FF0043
Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. This footage was originally recorded on a MII videocassette.
FF0043
Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. This footage was originally recorded on a MII videocassette.
Annotations
00:00:00 - 00:00:09
New Year's and play Nina Simone in the bedroom while we twirl like conductors batons and point to where the notes should have been.
00:00:00 - 00:00:08
New Year's and play Nina Simone in the bedroom while we twirl like conductors batons and point to where the notes should have been.
00:00:10 - 00:00:15
We sometimes cry in corners and curse the air for its lack of affection.
00:00:10 - 00:00:15
We sometimes cry in corners and curse the air for its lack of affection.
00:00:16 - 00:00:25
Our womb pleads for us to take notice while we crush the past underneath our heels and condemn ourselves to the fire next time.
00:00:16 - 00:00:25
Our womb pleads for us to take notice while we crush the past underneath our heels and condemn ourselves to the fire next time.
00:00:26 - 00:00:29
We sometimes punctuate the earth with our beauty.
00:00:26 - 00:00:29
We sometimes punctuate the earth with our beauty.
00:00:30 - 00:00:34
And challenge the galaxy with our smiles we sometimes transform.
00:00:30 - 00:00:34
And challenge the galaxy with our smiles we sometimes transform.
00:00:35 - 00:00:37
Because evolution is in us all.
00:00:35 - 00:00:37
Because evolution is in us all.
00:00:37 - 00:00:39
And to prove Satan a liar.
00:00:38 - 00:00:40
And to prove Satan a liar.
00:00:40 - 00:00:41
And
00:00:40 - 00:00:40
And
00:00:40 - 00:00:46
we sometimes take life by the hand and peel her like an orange.
00:00:41 - 00:00:46
we sometimes take life by the hand and peel her like an orange.
00:00:46 - 00:00:48
Slowly, slowly.
00:00:47 - 00:00:48
Slowly, slowly.
00:00:53 - 00:00:57
Wendell Otley, followed by Yapet Brinson.
00:00:54 - 00:00:57
Wendell Otley, followed by Yapet Brinson.
00:01:07 - 00:01:08
Good afternoon.
00:01:07 - 00:01:07
Good afternoon.
00:01:10 - 00:01:16
My name is Wendell Otley, and um, I want to thank you first before I start, since I won't when I'm finished.
00:01:10 - 00:01:16
My name is Wendell Otley, and um, I want to thank you first before I start, since I won't when I'm finished.
00:01:18 - 00:01:20
Um, my poem is Damnation.
00:01:18 - 00:01:20
Um, my poem is Damnation.
00:01:22 - 00:01:29
Come from behind the protection of the white sheets you've worn, the piles of the ashes of the crosses you've burned, the
00:01:22 - 00:01:28
Come from behind the protection of the white sheets you've worn, the piles of the ashes of the crosses you've burned, the
00:01:28 - 00:01:32
stinking rotting corpses of the niggers you've lynched, and face your damnation.
00:01:29 - 00:01:32
stinking rotting corpses of the niggers you've lynched, and face your damnation.
00:01:33 - 00:01:38
Pretend that my problems don't exist, that I'm just bitching for no reason in particular.
00:01:34 - 00:01:38
Pretend that my problems don't exist, that I'm just bitching for no reason in particular.
00:01:38 - 00:01:41
That I'm full of shit, and you will face damnation.
00:01:38 - 00:01:40
That I'm full of shit, and you will face damnation.
00:01:42 - 00:01:47
Continue to show an abundance of my negative side, without giving equal weight to my positive.
00:01:42 - 00:01:46
Continue to show an abundance of my negative side, without giving equal weight to my positive.
00:01:47 - 00:01:51
To show me as a menace to society, but find no faults in the society I menace.
00:01:47 - 00:01:51
To show me as a menace to society, but find no faults in the society I menace.
00:01:52 - 00:01:56
To arrest me for committing a blue collar crime, but acquit yourself of white collar crimes.
00:01:52 - 00:01:56
To arrest me for committing a blue collar crime, but acquit yourself of white collar crimes.
00:01:56 - 00:01:58
And you will suffer damnation.
00:01:57 - 00:01:58
And you will suffer damnation.
00:01:59 - 00:02:04
Ask, why am I not happy being a lower case letter in your capitalistic system?
