame Alexander
Poetry Reading

00:26:51 - 00:26:52

Till the soil.

Kwame Alexander

00:26:52 - 00:26:53

Plant the earth.

Kwame Alexander
Poetry Reading

00:26:52 - 00:26:53

Plant the earth.

Kwame Alexander

00:26:53 - 00:26:54

Work the body.

Kwame Alexander
Poetry Reading

00:26:53 - 00:26:54

Work the body.

Kwame Alexander

00:26:54 - 00:26:55

Study the mind.

Kwame Alexander
Poetry Reading

00:26:54 - 00:26:55

Study the mind.

Kwame Alexander

00:26:55 - 00:26:56

Watch the people.

Kwame Alexander
Poetry Reading

00:26:55 - 00:26:56

Watch the people.

Kwame Alexander

00:26:56 - 00:26:57

Love the people.

Kwame Alexander
Poetry Reading

00:26:56 - 00:26:57

Love the people.

Kwame Alexander

00:26:57 - 00:26:59

Cross the desert of your black mind.

Kwame Alexander
Poetry Reading

00:26:57 - 00:26:59

Cross the desert of your black mind.

Kwame Alexander

00:26:59 - 00:27:01

Cross the desert of your mind.

Kwame Alexander
Poetry Reading

00:26:59 - 00:27:00

Cross the desert of your mind.

Kwame Alexander

00:27:01 - 00:27:03

Sprinkle water on black brain cells.

Kwame Alexander
Poetry Reading

00:27:01 - 00:27:03

Sprinkle water on black brain cells.

Kwame Alexander

00:27:03 - 00:27:05

Sprinkle water on your brain cells.

Kwame Alexander
Poetry Reading

00:27:03 - 00:27:05

Sprinkle water on your brain cells.

Kwame Alexander

00:27:05 - 00:27:07

Reward your desert with spring water.

Kwame Alexander
Poetry Reading

00:27:05 - 00:27:07

Reward your desert with spring water.

Kwame Alexander

00:27:07 - 00:27:11

Return to the way of the flow of the water of our people.

Kwame Alexander

00:27:08 - 00:27:11

Return to the way of the flow of the water of our people.

Kwame Alexander
Poetry Reading

00:27:12 - 00:27:13

Beware.

Kwame Alexander
Poetry Reading

00:27:12 - 00:27:12

Beware.

Kwame Alexander

00:27:13 - 00:27:22

The wrong river will take you to distant places like wacko Texas, and South Carolina highways, and 7 by 9 foot cells, and separated marriages,

Kwame Alexander
Poetry Reading

00:27:13 - 00:27:21

The wrong river will take you to distant places like wacko Texas, and South Carolina highways, and 7 by 9 foot cells, and separated marriages,

Kwame Alexander

00:27:21 - 00:27:27

and lonely nights, and tapped phones, and repossessed cars, and ripped condoms, and overdue flowers, and 9

Kwame Alexander

00:27:22 - 00:27:28

and lonely nights, and tapped phones, and repossessed cars, and ripped condoms, and overdue flowers, and 9

Kwame Alexander
Poetry Reading

00:27:27 - 00:27:35

to 5s, and renovated plantations, and late retirements, and multiple organ failures, and late dates, and late dates.

Kwame Alexander

00:27:28 - 00:27:35

to 5s, and renovated plantations, and late retirements, and multiple organ failures, and late dates, and late dates.

Kwame Alexander
Poetry Reading

00:27:36 - 00:27:37

And late dates.

Kwame Alexander
Poetry Reading

00:27:36 - 00:27:37

And late dates.

Kwame Alexander

00:27:38 - 00:27:42

Glancing on the kitchen table, I see my paste up, wondering, when will I get tired of this job?

Kwame Alexander

00:27:39 - 00:27:43

Glancing on the kitchen table, I see my paste up, wondering, when will I get tired of this job?

Kwame Alexander
Poetry Reading

00:27:43 - 00:27:44

The three month itch is almost up.

Kwame Alexander
Poetry Reading

00:27:43 - 00:27:44

The three month itch is almost up.

Kwame Alexander

00:27:44 - 00:27:47

When will I retire, or better yet, when will they tire of me?

Kwame Alexander

00:27:45 - 00:27:47

When will I retire, or better yet, when will they tire of me?

Kwame Alexander
Poetry Reading

00:27:48 - 00:27:54

I mix the citrus fruits with the melons, the nicks with the rockets, and escape to my TV room where I eat

Kwame Alexander
Poetry Reading

00:27:48 - 00:27:54

I mix the citrus fruits with the melons, the nicks with the rockets, and escape to my TV room where I eat

Kwame Alexander

00:27:54 - 00:27:57

three months of insecurity, pain, laughter, and joy in three minutes.

Kwame Alexander
Poetry Reading

00:27:54 - 00:27:57

three months of insecurity, pain, laughter, and joy in three minutes.

Kwame Alexander

00:27:58 - 00:28:03

I stood up, contemplate whether leaving the juice would make me any less Afro neolistic.

Kwame Alexander
Poetry Reading

00:27:58 - 00:28:02

I stood up, contemplate whether leaving the juice would make me any less Afro neolistic.

Kwame Alexander

00:28:03 - 00:28:05

Suddenly, the phone rings at 10.

Kwame Alexander

00:28:04 - 00:28:05

Suddenly, the phone rings at 10.

Kwame Alexander
Poetry Reading

00:28:05 - 00:28:05

30.

Kwame Alexander
Poetry Reading

00:28:05 - 00:28:05

30.

Kwame Alexander

00:28:05 - 00:28:06

I answer.

Kwame Alexander

00:28:06 - 00:28:06

I answer.

Kwame Alexander
Poetry Reading

00:28:06 - 00:28:08

The voice asks, How are you?

Kwame Alexander

00:28:07 - 00:28:08

The voice asks, How are you?

Kwame Alexander
Poetry Reading

00:28:08 - 00:28:09

It's her.

Kwame Alexander

00:28:09 - 00:28:09

It's her.

Kwame Alexander
Poetry Reading

00:28:10 - 00:28:21

She who doesn't see the wine, and the glasses, and the vegetables, and the duck, and the juice, and the juice, and my tears.

Kwame Alexander
Poetry Reading

00:28:10 - 00:28:20

She who doesn't see the wine, and the glasses, and the vegetables, and the duck, and the juice, and the juice, and my tears.

Kwame Alexander

00:28:21 - 00:28:23

Didn't I tell you I had to get my hair done today?

Kwame Alexander

00:28:22 - 00:28:24

Didn't I tell you I had to get my hair done today?

Kwame Alexander
Poetry Reading

00:28:25 - 00:28:27

Hair today, gone tomorrow.

Kwame Alexander
Poetry Reading

00:28:25 - 00:28:27

Hair today, gone tomorrow.

Kwame Alexander

00:28:29 - 00:28:31

She asks, What's on my mind?

Kwame Alexander
Poetry Reading

00:28:29 - 00:28:30

She asks, What's on my mind?

Kwame Alexander

00:28:31 - 00:28:35

I hesitate, wondering whether I should tell her that I mix the citrus fruits with the melons.

Kwame Alexander
Poetry Reading

00:28:31 - 00:28:35

I hesitate, wondering whether I should tell her that I mix the citrus fruits with the melons.

Kwame Alexander

00:28:36 - 00:28:43

Instead, I choose to calm her unnecessary guilt ridden simplicity with the fruitful culmination of my evening long introspection.

Kwame Alexander
Poetry Reading

00:28:36 - 00:28:43

Instead, I choose to calm her unnecessary guilt ridden simplicity with the fruitful culmination of my evening long introspection.

Kwame Alexander

00:28:43 - 00:28:45

Everybody's conscious, but when we gonna eat?

Kwame Alexander

00:28:44 - 00:28:46

Everybody's conscious, but when we gonna eat?

Kwame Alexander
Poetry Reading

00:28:46 - 00:28:47

Peace.

Kwame Alexander
Poetry Reading

00:28:46 - 00:28:46

Peace.

Kwame Alexander

00:28:53 - 00:28:57

In case you missed it, Brother Alexander's book is for sale upstairs.

Unknown speaker 2
Annoucement

00:28:53 - 00:28:56

In case you missed it, Brother Alexander's book is for sale upstairs.

Unknown speaker 2

00:28:57 - 00:28:58

Uh, check it out.

Unknown speaker 2

00:28:58 - 00:28:58

Uh, check it out.

Unknown speaker 2
Annoucement

00:28:58 - 00:29:03

Um, next we have Nehassaiu deGannes, who also is responsible for us having this forum.

Unknown speaker 2
Speaker Introduction

00:28:58 - 00:29:03

Um, next we have Nehassaiu deGannes, who also is responsible for us having this forum.

Unknown speaker 2

00:29:03 - 00:29:05

and after that, Erica Jackson.

Unknown speaker 2
Speaker Introduction

00:29:03 - 00:29:05

and after that, Erica Jackson.

Unknown speaker 2

00:29:21 - 00:29:25

I'm an African American poet, African American in the hemispheric sense.

Nehassaiu deGannes

00:29:22 - 00:29:26

I'm an African American poet, African American in the hemispheric sense.

Nehassaiu deGannes
Speaker Introduction

00:29:26 - 00:29:29

I was born in the Caribbean and grew up in Canada.

Nehassaiu deGannes
Speaker Introduction

00:29:26 - 00:29:28

I was born in the Caribbean and grew up in Canada.

Nehassaiu deGannes

00:29:29 - 00:29:32

I'm considered an alien in this country.

Nehassaiu deGannes
Speaker Introduction

00:29:29 - 00:29:31

I'm considered an alien in this country.

Nehassaiu deGannes

00:29:33 - 00:29:40

I've, uh, lived in Philadelphia for the last three years, so, um, I'd like to read this poem.

Nehassaiu deGannes
Speaker Introduction

00:29:33 - 00:29:40

I've, uh, lived in Philadelphia for the last three years, so, um, I'd like to read this poem.

Nehassaiu deGannes

00:29:42 - 00:29:55

Double Dutch girls in West Philadelphia Jump sidewalk cracks home Not breaking mama's back is Sun straddling grid work And heavy iron trellis of an L

Nehassaiu deGannes
Speaker Introduction

00:29:42 - 00:29:54

Double Dutch girls in West Philadelphia Jump sidewalk cracks home Not breaking mama's back is Sun straddling grid work And heavy iron trellis of an L

Nehassaiu deGannes

00:29:54 - 00:30:03

overpass Cuts tic tac toe into ashy skin The tall one, Shaneen, choosing just the right moment to talk.

Nehassaiu deGannes

00:29:55 - 00:30:03

overpass Cuts tic tac toe into ashy skin The tall one, Shaneen, choosing just the right moment to talk.

Nehassaiu deGannes
Poetry Reading

00:30:03 - 00:30:06

Her talk angles her tongue like a spoon.

Nehassaiu deGannes
Poetry Reading

00:30:03 - 00:30:06

Her talk angles her tongue like a spoon.

Nehassaiu deGannes

00:30:06 - 00:30:10

Tissa kissed Raheem, put her tongue full in his mouth.

Nehassaiu deGannes

00:30:07 - 00:30:11

Tissa kissed Raheem, put her tongue full in his mouth.

Nehassaiu deGannes
Poetry Reading

00:30:11 - 00:30:18

Thick black braids and running shoes, swoop like birds of prey circling up to dive again.

Nehassaiu deGannes
Poetry Reading

00:30:11 - 00:30:17

Thick black braids and running shoes, swoop like birds of prey circling up to dive again.

Nehassaiu deGannes

00:30:18 - 00:30:23

Tongues circle and dive, ululating iron like cistern at a whaling wall.

Nehassaiu deGannes
Poetry Reading

00:30:18 - 00:30:23

Tongues circle and dive, ululating iron like cistern at a whaling wall.

Nehassaiu deGannes

00:30:24 - 00:30:28

Darkness shivering to the high pitched ring of steel.

Nehassaiu deGannes
Poetry Reading

00:30:24 - 00:30:28

Darkness shivering to the high pitched ring of steel.

Nehassaiu deGannes

00:30:28 - 00:30:30

So how you know?

Nehassaiu deGannes

00:30:29 - 00:30:30

So how you know?

Nehassaiu deGannes
Poetry Reading

00:30:30 - 00:30:33

Winged flesh hunts out innocence.

Nehassaiu deGannes
Poetry Reading

00:30:30 - 00:30:33

Winged flesh hunts out innocence.

Nehassaiu deGannes

00:30:33 - 00:30:36

Sucking gaps in back of full grown teeth.

Nehassaiu deGannes
Poetry Reading

00:30:33 - 00:30:36

Sucking gaps in back of full grown teeth.

Nehassaiu deGannes

00:30:36 - 00:30:39

Eyes roll sticks of juicy fruit.

Nehassaiu deGannes

00:30:37 - 00:30:39

Eyes roll sticks of juicy fruit.

Nehassaiu deGannes
Poetry Reading

00:30:39 - 00:30:42

Now or later, lips smack and pop.

Nehassaiu deGannes
Poetry Reading

00:30:39 - 00:30:41

Now or later, lips smack and pop.

Nehassaiu deGannes

00:30:43 - 00:30:56

Comparing him to red popsicles, Kiss to cool a high noon heat, A girl's own sweat, Glistening on upper lip, Tongue darting in, tongue darting out,

Nehassaiu deGannes
Poetry Reading

00:30:43 - 00:30:55

Comparing him to red popsicles, Kiss to cool a high noon heat, A girl's own sweat, Glistening on upper lip, Tongue darting in, tongue darting out,

Nehassaiu deGannes

00:30:56 - 00:31:08

Measuring meter and testing rhyme, The thwap of ropes, Against the pavement, the pavement, the flap of rope against black ground cowie tongues curled.

Nehassaiu deGannes
Poetry Reading

00:30:56 - 00:31:07

Measuring meter and testing rhyme, The thwap of ropes, Against the pavement, the pavement, the flap of rope against black ground cowie tongues curled.

Nehassaiu deGannes

00:31:07 - 00:31:13

Just so are a third eye, a sensor, dividing every black girl's destiny.

Nehassaiu deGannes

00:31:08 - 00:31:14

Just so are a third eye, a sensor, dividing every black girl's destiny.

Nehassaiu deGannes
Poetry Reading

00:31:13 - 00:31:17

Telling each one when to trust the angle of the turning rope.

Nehassaiu deGannes

00:31:14 - 00:31:17

Telling each one when to trust the angle of the turning rope.

Nehassaiu deGannes
Poetry Reading

00:31:17 - 00:31:21

Telling each one exactly when to jump.

Nehassaiu deGannes

00:31:18 - 00:31:22

Telling each one exactly when to jump.

Nehassaiu deGannes
Poetry Reading

00:31:30 - 00:31:39

And my second poem, I'd like to, um, dedicate it to friend of mine whose birthday is coming up soon in almost.

Nehassaiu deGannes
Poetry Reading

00:31:30 - 00:31:39

And my second poem, I'd like to, um, dedicate it to friend of mine whose birthday is coming up soon in almost.

Nehassaiu deGannes

00:31:39 - 00:31:43

Almost a year ago, when we first met, this is the poem I read to him over the phone.

Nehassaiu deGannes

00:31:40 - 00:31:44

Almost a year ago, when we first met, this is the poem I read to him over the phone.

Nehassaiu deGannes
Poetry Reading

00:31:45 - 00:31:46

A Woman's Rights.

Nehassaiu deGannes
Poetry Reading

00:31:45 - 00:31:46

A Woman's Rights.

Nehassaiu deGannes

00:31:46 - 00:32:03

Aching goods deciphering ocean Bear half moons to battle with the dawn Black

Nehassaiu deGannes
Poetry Reading

00:31:46 - 00:32:02

Aching goods deciphering ocean Bear half moons to battle with the dawn Black

Nehassaiu deGannes

00:32:05 - 00:32:10

palms rocking oceans Talking

Nehassaiu deGannes
Poetry Reading

00:32:05 - 00:32:09

palms rocking oceans Talking

Nehassaiu deGannes

00:32:11 - 00:32:26

They shed her beads each autumn, Scraped clean this August, Rusted long, aching ghoul, Discipling Oshun.

Nehassaiu deGannes

00:32:12 - 00:32:26

They shed her beads each autumn, Scraped clean this August, Rusted long, aching ghoul, Discipling Oshun.

Nehassaiu deGannes
Poetry Reading

00:32:27 - 00:32:38

She cups their breasts to Olokun, Taught tributes flowing, Fee his fond.