00:01:59 - 00:02:03
Ask, why am I not happy being a lower case letter in your capitalistic system?
00:02:04 - 00:02:08
Why am I not satisfied with the rats and roaches that come with low income housing?
00:02:04 - 00:02:07
Why am I not satisfied with the rats and roaches that come with low income housing?
00:02:08 - 00:02:14
Why am I not filled from head to toe with hot dog and apple pie chanting USA every four years patriotism?
00:02:09 - 00:02:14
Why am I not filled from head to toe with hot dog and apple pie chanting USA every four years patriotism?
00:02:15 - 00:02:18
And I will say, because I didn't ask to come to this damn nation.
00:02:15 - 00:02:18
And I will say, because I didn't ask to come to this damn nation.
00:02:18 - 00:02:22
Yafet
00:02:18 - 00:02:21
Yafet
00:02:25 - 00:02:27
Brinson, followed by DJ Renegade.
00:02:26 - 00:02:28
Brinson, followed by DJ Renegade.
00:02:38 - 00:02:39
Hey, what up?
00:02:39 - 00:02:39
Hey, what up?
00:02:39 - 00:02:40
How's it going?
00:02:39 - 00:02:39
How's it going?
00:02:42 - 00:02:43
My name is Yafet.
00:02:42 - 00:02:42
My name is Yafet.
00:02:43 - 00:02:45
The poem is called Roman Catholic Hit and Run.
00:02:43 - 00:02:45
The poem is called Roman Catholic Hit and Run.
00:02:48 - 00:02:54
Yesterday, a black cop, while crossing the street, was hit and killed by two black nuns on a mountain bike.
00:02:48 - 00:02:54
Yesterday, a black cop, while crossing the street, was hit and killed by two black nuns on a mountain bike.
00:02:55 - 00:03:03
The cop dude didn't have a chance to pull his trigger, call for backup, down that day old donut, or polish his plastic badge.
00:02:55 - 00:03:02
The cop dude didn't have a chance to pull his trigger, call for backup, down that day old donut, or polish his plastic badge.
00:03:03 - 00:03:05
You see, the cop wasn't paying attention.
00:03:03 - 00:03:05
You see, the cop wasn't paying attention.
00:03:05 - 00:03:11
He crossed in between, not at the green, saw nothing at all of oncoming traffic, didn't even look before stepping off the curb.
00:03:06 - 00:03:12
He crossed in between, not at the green, saw nothing at all of oncoming traffic, didn't even look before stepping off the curb.
00:03:12 - 00:03:14
Besides, the nuns had right of way anyway.
00:03:13 - 00:03:14
Besides, the nuns had right of way anyway.
00:03:15 - 00:03:18
And no, no funeral was given, no investigation was done.
00:03:15 - 00:03:17
And no, no funeral was given, no investigation was done.
00:03:18 - 00:03:21
All that remained were the skid marks of the Roman Catholic nigger nuns.
00:03:19 - 00:03:21
All that remained were the skid marks of the Roman Catholic nigger nuns.
00:03:27 - 00:03:27
D.
00:03:27 - 00:03:28
J.
00:03:27 - 00:03:27
D.
00:03:27 - 00:03:27
J.
00:03:27 - 00:03:31
Renegade, followed by Ta-Nehisi Coates.
00:03:28 - 00:03:31
Renegade, followed by Ta-Nehisi Coates.
00:03:45 - 00:03:48
Somebody go wake up Shakespeare and tell him DJ Renegade's in the house.
00:03:46 - 00:03:48
Somebody go wake up Shakespeare and tell him DJ Renegade's in the house.
00:03:53 - 00:03:57
Subterranean night colored magi, three moods in the mode of Miles.
00:03:53 - 00:03:57
Subterranean night colored magi, three moods in the mode of Miles.
00:04:04 - 00:04:07
Subterranean means underground.
00:04:04 - 00:04:06
Subterranean means underground.
00:04:07 - 00:04:11
Deep, profound, and Miles was one deep brother.
00:04:08 - 00:04:11
Deep, profound, and Miles was one deep brother.
00:04:12 - 00:04:16
Miles deep like a shaft, descending to the mother load, blowing undersongs.
00:04:13 - 00:04:16
Miles deep like a shaft, descending to the mother load, blowing undersongs.
00:04:17 - 00:04:21
Miles on tenor trumpet, tenor eleven levels deeper than the next cat.