Nehassaiu deGannes
Poetry Reading

00:32:27 - 00:32:37

She cups their breasts to Olokun, Taught tributes flowing, Fee his fond.

Nehassaiu deGannes

00:32:38 - 00:32:42

Black palms, rocking oceans,

Nehassaiu deGannes

00:32:39 - 00:32:42

Black palms, rocking oceans,

Nehassaiu deGannes
Poetry Reading

00:32:44 - 00:32:46

talking drums.

Nehassaiu deGannes

00:32:45 - 00:32:47

talking drums.

Nehassaiu deGannes
Poetry Reading

00:32:48 - 00:32:57

Seven women rattle old, oh, goo, Breathing coals to baptize this pong.

Nehassaiu deGannes

00:32:48 - 00:32:57

Seven women rattle old, oh, goo, Breathing coals to baptize this pong.

Nehassaiu deGannes
Poetry Reading

00:32:58 - 00:33:03

Aching goods decipher ring, oh, shoo.

Nehassaiu deGannes
Poetry Reading

00:32:58 - 00:33:02

Aching goods decipher ring, oh, shoo.

Nehassaiu deGannes

00:33:03 - 00:33:08

She denies the blood red urge to run.

Nehassaiu deGannes
Poetry Reading

00:33:03 - 00:33:07

She denies the blood red urge to run.

Nehassaiu deGannes

00:33:10 - 00:33:20

Sister warriors, we're Burnt, burnt, knives drawn, black palms, rocking ocean,

Nehassaiu deGannes
Poetry Reading

00:33:10 - 00:33:19

Sister warriors, we're Burnt, burnt, knives drawn, black palms, rocking ocean,

Nehassaiu deGannes

00:33:21 - 00:33:25

rocking ocean, rocking ocean,

Nehassaiu deGannes

00:33:22 - 00:33:26

rocking ocean, rocking ocean,

Nehassaiu deGannes
Poetry Reading

00:33:28 - 00:33:29

drum.

Nehassaiu deGannes

00:33:29 - 00:33:30

drum.

Nehassaiu deGannes
Poetry Reading

00:33:29 - 00:33:36

She lights their pyre, ha, to mock the sun, raffia skirts, praise Oya.

Nehassaiu deGannes

00:33:30 - 00:33:36

She lights their pyre, ha, to mock the sun, raffia skirts, praise Oya.

Nehassaiu deGannes
Poetry Reading

00:33:37 - 00:33:45

Thunder, yawn, aching goods, deciphering ocean.

Nehassaiu deGannes

00:33:38 - 00:33:45

Thunder, yawn, aching goods, deciphering ocean.

Nehassaiu deGannes
Poetry Reading

00:33:46 - 00:33:56

Ah, black palms, rocking oceans, into drum, drum.

Nehassaiu deGannes

00:33:47 - 00:33:57

Ah, black palms, rocking oceans, into drum, drum.

Nehassaiu deGannes
Poetry Reading

00:34:00 - 00:34:01

Thank you.

Nehassaiu deGannes

00:34:01 - 00:34:01

Thank you.

Nehassaiu deGannes
Poetry Reading

00:34:06 - 00:34:08

I know we're a little bit over, but we're almost finished.

Unknown speaker 2

00:34:06 - 00:34:08

I know we're a little bit over, but we're almost finished.

Unknown speaker 2

00:34:08 - 00:34:14

Um, next we have Erica Jackson, followed by Jaifa, I'm sorry, Tyepha Walden.

Unknown speaker 2
Speaker Introduction

00:34:08 - 00:34:14

Um, next we have Erica Jackson, followed by Jaifa, I'm sorry, Tyepha Walden.

Unknown speaker 2

00:34:23 - 00:34:24

Good afternoon.

Erica Jackson
Speaker Introduction

00:34:23 - 00:34:23

Good afternoon.

Erica Jackson

00:34:24 - 00:34:24

Um,

Erica Jackson
Speaker Introduction

00:34:24 - 00:34:24

Um,

Erica Jackson

00:34:24 - 00:34:37

these are two parts from a five part poem that I wrote called, um, Brown Tiles and it stems from an assault that

Erica Jackson

00:34:25 - 00:34:37

these are two parts from a five part poem that I wrote called, um, Brown Tiles and it stems from an assault that

Erica Jackson
Speaker Introduction

00:34:37 - 00:34:45

I suffered in 92 by a boyfriend that I had with fair skin and blue eyes.

Erica Jackson
Speaker Introduction

00:34:37 - 00:34:44

I suffered in 92 by a boyfriend that I had with fair skin and blue eyes.

Erica Jackson

00:34:46 - 00:34:50

And the first part is the third part of the five part poem.

Erica Jackson
Speaker Introduction

00:34:46 - 00:34:49

And the first part is the third part of the five part poem.

Erica Jackson

00:34:49 - 00:34:51

It's called Stained Glass.

Erica Jackson

00:34:50 - 00:34:52

It's called Stained Glass.

Erica Jackson
Speaker Introduction

00:34:54 - 00:34:59

I fell into a friend last night, mourning the loss of you.

Erica Jackson
Poetry Reading

00:34:54 - 00:34:58

I fell into a friend last night, mourning the loss of you.

Erica Jackson

00:34:59 - 00:35:16

His laughter and fraternally engraved body led to Swiss mocha bedsheets and pages of journals and notebooks, papers crinkling under our decision, scratching the flesh.

Erica Jackson
Poetry Reading

00:34:59 - 00:35:15

His laughter and fraternally engraved body led to Swiss mocha bedsheets and pages of journals and notebooks, papers crinkling under our decision, scratching the flesh.

Erica Jackson

00:35:16 - 00:35:26

My breath awakened the red hiding in your thirsty rose sitting in my windowsill as we drifted to the window.

Erica Jackson

00:35:17 - 00:35:26

My breath awakened the red hiding in your thirsty rose sitting in my windowsill as we drifted to the window.

Erica Jackson
Poetry Reading

00:35:26 - 00:35:38

Faced to cold glass, I clawed for warmth and passion, but unearthed a nakedness that runs deeper than the flesh, the truth.

Erica Jackson

00:35:27 - 00:35:39

Faced to cold glass, I clawed for warmth and passion, but unearthed a nakedness that runs deeper than the flesh, the truth.

Erica Jackson
Poetry Reading

00:35:40 - 00:35:41

You raped me,

Erica Jackson
Poetry Reading

00:35:40 - 00:35:41

You raped me,

Erica Jackson

00:35:44 - 00:35:45

and I coped.

Erica Jackson
Poetry Reading

00:35:44 - 00:35:45

and I coped.

Erica Jackson

00:35:46 - 00:35:50

Buried, hid, and rationalized.

Erica Jackson
Poetry Reading

00:35:46 - 00:35:50

Buried, hid, and rationalized.

Erica Jackson

00:35:51 - 00:35:55

Vindicating the blue pureness of you.

Erica Jackson
Poetry Reading

00:35:51 - 00:35:54

Vindicating the blue pureness of you.

Erica Jackson

00:35:55 - 00:35:56

Why?

Erica Jackson

00:35:56 - 00:35:56

Why?

Erica Jackson
Poetry Reading

00:35:57 - 00:36:04

Behind tear stained glass, I stand before hallucinating stars and blindfolded trees.

Erica Jackson

00:35:58 - 00:36:04

Behind tear stained glass, I stand before hallucinating stars and blindfolded trees.

Erica Jackson
Poetry Reading

00:36:04 - 00:36:09

The muteness of nature has acquitted and convicted me.

Erica Jackson

00:36:05 - 00:36:10

The muteness of nature has acquitted and convicted me.

Erica Jackson
Poetry Reading

00:36:12 - 00:36:14

And, uh, this is the last part.

Erica Jackson

00:36:13 - 00:36:15

And, uh, this is the last part.

Erica Jackson
Poetry Reading

00:36:14 - 00:36:15

It's called Satin Blues.

Erica Jackson

00:36:15 - 00:36:16

It's called Satin Blues.

Erica Jackson
Poetry Reading

00:36:16 - 00:36:22

Um, it, it, I can't explain it, it's, I just can't explain it.

Erica Jackson

00:36:17 - 00:36:23

Um, it, it, I can't explain it, it's, I just can't explain it.

Erica Jackson
Poetry Reading

00:36:23 - 00:36:26

Um, I wrote it from the standpoint of a tree.

Erica Jackson
Poetry Reading

00:36:23 - 00:36:26

Um, I wrote it from the standpoint of a tree.

Erica Jackson

00:36:27 - 00:36:29

Any other way I couldn't have gotten it out.

Erica Jackson
Poetry Reading

00:36:27 - 00:36:29

Any other way I couldn't have gotten it out.

Erica Jackson

00:36:31 - 00:36:34

His skin felt good against my branches.

Erica Jackson
Poetry Reading

00:36:31 - 00:36:34

His skin felt good against my branches.

Erica Jackson

00:36:34 - 00:36:40

A blue satin ribbon that danced around my trunk and played hide and seek through my leaves.

Erica Jackson
Poetry Reading

00:36:34 - 00:36:40

A blue satin ribbon that danced around my trunk and played hide and seek through my leaves.

Erica Jackson

00:36:41 - 00:36:42

He gave me joy.

Erica Jackson
Poetry Reading

00:36:41 - 00:36:42

He gave me joy.

Erica Jackson

00:36:43 - 00:36:47

For years he played with me, around me, under me, in me.

Erica Jackson
Poetry Reading

00:36:43 - 00:36:47

For years he played with me, around me, under me, in me.

Erica Jackson

00:36:48 - 00:36:51

Until the day I saw his eyes.

Erica Jackson
Poetry Reading

00:36:48 - 00:36:51

Until the day I saw his eyes.

Erica Jackson

00:36:51 - 00:36:53

Blue eyes.

Erica Jackson
Poetry Reading

00:36:51 - 00:36:52

Blue eyes.

Erica Jackson

00:36:53 - 00:36:55

Satin blue.

Erica Jackson
Poetry Reading

00:36:53 - 00:36:54

Satin blue.

Erica Jackson

00:36:55 - 00:36:57

Poisonous satin.

Erica Jackson
Poetry Reading

00:36:55 - 00:36:56

Poisonous satin.

Erica Jackson

00:36:58 - 00:37:06

Hypnotic blue shroud cracked revealing satin tentacles that overpowered my branches, leaves forming mock barriers.

Erica Jackson
Poetry Reading

00:36:58 - 00:37:05

Hypnotic blue shroud cracked revealing satin tentacles that overpowered my branches, leaves forming mock barriers.

Erica Jackson

00:37:06 - 00:37:07

Disgraced.

Erica Jackson
Poetry Reading

00:37:06 - 00:37:07

Disgraced.

Erica Jackson

00:37:08 - 00:37:10

My fruit is violated.

Erica Jackson
Poetry Reading

00:37:08 - 00:37:09

My fruit is violated.

Erica Jackson

00:37:11 - 00:37:19

Rooted here in his moment, waning each time the wind sojoins through my decaying trunk.

Erica Jackson

00:37:12 - 00:37:19

Rooted here in his moment, waning each time the wind sojoins through my decaying trunk.

Erica Jackson
Poetry Reading

00:37:20 - 00:37:28

A leaf collapses, asking, Does stolen fruit still taste as sweet?

Erica Jackson

00:37:21 - 00:37:28

A leaf collapses, asking, Does stolen fruit still taste as sweet?

Erica Jackson
Poetry Reading

00:37:28 - 00:37:29

Thank you.

Erica Jackson
Poetry Reading

00:37:28 - 00:37:28

Thank you.

Erica Jackson

00:37:34 - 00:37:39

Tyepha Walden, followed by Nakia Green.

Unknown speaker 2
Speaker Introduction

00:37:34 - 00:37:38

Tyepha Walden, followed by Nakia Green.

Unknown speaker 2

00:37:49 - 00:37:51

Hello, my name is Tyepha Walden.

Tyepha Walden
Speaker Introduction

00:37:49 - 00:37:51

Hello, my name is Tyepha Walden.

Tyepha Walden

00:37:51 - 00:37:55

And today I'm going to read a poem called My First Love.

Tyepha Walden

00:37:52 - 00:37:55

And today I'm going to read a poem called My First Love.

Tyepha Walden
Speaker Introduction

00:37:56 - 00:37:59

It's a personal letter I had written to God this summer.

Tyepha Walden
Speaker Introduction

00:37:56 - 00:37:58

It's a personal letter I had written to God this summer.

Tyepha Walden

00:38:02 - 00:38:06

It pains me to know all the troubles I've been through.

Tyepha Walden
Poetry Reading

00:38:02 - 00:38:05

It pains me to know all the troubles I've been through.

Tyepha Walden

00:38:06 - 00:38:13

I've turned to alcohol, to sex, and even to death, before I turned to you, my first love.

Tyepha Walden
Poetry Reading

00:38:06 - 00:38:12

I've turned to alcohol, to sex, and even to death, before I turned to you, my first love.

Tyepha Walden

00:38:14 - 00:38:21

Sometimes I feel ashamed having gone against your wishes, time after time after time.

Tyepha Walden

00:38:15 - 00:38:22

Sometimes I feel ashamed having gone against your wishes, time after time after time.

Tyepha Walden
Poetry Reading

00:38:23 - 00:38:30

All the things you've given me, all the gifts you've given me, excuse me, I had taken for granted.

Tyepha Walden
Poetry Reading

00:38:23 - 00:38:29

All the things you've given me, all the gifts you've given me, excuse me, I had taken for granted.

Tyepha Walden

00:38:30 - 00:38:34

But still, you continue to care for me, my first love.

Tyepha Walden
Poetry Reading

00:38:30 - 00:38:34

But still, you continue to care for me, my first love.

Tyepha Walden

00:38:35 - 00:38:37

Once I had a terrible experience.

Tyepha Walden

00:38:36 - 00:38:38

Once I had a terrible experience.

Tyepha Walden
Poetry Reading

00:38:38 - 00:38:40

I feared you did not love me anymore.

Tyepha Walden
Poetry Reading

00:38:38 - 00:38:40

I feared you did not love me anymore.

Tyepha Walden

00:38:41 - 00:38:45

For months and months I pondered the thought of living without you.

Tyepha Walden
Poetry Reading

00:38:41 - 00:38:45

For months and months I pondered the thought of living without you.

Tyepha Walden

00:38:46 - 00:38:48

Oh, how terrible was that thought.

Tyepha Walden
Poetry Reading

00:38:46 - 00:38:47

Oh, how terrible was that thought.

Tyepha Walden

00:38:49 - 00:38:51

For you are the very essence of my life.

Tyepha Walden
Poetry Reading

00:38:49 - 00:38:51

For you are the very essence of my life.

Tyepha Walden

00:38:51 - 00:38:54

You are the reason I can wake up smiling.

Tyepha Walden

00:38:52 - 00:38:54

You are the reason I can wake up smiling.

Tyepha Walden
Poetry Reading

00:38:55 - 00:38:59

My ever so near, ever so dear, first love.

Tyepha Walden
Poetry Reading

00:38:55 - 00:38:59

My ever so near, ever so dear, first love.

Tyepha Walden

00:39:00 - 00:39:04

You've always cared for me when I didn't care for myself.

Tyepha Walden

00:39:01 - 00:39:05

You've always cared for me when I didn't care for myself.

Tyepha Walden
Poetry Reading

00:39:05 - 00:39:09

You've always looked out for me when I didn't look out for myself.

Tyepha Walden
Poetry Reading

00:39:05 - 00:39:09

You've always looked out for me when I didn't look out for myself.

Tyepha Walden

00:39:09 - 00:39:13

And you've always loved me when I didn't love myself.

Tyepha Walden

00:39:10 - 00:39:13

And you've always loved me when I didn't love myself.

Tyepha Walden
Poetry Reading

00:39:14 - 00:39:16

My first and only love.

Tyepha Walden
Poetry Reading

00:39:14 - 00:39:15

My first and only love.

Tyepha Walden

00:39:17 - 00:39:20

I'm sorry for all the pain I caused you.

Tyepha Walden

00:39:18 - 00:39:20

I'm sorry for all the pain I caused you.

Tyepha Walden
Poetry Reading

00:39:20 - 00:39:22

I have no excuse.

Tyepha Walden
Poetry Reading

00:39:20 - 00:39:21

I have no excuse.

Tyepha Walden

00:39:22 - 00:39:26

But on this day, this very moment, I have this promise for you.

Tyepha Walden
Poetry Reading

00:39:22 - 00:39:26

But on this day, this very moment, I have this promise for you.

Tyepha Walden

00:39:27 - 00:39:30

That I will never leave, nor stop loving you.