00:04:17 - 00:04:21
Miles on tenor trumpet, tenor eleven levels deeper than the next cat.
00:04:21 - 00:04:25
Painting all up under the canvas, making it blue bleed out the other side.
00:04:22 - 00:04:25
Painting all up under the canvas, making it blue bleed out the other side.
00:04:25 - 00:04:28
Blowing solo, only we hear his bedrock blues.
00:04:26 - 00:04:29
Blowing solo, only we hear his bedrock blues.
00:04:28 - 00:04:30
Underground cultural resistance.
00:04:29 - 00:04:31
Underground cultural resistance.
00:04:31 - 00:04:35
A virtual virtuoso battling musical mafiosos burrowing under their skin.
00:04:31 - 00:04:34
A virtual virtuoso battling musical mafiosos burrowing under their skin.
00:04:35 - 00:04:41
Miles, the son of a dentist doing root work with a hoodoo horn hollering bebop toast like he was Petey
00:04:36 - 00:04:41
Miles, the son of a dentist doing root work with a hoodoo horn hollering bebop toast like he was Petey
00:04:41 - 00:04:47
Wheatstraw, Satchmo's son in law, or Stagger Lee stabbing mediocrity with a sharpened fifth, or a signifying
00:04:41 - 00:04:47
Wheatstraw, Satchmo's son in law, or Stagger Lee stabbing mediocrity with a sharpened fifth, or a signifying
00:04:47 - 00:04:54
junkie jumping cold turkey out the lion's mouth, or shine below the deck of the Titanic, bluing up the boilers.
00:04:47 - 00:04:53
junkie jumping cold turkey out the lion's mouth, or shine below the deck of the Titanic, bluing up the boilers.
00:04:54 - 00:05:03
You see, Miles could blue like bird and freight like train, early like bird and night like train, wing like bird and rail like train, tunneling underground.
00:04:55 - 00:05:04
You see, Miles could blue like bird and freight like train, early like bird and night like train, wing like bird and rail like train, tunneling underground.
00:05:04 - 00:05:10
A night color is blacker than a thousand asphalts and Miles was one deep black brother.
00:05:05 - 00:05:10
A night color is blacker than a thousand asphalts and Miles was one deep black brother.
00:05:11 - 00:05:13
Black and mysterious as smoke.
00:05:11 - 00:05:13
Black and mysterious as smoke.
00:05:13 - 00:05:17
Black as the sky, round midnight, round midnight.
00:05:14 - 00:05:17
Black as the sky, round midnight, round midnight.
00:05:18 - 00:05:21
Black as the pot that stewed a bitch's brood.
00:05:18 - 00:05:20
Black as the pot that stewed a bitch's brood.
00:05:20 - 00:05:25
Black and turning like a tire, treadmarking musical notation on the asphalt of life.
00:05:21 - 00:05:26
Black and turning like a tire, treadmarking musical notation on the asphalt of life.
00:05:25 - 00:05:34
Miles was slick as black ice, cool as black snow, sweet as black cherries, hitting harder A black Jack Hammer, black Jack Johnson, or a black Jack Daniels.
00:05:26 - 00:05:35
Miles was slick as black ice, cool as black snow, sweet as black cherries, hitting harder A black Jack Hammer, black Jack Johnson, or a black Jack Daniels.
00:05:34 - 00:05:38
See, Miles was a Jack of spades, but an ace at his trade, blowing night colors.
00:05:35 - 00:05:39
See, Miles was a Jack of spades, but an ace at his trade, blowing night colors.
00:05:39 - 00:05:46
Like deep black, triple black, shiny black, cinder black, ashy black, quarter black, mega black, multi black, all shades of Miles.
00:05:39 - 00:05:46
Like deep black, triple black, shiny black, cinder black, ashy black, quarter black, mega black, multi black, all shades of Miles.
00:05:46 - 00:05:49
Shifting harmonic gears in his chromatic Ferrari.
00:05:46 - 00:05:48
Shifting harmonic gears in his chromatic Ferrari.
00:05:49 - 00:05:52
Blowing with his black turn to the audience.
00:05:49 - 00:05:51
Blowing with his black turn to the audience.
00:05:51 - 00:05:59
Speaking coolly Magi are priests, wailing wizards, soloing sorcerers.