Tyepha Walden
Poetry Reading

00:39:27 - 00:39:29

That I will never leave, nor stop loving you.

Tyepha Walden

00:39:30 - 00:39:32

My thoughts shall be our thoughts.

Tyepha Walden

00:39:31 - 00:39:32

My thoughts shall be our thoughts.

Tyepha Walden
Poetry Reading

00:39:32 - 00:39:34

My words shall be our words.

Tyepha Walden

00:39:33 - 00:39:35

My words shall be our words.

Tyepha Walden
Poetry Reading

00:39:35 - 00:39:37

And my actions shall be our actions.

Tyepha Walden
Poetry Reading

00:39:35 - 00:39:37

And my actions shall be our actions.

Tyepha Walden

00:39:37 - 00:39:40

For you were, and are, and always will be.

Tyepha Walden

00:39:38 - 00:39:40

For you were, and are, and always will be.

Tyepha Walden
Poetry Reading

00:39:41 - 00:39:46

My parent, my friend, my guidance, my strength, and my redeemer.

Tyepha Walden
Poetry Reading

00:39:41 - 00:39:45

My parent, my friend, my guidance, my strength, and my redeemer.

Tyepha Walden

00:39:46 - 00:39:48

But above all, my first love.

Tyepha Walden
Poetry Reading

00:39:46 - 00:39:47

But above all, my first love.

Tyepha Walden

00:39:53 - 00:39:54

Nikea

Unknown speaker 2

00:39:54 - 00:39:54

Nikea

Unknown speaker 2
Speaker Introduction

00:39:54 - 00:39:56

Green, followed by Patricia Johnson.

Unknown speaker 2
Speaker Introduction

00:39:54 - 00:39:56

Green, followed by Patricia Johnson.

Unknown speaker 2

00:39:56 - 00:39:59

Hi,

Nikea Green
Speaker Introduction

00:39:56 - 00:39:58

Hi,

Nikea Green

00:40:07 - 00:40:10

my name is Nikea Green, and I'm a senior at Henrico High School.

Nikea Green

00:40:08 - 00:40:11

my name is Nikea Green, and I'm a senior at Henrico High School.

Nikea Green
Speaker Introduction

00:40:12 - 00:40:15

And this poem is called, I Really Love You.

Nikea Green
Speaker Introduction

00:40:12 - 00:40:14

And this poem is called, I Really Love You.

Nikea Green

00:40:15 - 00:40:20

And it's dedicated to all the young black girls whose mothers really love them.

Nikea Green
Speaker Introduction

00:40:15 - 00:40:20

And it's dedicated to all the young black girls whose mothers really love them.

Nikea Green

00:40:22 - 00:40:25

I hear your screams, I hear your cries.

Nikea Green
Poetry Reading

00:40:22 - 00:40:24

I hear your screams, I hear your cries.

Nikea Green

00:40:25 - 00:40:26

Yes, I do.

Nikea Green
Poetry Reading

00:40:25 - 00:40:25

Yes, I do.

Nikea Green

00:40:26 - 00:40:29

Baby, just be still, let him do what he gotta do.

Nikea Green

00:40:27 - 00:40:29

Baby, just be still, let him do what he gotta do.

Nikea Green
Poetry Reading

00:40:30 - 00:40:32

Before he beats me, or you.

Nikea Green

00:40:31 - 00:40:33

Before he beats me, or you.

Nikea Green
Poetry Reading

00:40:33 - 00:40:35

I'm sorry, yes I am.

Nikea Green

00:40:34 - 00:40:36

I'm sorry, yes I am.

Nikea Green
Poetry Reading

00:40:36 - 00:40:38

I love you, I really do.

Nikea Green
Poetry Reading

00:40:36 - 00:40:37

I love you, I really do.

Nikea Green

00:40:38 - 00:40:40

But what is there that I can do?

Nikea Green
Poetry Reading

00:40:38 - 00:40:39

But what is there that I can do?

Nikea Green

00:40:40 - 00:40:42

He don't want me, he wants you.

Nikea Green

00:40:41 - 00:40:43

He don't want me, he wants you.

Nikea Green
Poetry Reading

00:40:43 - 00:40:45

And there's simply nothing I can do.

Nikea Green

00:40:44 - 00:40:46

And there's simply nothing I can do.

Nikea Green
Poetry Reading

00:40:46 - 00:40:48

I know he's your daddy and you're a little young.

Nikea Green

00:40:47 - 00:40:49

I know he's your daddy and you're a little young.

Nikea Green
Poetry Reading

00:40:50 - 00:40:53

But it won't happen for long, he'll find another kind of fun.

Nikea Green
Poetry Reading

00:40:50 - 00:40:53

But it won't happen for long, he'll find another kind of fun.

Nikea Green

00:40:54 - 00:40:55

Baby, I love you.

Nikea Green
Poetry Reading

00:40:54 - 00:40:55

Baby, I love you.

Nikea Green

00:40:55 - 00:40:59

I really do, but there's really nothing that I can do.

Nikea Green

00:40:56 - 00:40:59

I really do, but there's really nothing that I can do.

Nikea Green
Poetry Reading

00:41:00 - 00:41:02

But, I really love you.

Nikea Green
Poetry Reading

00:41:00 - 00:41:02

But, I really love you.

Nikea Green

00:41:09 - 00:41:11

Patricia Johnson, followed by Monifa A.

Unknown speaker 2
Speaker Introduction

00:41:09 - 00:41:11

Patricia Johnson, followed by Monifa A.

Unknown speaker 2

00:41:11 - 00:41:12

Love

Unknown speaker 2
Speaker Introduction

00:41:11 - 00:41:11

Love

Unknown speaker 2

00:41:11 - 00:41:17

Ah, don't lie to me.

Patricia Johnson

00:41:12 - 00:41:18

Ah, don't lie to me.

Patricia Johnson
Poetry Reading

00:41:17 - 00:41:20

The me I used to be.

Patricia Johnson

00:41:18 - 00:41:20

The me I used to be.

Patricia Johnson
Poetry Reading

00:41:20 - 00:41:23

Dream of being the me I'd be.

Patricia Johnson
Poetry Reading

00:41:20 - 00:41:22

Dream of being the me I'd be.

Patricia Johnson

00:41:22 - 00:41:26

Dream the dream I thought would never be.

Patricia Johnson

00:41:23 - 00:41:26

Dream the dream I thought would never be.

Patricia Johnson
Poetry Reading

00:41:26 - 00:41:27

Dream the

Patricia Johnson
Poetry Reading

00:41:26 - 00:41:27

Dream the

Patricia Johnson

00:41:34 - 00:41:37

dream so far from me.

Patricia Johnson

00:41:35 - 00:41:37

dream so far from me.

Patricia Johnson
Poetry Reading

00:41:37 - 00:41:41

A sunshine, a halo, a orange, pink, and blue.

Patricia Johnson
Poetry Reading

00:41:37 - 00:41:41

A sunshine, a halo, a orange, pink, and blue.

Patricia Johnson

00:41:41 - 00:41:44

Dreaming dreams of being, to be.

Patricia Johnson
Poetry Reading

00:41:41 - 00:41:44

Dreaming dreams of being, to be.

Patricia Johnson

00:41:44 - 00:41:48

So for me, I used to be.

Patricia Johnson
Poetry Reading

00:41:44 - 00:41:47

So for me, I used to be.

Patricia Johnson

00:41:47 - 00:41:51

So the dreams and fears are not for me.

Patricia Johnson

00:41:48 - 00:41:52

So the dreams and fears are not for me.

Patricia Johnson
Poetry Reading

00:41:51 - 00:41:54

For me, I used to be.

Patricia Johnson

00:41:52 - 00:41:54

For me, I used to be.

Patricia Johnson
Poetry Reading

00:41:54 - 00:41:59

So for me, I be and need to be.

Patricia Johnson
Poetry Reading

00:41:54 - 00:41:58

So for me, I be and need to be.

Patricia Johnson

00:41:58 - 00:42:01

Dreams of being, let me I be.

Patricia Johnson

00:41:59 - 00:42:02

Dreams of being, let me I be.

Patricia Johnson
Poetry Reading

00:42:01 - 00:42:04

Dreams of dreams, my father's dreams.

Patricia Johnson

00:42:02 - 00:42:05

Dreams of dreams, my father's dreams.

Patricia Johnson
Poetry Reading

00:42:39 - 00:42:41

I love it.

Patricia Johnson
Poetry Reading

00:42:39 - 00:42:41

I love it.

Patricia Johnson

00:42:41 - 00:42:41

Monifa A.

Unknown speaker 2
Speaker Introduction

00:42:41 - 00:42:41

Monifa A.

Unknown speaker 2

00:42:41 - 00:42:43

Love,

Unknown speaker 2

00:42:42 - 00:42:43

Love,

Unknown speaker 2
Speaker Introduction

00:42:52 - 00:42:54

followed by, finally, for, who is Tim Wells.

Unknown speaker 2
Speaker Introduction

00:42:52 - 00:42:54

followed by, finally, for, who is Tim Wells.

Unknown speaker 2

00:43:02 - 00:43:03

Good afternoon, everyone.

Monifa A. Love
Speaker Introduction

00:43:02 - 00:43:03

Good afternoon, everyone.

Monifa A. Love

00:43:05 - 00:43:16

This poem is entitled Maximum Security, and it's dedicated to Evans Hopkins, a brilliant writer who is doing life in a Brookville, Virginia penitentiary.

Monifa A. Love

00:43:06 - 00:43:17

This poem is entitled Maximum Security, and it's dedicated to Evans Hopkins, a brilliant writer who is doing life in a Brookville, Virginia penitentiary.

Monifa A. Love
Speaker Introduction

00:43:19 - 00:43:21

This darkness doesn't scare me.

Monifa A. Love

00:43:20 - 00:43:21

This darkness doesn't scare me.

Monifa A. Love
Poetry Reading

00:43:22 - 00:43:33

No darkness can after Quang Tri Province, that sticky, heavy night, when there was no moon, when I had no eyes, when

Monifa A. Love

00:43:23 - 00:43:34

No darkness can after Quang Tri Province, that sticky, heavy night, when there was no moon, when I had no eyes, when

Monifa A. Love
Poetry Reading

00:43:33 - 00:43:39

I had no hands, when everything was pitch, and the smell of death was strong.

Monifa A. Love

00:43:34 - 00:43:39

I had no hands, when everything was pitch, and the smell of death was strong.

Monifa A. Love
Poetry Reading

00:43:40 - 00:43:49

No one died that night, but our fear had us in body bags, on choppers, in coffins, in the ground, back home.

Monifa A. Love

00:43:41 - 00:43:50

No one died that night, but our fear had us in body bags, on choppers, in coffins, in the ground, back home.

Monifa A. Love
Poetry Reading

00:43:50 - 00:43:52

There was jasmine in the air.

Monifa A. Love

00:43:51 - 00:43:53

There was jasmine in the air.

Monifa A. Love
Poetry Reading

00:43:53 - 00:43:54

No one smelled it.

Monifa A. Love

00:43:54 - 00:43:55

No one smelled it.

Monifa A. Love
Poetry Reading

00:43:56 - 00:43:59

I have stories I can tell myself to mark the hours.

Monifa A. Love
Poetry Reading

00:43:56 - 00:43:59

I have stories I can tell myself to mark the hours.

Monifa A. Love

00:44:00 - 00:44:03

I will know when it is morning when it is light.

Monifa A. Love
Poetry Reading

00:44:00 - 00:44:03

I will know when it is morning when it is light.

Monifa A. Love

00:44:04 - 00:44:09

Even if there are no sounds outside this darkness, I will know.

Monifa A. Love
Poetry Reading

00:44:04 - 00:44:08

Even if there are no sounds outside this darkness, I will know.

Monifa A. Love

00:44:09 - 00:44:13

I will feel the surge of waking restless bodies through the walls.

Monifa A. Love
Poetry Reading

00:44:09 - 00:44:12

I will feel the surge of waking restless bodies through the walls.

Monifa A. Love

00:44:14 - 00:44:16

I will feel them as they work.

Monifa A. Love
Poetry Reading

00:44:14 - 00:44:15

I will feel them as they work.

Monifa A. Love

00:44:15 - 00:44:19

The weights work, the tears work themselves.

Monifa A. Love

00:44:16 - 00:44:19

The weights work, the tears work themselves.

Monifa A. Love
Poetry Reading

00:44:20 - 00:44:29

I will know, and I will feel them struggling through the night, calling out, calling.

Monifa A. Love

00:44:21 - 00:44:29

I will know, and I will feel them struggling through the night, calling out, calling.

Monifa A. Love
Poetry Reading

00:44:30 - 00:44:37

I have learned from sitting with men in the dark, with the young hopeful farmers in Bluefields, the

Monifa A. Love
Poetry Reading

00:44:30 - 00:44:37

I have learned from sitting with men in the dark, with the young hopeful farmers in Bluefields, the

Monifa A. Love

00:44:37 - 00:44:42

old patient ones in Four Corners, the nervous marketeers in Manila.

Monifa A. Love
Poetry Reading

00:44:37 - 00:44:42

old patient ones in Four Corners, the nervous marketeers in Manila.

Monifa A. Love

00:44:43 - 00:44:45

I have learned how to rein myself in.

Monifa A. Love

00:44:44 - 00:44:46

I have learned how to rein myself in.

Monifa A. Love
Poetry Reading

00:44:46 - 00:44:48

I have learned how to watch.

Monifa A. Love

00:44:47 - 00:44:48

I have learned how to watch.

Monifa A. Love
Poetry Reading

00:44:48 - 00:44:54

Circumspectly, I have learned how to let what is going to happen come.

Monifa A. Love

00:44:49 - 00:44:55

Circumspectly, I have learned how to let what is going to happen come.

Monifa A. Love
Poetry Reading

00:44:56 - 00:44:58

This darkness doesn't scare me.

Monifa A. Love
Poetry Reading

00:44:56 - 00:44:58

This darkness doesn't scare me.

Monifa A. Love

00:44:58 - 00:45:01

No darkness can after Quang Tri Province.

Monifa A. Love
Poetry Reading

00:44:58 - 00:45:00

No darkness can after Quang Tri Province.

Monifa A. Love

00:45:01 - 00:45:07

That cool, crystal night when the moon sat plump and regal on a throne of clouds.

Monifa A. Love

00:45:02 - 00:45:08

That cool, crystal night when the moon sat plump and regal on a throne of clouds.

Monifa A. Love
Poetry Reading

00:45:07 - 00:45:11

When sparks crackled along the surface of my skin.

Monifa A. Love

00:45:08 - 00:45:12

When sparks crackled along the surface of my skin.

Monifa A. Love
Poetry Reading

00:45:12 - 00:45:16

When everything was desire, keen edged and elastic.

Monifa A. Love

00:45:13 - 00:45:16

When everything was desire, keen edged and elastic.

Monifa A. Love
Poetry Reading

00:45:17 - 00:45:20

We all died that night and woke reformed.

Monifa A. Love
Poetry Reading

00:45:17 - 00:45:20

We all died that night and woke reformed.

Monifa A. Love

00:45:21 - 00:45:23

There was jasmine in the air.

Monifa A. Love
Poetry Reading

00:45:21 - 00:45:22

There was jasmine in the air.

Monifa A. Love

00:45:23 - 00:45:29

We lifted our heads to catch the fragrance, our eyes shut to better find the scent.

Monifa A. Love
Poetry Reading

00:45:23 - 00:45:28

We lifted our heads to catch the fragrance, our eyes shut to better find the scent.

Monifa A. Love

00:45:29 - 00:45:35

And we let it take us to our memories, winsome, fragile memories of love and coupling.

Monifa A. Love
Poetry Reading

00:45:29 - 00:45:34

And we let it take us to our memories, winsome, fragile memories of love and coupling.

Monifa A. Love

00:45:35 - 00:45:43

I could see my small, thin, gap toothed girl letting my unskilled lips and tongue taste her smooth skin.

Monifa A. Love
Poetry Reading

00:45:35 - 00:45:43

I could see my small, thin, gap toothed girl letting my unskilled lips and tongue taste her smooth skin.

Monifa A. Love

00:45:44 - 00:45:45

Seeing her then.

Monifa A. Love
Poetry Reading

00:45:44 - 00:45:45

Seeing her then.

Monifa A. Love

00:45:45 - 00:45:49

I reached for her, my handheld invisible fruit.

Monifa A. Love

00:45:46 - 00:45:50

I reached for her, my handheld invisible fruit.

Monifa A. Love
Poetry Reading

00:45:51 - 00:45:56

Yes, I have stories I can tell myself to mark the hours.