00:05:52 - 00:05:59
Speaking coolly Magi are priests, wailing wizards, soloing sorcerers.
00:05:59 - 00:06:02
And Miles was one deep black magic brother.
00:05:59 - 00:06:02
And Miles was one deep black magic brother.
00:06:02 - 00:06:05
Miles, conjuring in the key of we.
00:06:03 - 00:06:06
Miles, conjuring in the key of we.
00:06:05 - 00:06:08
Magi, Magi, that's the confused ones.
00:06:06 - 00:06:09
Magi, Magi, that's the confused ones.
00:06:08 - 00:06:11
Miles is singular, they say.
00:06:09 - 00:06:11
Miles is singular, they say.
00:06:11 - 00:06:14
But Miles, we know you plural, you y'all.
00:06:11 - 00:06:13
But Miles, we know you plural, you y'all.
00:06:14 - 00:06:19
You be bop miles, hard bop miles, cool miles, fusion miles.
00:06:14 - 00:06:18
You be bop miles, hard bop miles, cool miles, fusion miles.
00:06:18 - 00:06:24
Lord, Lord, Lord, you reverend miles, tonally testifying from the book of the blues.
00:06:19 - 00:06:25
Lord, Lord, Lord, you reverend miles, tonally testifying from the book of the blues.
00:06:25 - 00:06:30
Blowing muted magic like chapter and verse, making a joyful noise unto the Lord.
00:06:25 - 00:06:30
Blowing muted magic like chapter and verse, making a joyful noise unto the Lord.
00:06:30 - 00:06:33
And anybody else hip enough to dig the scene?
00:06:30 - 00:06:32
And anybody else hip enough to dig the scene?
00:06:32 - 00:06:36
Magi Miles with crazy styles, even sported a tutu.
00:06:33 - 00:06:37
Magi Miles with crazy styles, even sported a tutu.
00:06:36 - 00:06:38
Miles, 1.
00:06:37 - 00:06:38
Miles, 1.
00:06:38 - 00:06:39
6 kilometers of cool.
00:06:38 - 00:06:39
6 kilometers of cool.
00:06:39 - 00:06:42
Miles, 5, 280 dancing feet.
00:06:39 - 00:06:42
Miles, 5, 280 dancing feet.
00:06:42 - 00:06:47
Miles, too much distance for their musical rulers, pouring decades of music like vintage wine.
00:06:43 - 00:06:48
Miles, too much distance for their musical rulers, pouring decades of music like vintage wine.
00:06:47 - 00:06:50
Miles, wily, never smiley, too quick to hit and took no shit.
00:06:48 - 00:06:51
Miles, wily, never smiley, too quick to hit and took no shit.
00:06:50 - 00:06:53
Nobody's fool, sleek, satin, cool, anciently new, kind of blue.
00:06:51 - 00:06:53
Nobody's fool, sleek, satin, cool, anciently new, kind of blue.
00:07:05 - 00:07:09
Our subterranean, night colored magic.
00:07:06 - 00:07:09
Our subterranean, night colored magic.
00:07:20 - 00:07:23
Ta-Nehisi
00:07:21 - 00:07:24
Ta-Nehisi
00:07:23 - 00:07:25
Coates, followed by Dorothy Marie Wright.
00:07:24 - 00:07:26
Coates, followed by Dorothy Marie Wright.
00:07:31 - 00:07:33
Um, I am Ta Nehisi Coates.
00:07:32 - 00:07:34
Um, I am Ta Nehisi Coates.
00:07:34 - 00:07:36
That's alright, everybody do it.
00:07:35 - 00:07:36
That's alright, everybody do it.
00:07:36 - 00:07:38
Um, and I'm from Baltimore.
00:07:36 - 00:07:37
Um, and I'm from Baltimore.
00:07:38 - 00:07:41
Um, but I came down here, I guess, with the DCP, because that's where I go to school.
00:07:39 - 00:07:42
Um, but I came down here, I guess, with the DCP, because that's where I go to school.
00:07:42 - 00:07:44
I'm gonna read a piece entitled, Last Night.
00:07:42 - 00:07:44
I'm gonna read a piece entitled, Last Night.
00:07:44 - 00:07:46
It goes like this.
00:07:44 - 00:07:46
It goes like this.
00:07:48 - 00:07:57
On this dark of bottomless night, She returns, touching, quiet, making us Silhouette swimmers in an ocean of sheets.
00:07:48 - 00:07:57
On this dark of bottomless night, She returns, touching, quiet, making us Silhouette swimmers in an ocean of sheets.
00:07:58 - 00:08:07
What I have missed is my hand gracing tender up the arc of her back and her whispering music before the tune escapes my lips.
00:07:59 - 00:08:07
What I have missed is my hand gracing tender up the arc of her back and her whispering music before the tune escapes my lips.
00:08:08 - 00:08:16
What I have wanted is her so nuclear with wanting that she melts sun and paints the sky plum purple with passion.
00:08:08 - 00:08:16
What I have wanted is her so nuclear with wanting that she melts sun and paints the sky plum purple with passion.
00:08:17 - 00:08:26
And the stroke is so good that I jump crazy at the sudden of my alarm as it screams reality across the mess of a lonely room.
00:08:17 - 00:08:26
And the stroke is so good that I jump crazy at the sudden of my alarm as it screams reality across the mess of a lonely room.
00:08:26 - 00:08:30
I peep the digital demon whose red eyes wail six o'clock.
00:08:27 - 00:08:31
I peep the digital demon whose red eyes wail six o'clock.
00:08:31 - 00:08:34
And now I know why I hate mornings.
00:08:31 - 00:08:33
And now I know why I hate mornings.
00:08:34 - 00:08:38
They always leave me holding pillows like lovers.
00:08:34 - 00:08:37
They always leave me holding pillows like lovers.
00:08:44 - 00:08:46
Dorothy Marie Rice followed by Michael Collins.
00:08:45 - 00:08:47
Dorothy Marie Rice followed by Michael Collins.
00:08:57 - 00:09:06
As I read this poem, well, before I read this poem, I want to make a comment to Bert, my friend, and say, I won't explain.
00:08:58 - 00:09:07
As I read this poem, well, before I read this poem, I want to make a comment to Bert, my friend, and say, I won't explain.
00:09:07 - 00:09:08
He understands.
00:09:08 - 00:09:09
He understands.
00:09:09 - 00:09:15
And also give homage to Gwendolyn Brooks, who said, it's okay to have a poem that's not crafted.
00:09:09 - 00:09:15
And also give homage to Gwendolyn Brooks, who said, it's okay to have a poem that's not crafted.
00:09:15 - 00:09:17
This was written this morning.
00:09:16 - 00:09:17
This was written this morning.
00:09:18 - 00:09:19
Ambrosia.
00:09:18 - 00:09:19
Ambrosia.
00:09:20 - 00:09:21
Hush.
00:09:20 - 00:09:21
Hush.
00:09:22 - 00:09:26
Somebody's calling your name.
00:09:22 - 00:09:26
Somebody's calling your name.
00:09:26 - 00:09:32
The first buzz you hear, tiny as a raindrop, is the Scout.
00:09:27 - 00:09:33
The first buzz you hear, tiny as a raindrop, is the Scout.
00:09:33 - 00:09:39
She travels miles on sturdy wings, thin as mica.
00:09:34 - 00:09:40
She travels miles on sturdy wings, thin as mica.
00:09:40 - 00:09:44
Miles through ozone drenched currents.
00:09:41 - 00:09:44
Miles through ozone drenched currents.
00:09:44 - 00:09:47
Miles past housing projects.
00:09:45 - 00:09:48
Miles past housing projects.
00:09:48 - 00:09:49
Miles.
00:09:48 - 00:09:49
Miles.
00:09:50 - 00:09:58
Miles past bald headed little boys, pot bellied little girls, and weary grandmothers.
00:09:50 - 00:09:58
Miles past bald headed little boys, pot bellied little girls, and weary grandmothers.
00:09:59 - 00:10:17
Finally, a field, wild flowers, clover, she tongues the purple sweetness, baptizes herself, returns to her kin, miles and miles away.
00:09:59 - 00:10:16
Finally, a field, wild flowers, clover, she tongues the purple sweetness, baptizes herself, returns to her kin, miles and miles away.
00:10:17 - 00:10:20
Children, go where I send thee.
00:10:18 - 00:10:21
Children, go where I send thee.
00:10:21 - 00:10:26
We swarm, nestle ourselves in the bosom of mountains.
00:10:22 - 00:10:27
We swarm, nestle ourselves in the bosom of mountains.