Monifa A. Love
Poetry Reading

00:45:51 - 00:45:56

Yes, I have stories I can tell myself to mark the hours.

Monifa A. Love

00:45:56 - 00:45:59

I will feel the falsetto songs of the morning.

Monifa A. Love
Poetry Reading

00:45:56 - 00:45:59

I will feel the falsetto songs of the morning.

Monifa A. Love

00:45:59 - 00:46:02

I will feel men turning from sleep and reaching.

Monifa A. Love
Poetry Reading

00:45:59 - 00:46:02

I will feel men turning from sleep and reaching.

Monifa A. Love

00:46:02 - 00:46:08

I will feel the repetition of prayers, the flood of invectives, the proclamations of survival.

Monifa A. Love
Poetry Reading

00:46:02 - 00:46:07

I will feel the repetition of prayers, the flood of invectives, the proclamations of survival.

Monifa A. Love

00:46:07 - 00:46:10

I will know when it is morning and I will be fine.

Monifa A. Love

00:46:08 - 00:46:11

I will know when it is morning and I will be fine.

Monifa A. Love
Poetry Reading

00:46:10 - 00:46:14

I will feel men touching their tattooed places.

Monifa A. Love

00:46:11 - 00:46:14

I will feel men touching their tattooed places.

Monifa A. Love
Poetry Reading

00:46:14 - 00:46:18

And I will feel them rub the history they have pushed into their skin.

Monifa A. Love

00:46:15 - 00:46:19

And I will feel them rub the history they have pushed into their skin.

Monifa A. Love
Poetry Reading

00:46:20 - 00:46:22

I have learned from sitting with men in the dark.

Monifa A. Love
Poetry Reading

00:46:20 - 00:46:22

I have learned from sitting with men in the dark.

Monifa A. Love

00:46:23 - 00:46:24

The frightened.

Monifa A. Love
Poetry Reading

00:46:23 - 00:46:23

The frightened.

Monifa A. Love

00:46:24 - 00:46:25

Resigned.

Monifa A. Love
Poetry Reading

00:46:24 - 00:46:25

Resigned.

Monifa A. Love

00:46:25 - 00:46:26

Betrayed.

Monifa A. Love

00:46:26 - 00:46:27

Betrayed.

Monifa A. Love
Poetry Reading

00:46:27 - 00:46:28

And ecstatic.

Monifa A. Love
Poetry Reading

00:46:27 - 00:46:28

And ecstatic.

Monifa A. Love

00:46:29 - 00:46:31

I have learned how to set myself flying.

Monifa A. Love

00:46:30 - 00:46:32

I have learned how to set myself flying.

Monifa A. Love
Poetry Reading

00:46:32 - 00:46:34

I have learned how to swim and to become water.

Monifa A. Love

00:46:33 - 00:46:35

I have learned how to swim and to become water.

Monifa A. Love
Poetry Reading

00:46:35 - 00:46:37

I have learned how to billow.

Monifa A. Love

00:46:36 - 00:46:37

I have learned how to billow.

Monifa A. Love
Poetry Reading

00:46:38 - 00:46:40

No darkness can scare me.

Monifa A. Love

00:46:39 - 00:46:41

No darkness can scare me.

Monifa A. Love
Poetry Reading

00:46:41 - 00:46:43

Not after Quang Tri Province.

Monifa A. Love
Poetry Reading

00:46:41 - 00:46:43

Not after Quang Tri Province.

Monifa A. Love

00:46:43 - 00:46:45

Because I have learned to incandesce.

Monifa A. Love

00:46:44 - 00:46:46

Because I have learned to incandesce.

Monifa A. Love
Poetry Reading

00:46:45 - 00:46:47

Hold

Tim Wells

00:46:46 - 00:46:47

Hold

Tim Wells

00:46:47 - 00:46:49

still.

Tim Wells

00:46:47 - 00:46:48

still.

Tim Wells

00:46:48 - 00:46:52

Um, I'd like

Tim Wells

00:46:49 - 00:46:53

Um, I'd like

Tim Wells

00:47:08 - 00:47:09

to make a request real quick.

Tim Wells

00:47:09 - 00:47:10

to make a request real quick.

Tim Wells

00:47:10 - 00:47:15

I know at first we were supposed to have a slam, and then they changed it to kind of a, you know, open reading.

Tim Wells

00:47:10 - 00:47:15

I know at first we were supposed to have a slam, and then they changed it to kind of a, you know, open reading.

Tim Wells

00:47:15 - 00:47:18

And there's a sister that wants to read after me, and I'm supposed to be last.

Tim Wells

00:47:16 - 00:47:19

And there's a sister that wants to read after me, and I'm supposed to be last.

Tim Wells

00:47:18 - 00:47:20

Is it okay with y'all if she reads too?

Tim Wells

00:47:19 - 00:47:21

Is it okay with y'all if she reads too?

Tim Wells

00:47:21 - 00:47:21

You know.

Tim Wells

00:47:21 - 00:47:21

You know.

Tim Wells

00:47:24 - 00:47:29

Okay, I just wanted to make sure, because otherwise I would give her my time, because, you know, you should let her read.

Tim Wells

00:47:24 - 00:47:29

Okay, I just wanted to make sure, because otherwise I would give her my time, because, you know, you should let her read.

Tim Wells

00:47:29 - 00:47:37

Okay, um, this is kind of participatory, uh, and I also have a poem for Gwendolyn Brooks.

Tim Wells

00:47:30 - 00:47:38

Okay, um, this is kind of participatory, uh, and I also have a poem for Gwendolyn Brooks.

Tim Wells
Speaker Introduction

00:47:37 - 00:47:46

It's kind of like I'm putting two poems together, but um, in this first poem, um, whenever I put my fist up, I want you to say, shut up, alright?

Tim Wells

00:47:38 - 00:47:46

It's kind of like I'm putting two poems together, but um, in this first poem, um, whenever I put my fist up, I want you to say, shut up, alright?

Tim Wells
Speaker Introduction

00:47:48 - 00:47:51

Somebody says, shut up!

Tim Wells

00:47:49 - 00:47:52

Somebody says, shut up!

Tim Wells
Poetry Reading

00:47:51 - 00:47:53

But I keep talking.

Tim Wells

00:47:52 - 00:47:53

But I keep talking.

Tim Wells
Poetry Reading

00:47:53 - 00:48:01

The teacher whom trained my brain from the womb And even if he had his way to the tomb, says Shut up!

Tim Wells
Poetry Reading

00:47:53 - 00:48:00

The teacher whom trained my brain from the womb And even if he had his way to the tomb, says Shut up!

Tim Wells

00:48:00 - 00:48:06

But I keep talking The preacher that sermon surmounted on the mount Pounded, pillaged, pounced

Tim Wells

00:48:01 - 00:48:07

But I keep talking The preacher that sermon surmounted on the mount Pounded, pillaged, pounced

Tim Wells
Poetry Reading

00:48:06 - 00:48:11

the gospel That he only quite well believed for a spell, says Shut up!

Tim Wells

00:48:07 - 00:48:12

the gospel That he only quite well believed for a spell, says Shut up!

Tim Wells
Poetry Reading

00:48:11 - 00:48:19

But I keep talking The man that I admired Until I realized and got tired Of last hired, first fired In six weeks I'll

Tim Wells

00:48:12 - 00:48:19

But I keep talking The man that I admired Until I realized and got tired Of last hired, first fired In six weeks I'll

Tim Wells
Poetry Reading

00:48:19 - 00:48:28

be retired, says But I keep talking, the woman of my dreams could steam and scheme, do most anything, says.

Tim Wells
Poetry Reading

00:48:19 - 00:48:27

be retired, says But I keep talking, the woman of my dreams could steam and scheme, do most anything, says.

Tim Wells

00:48:28 - 00:48:33

But I keep talking, the addict in the basement, displaced, erased, and hastened.

Tim Wells
Poetry Reading

00:48:28 - 00:48:32

But I keep talking, the addict in the basement, displaced, erased, and hastened.

Tim Wells

00:48:32 - 00:48:34

Addict want more drug.

Tim Wells

00:48:33 - 00:48:34

Addict want more drug.

Tim Wells
Poetry Reading

00:48:34 - 00:48:36

Addict want more drug.

Tim Wells

00:48:35 - 00:48:36

Addict want more drug.

Tim Wells
Poetry Reading

00:48:37 - 00:48:39

Addict want more drug.

Tim Wells
Poetry Reading

00:48:37 - 00:48:38

Addict want more drug.

Tim Wells

00:48:38 - 00:48:42

Won't hold back the crack, cold shrug, cause I bug, says.

Tim Wells

00:48:39 - 00:48:42

Won't hold back the crack, cold shrug, cause I bug, says.

Tim Wells
Poetry Reading

00:48:43 - 00:48:49

But I keep talking the white liberal conservative and nervous perplexed and perverse curse by the path of

Tim Wells
Poetry Reading

00:48:43 - 00:48:49

But I keep talking the white liberal conservative and nervous perplexed and perverse curse by the path of

Tim Wells

00:48:49 - 00:48:57

come around bloodbath says, but I keep talking the child in the wild streets of burning yearning.

Tim Wells
Poetry Reading

00:48:49 - 00:48:56

come around bloodbath says, but I keep talking the child in the wild streets of burning yearning.

Tim Wells

00:48:56 - 00:48:58

Maybe tomorrow will be a turning point.

Tim Wells

00:48:57 - 00:48:59

Maybe tomorrow will be a turning point.

Tim Wells
Poetry Reading

00:48:58 - 00:49:04

Change seems to be strange says, but I keep talking the demon in my mind.

Tim Wells

00:48:59 - 00:49:05

Change seems to be strange says, but I keep talking the demon in my mind.

Tim Wells
Poetry Reading

00:49:05 - 00:49:15

Left behind by a thought, sold and bought By a peculiar institution Sees no solution, says But I keep talking, I

Tim Wells
Poetry Reading

00:49:05 - 00:49:15

Left behind by a thought, sold and bought By a peculiar institution Sees no solution, says But I keep talking, I

Tim Wells

00:49:15 - 00:49:19

keep talking Matter of fact, the other day I was talking to Gwendolyn Brooks

Tim Wells
Poetry Reading

00:49:15 - 00:49:18

keep talking Matter of fact, the other day I was talking to Gwendolyn Brooks

Tim Wells

00:49:26 - 00:49:36

I met Mother Nature We had a pleasant talk She was born in Topeka, stayed there for six weeks Then moved to Chi town Now

Tim Wells
Poetry Reading

00:49:26 - 00:49:35

I met Mother Nature We had a pleasant talk She was born in Topeka, stayed there for six weeks Then moved to Chi town Now

Tim Wells

00:49:35 - 00:49:40

she's moving the world Large auditoriums are too small for her big heart.

Tim Wells

00:49:36 - 00:49:41

she's moving the world Large auditoriums are too small for her big heart.

Tim Wells
Poetry Reading

00:49:41 - 00:49:44

Crowds tighten up until she lets it loose.

Tim Wells
Poetry Reading

00:49:41 - 00:49:43

Crowds tighten up until she lets it loose.

Tim Wells

00:49:43 - 00:49:46

I want my children to read her rather than Dr.

Tim Wells

00:49:44 - 00:49:46

I want my children to read her rather than Dr.

Tim Wells
Poetry Reading

00:49:46 - 00:49:47

Seuss.

Tim Wells
Poetry Reading

00:49:46 - 00:49:47

Seuss.

Tim Wells

00:49:47 - 00:49:51

She has more children coming home than Mother Goose.

Tim Wells
Poetry Reading

00:49:47 - 00:49:50

She has more children coming home than Mother Goose.

Tim Wells

00:49:51 - 00:49:53

Some are young and unrefined like me.

Tim Wells
Poetry Reading

00:49:51 - 00:49:53

Some are young and unrefined like me.

Tim Wells

00:49:53 - 00:49:56

Some are seasoned and scholarly like Haki.

Tim Wells
Poetry Reading

00:49:53 - 00:49:55

Some are seasoned and scholarly like Haki.

Tim Wells

00:49:58 - 00:50:02

Felt like she was already close to me.

Tim Wells

00:49:59 - 00:50:02

Felt like she was already close to me.

Tim Wells
Poetry Reading

00:50:02 - 00:50:05

Neophytes new to poetry are curious.

Tim Wells
Poetry Reading

00:50:02 - 00:50:04

Neophytes new to poetry are curious.

Tim Wells

00:50:04 - 00:50:07

I never knew flowers could be so furious.

Tim Wells

00:50:05 - 00:50:08

I never knew flowers could be so furious.

Tim Wells
Poetry Reading

00:50:07 - 00:50:07

Yes.

Tim Wells

00:50:08 - 00:50:08

Yes.

Tim Wells
Poetry Reading

00:50:08 - 00:50:12

When she's in Chicago, it's my kind of town.

Tim Wells
Poetry Reading

00:50:08 - 00:50:11

When she's in Chicago, it's my kind of town.

Tim Wells

00:50:11 - 00:50:15

Don't call her African American, she prefers black.

Tim Wells

00:50:12 - 00:50:15

Don't call her African American, she prefers black.

Tim Wells
Poetry Reading

00:50:15 - 00:50:17

Cause she's my kind of brown.

Tim Wells

00:50:16 - 00:50:17

Cause she's my kind of brown.

Tim Wells
Poetry Reading

00:50:17 - 00:50:23

She can run the NAACP and enlist more members than Ben Chavis and Ben Hooks.

Tim Wells
Poetry Reading

00:50:17 - 00:50:22

She can run the NAACP and enlist more members than Ben Chavis and Ben Hooks.

Tim Wells

00:50:23 - 00:50:25

She has no political aspirations.

Tim Wells
Poetry Reading

00:50:23 - 00:50:25

She has no political aspirations.

Tim Wells

00:50:25 - 00:50:29

Children, come home to Gwendolyn Brooks.

Tim Wells

00:50:26 - 00:50:29

Children, come home to Gwendolyn Brooks.

Tim Wells
Poetry Reading

00:50:29 - 00:50:31

And it's for peace.

Tim Wells
Poetry Reading

00:50:29 - 00:50:31

And it's for peace.

Tim Wells

00:50:31 - 00:50:36

I think that was a perfect way to

Unknown speaker 2

00:50:31 - 00:50:36

I think that was a perfect way to

Unknown speaker 2

00:50:47 - 00:50:50

I really apologize, but the next panel has to get on.

Unknown speaker 2

00:50:47 - 00:50:50

I really apologize, but the next panel has to get on.

Unknown speaker 2

00:50:50 - 00:50:51

Dr.

Unknown speaker 2

00:50:50 - 00:50:50

Dr.

Unknown speaker 2

00:50:50 - 00:50:53

Gabbin's giving me the cut sign.

Unknown speaker 2

00:50:51 - 00:50:53

Gabbin's giving me the cut sign.

Unknown speaker 2

00:50:53 - 00:50:55

Could we please have a big round of applause for everyone who read?

Unknown speaker 2

00:50:54 - 00:50:56

Could we please have a big round of applause for everyone who read?

Unknown speaker 2

00:50:55 - 00:51:09

For those of you who are interested, young, emerging, not necessarily young, but emerging poets, there is going to be a contest out of this gathering.

Unknown speaker 2

00:50:56 - 00:51:10

For those of you who are interested, young, emerging, not necessarily young, but emerging poets, there is going to be a contest out of this gathering.

Unknown speaker 2

00:51:09 - 00:51:13

It's going to be called the Gwendolyn Brooks Poetry, First Annual Poetry Conference.

Unknown speaker 2

00:51:10 - 00:51:13

It's going to be called the Gwendolyn Brooks Poetry, First Annual Poetry Conference.

Unknown speaker 2

00:51:13 - 00:51:15

Please send your submissions.

Unknown speaker 2

00:51:13 - 00:51:14

Please send your submissions.

Unknown speaker 2

00:51:15 - 00:51:16

To Dr.

Unknown speaker 2

00:51:15 - 00:51:15

To Dr.

Unknown speaker 2

00:51:15 - 00:51:24

Joanne Gabbin, care of the first annual Gwendolyn Brooks Poetry Contest Honors Program, James Madison University, Harrisonburg, Virginia, 22807.

Unknown speaker 2

00:51:16 - 00:51:25

Joanne Gabbin, care of the first annual Gwendolyn Brooks Poetry Contest Honors Program, James Madison University, Harrisonburg, Virginia, 22807.

Unknown speaker 2

00:51:25 - 00:51:26

Thank you very much.

Unknown speaker 2

00:51:26 - 00:51:27

Thank you very much.

Unknown speaker 2

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