00:10:27 - 00:10:34
Our hymns, a chorus, reverberating, breaking sound barriers.
00:10:27 - 00:10:34
Our hymns, a chorus, reverberating, breaking sound barriers.
00:10:41 - 00:10:43
Michael Collins, followed by Tony Blackman.
00:10:41 - 00:10:43
Michael Collins, followed by Tony Blackman.
00:10:51 - 00:10:52
My name is Michael L.
00:10:52 - 00:10:53
My name is Michael L.
00:10:52 - 00:10:52
L.
00:10:52 - 00:10:53
Collins.
00:10:53 - 00:10:53
L.
00:10:53 - 00:10:53
Collins.
00:10:53 - 00:10:55
I'm from Indianapolis, Indiana.
00:10:53 - 00:10:54
I'm from Indianapolis, Indiana.
00:10:55 - 00:11:02
I'm a jazz poet, and I love reading jazz poems, and I love the fact that out there there are not only other
00:10:56 - 00:11:03
I'm a jazz poet, and I love reading jazz poems, and I love the fact that out there there are not only other
00:11:02 - 00:11:06
poets, but poets out there with books, and poets out there teaching.
00:11:03 - 00:11:06
poets, but poets out there with books, and poets out there teaching.
00:11:06 - 00:11:12
So it means also that I have, there's an audience that listens, it's not just waiting here to read.
00:11:07 - 00:11:12
So it means also that I have, there's an audience that listens, it's not just waiting here to read.
00:11:14 - 00:11:19
But anyway, I read one time, and I, like I said, I love doing my jazz poems, I read one time in Indianapolis,
00:11:14 - 00:11:19
But anyway, I read one time, and I, like I said, I love doing my jazz poems, I read one time in Indianapolis,
00:11:19 - 00:11:25
I read one of my jazz poems, and Mari was out in the audience, and uh, You know, I thought I did pretty good.
00:11:19 - 00:11:24
I read one of my jazz poems, and Mari was out in the audience, and uh, You know, I thought I did pretty good.
00:11:24 - 00:11:27
She said what you did wasn't of any substance.
00:11:25 - 00:11:28
She said what you did wasn't of any substance.
00:11:29 - 00:11:31
I said, damn, you're right.
00:11:29 - 00:11:30
I said, damn, you're right.
00:11:30 - 00:11:33
Because I had read back to it and it wasn't of any substance.
00:11:31 - 00:11:34
Because I had read back to it and it wasn't of any substance.
00:11:33 - 00:11:36
She said it didn't address any issues in the community.
00:11:34 - 00:11:36
She said it didn't address any issues in the community.
00:11:37 - 00:11:38
I said, damn, you're right.
00:11:38 - 00:11:39
I said, damn, you're right.
00:11:40 - 00:11:44
I said, uh, got to do a little bit more writing.
00:11:40 - 00:11:43
I said, uh, got to do a little bit more writing.
00:11:44 - 00:11:49
And there were some important issues in the community and important issues where I was at.
00:11:45 - 00:11:50
And there were some important issues in the community and important issues where I was at.
00:11:50 - 00:11:52
And I was going to church at the time.
00:11:51 - 00:11:53
And I was going to church at the time.
00:11:53 - 00:12:05
So I thought I'd write a little bit about the church, and uh, I wanted to say, there's one important question when you go to church that you need to ask.
00:11:53 - 00:12:04
So I thought I'd write a little bit about the church, and uh, I wanted to say, there's one important question when you go to church that you need to ask.
00:12:05 - 00:12:09
That is, ask, who gave the money?
00:12:06 - 00:12:09
That is, ask, who gave the money?
00:12:12 - 00:12:16
Ask, where does the money go?
00:12:13 - 00:12:17
Ask, where does the money go?
00:12:20 - 00:12:24
Now, sisters, ask the preacher.
00:12:20 - 00:12:24
Now, sisters, ask the preacher.
00:12:25 - 00:12:27
To read with you from the book of Mark.
00:12:25 - 00:12:27
To read with you from the book of Mark.
00:12:29 - 00:12:35
Now ask if the Bible is opened when he opens the finance books.
00:12:29 - 00:12:35
Now ask if the Bible is opened when he opens the finance books.
00:12:37 - 00:12:43
Ask if the message in one book can answer the message in the other.
00:12:37 - 00:12:42
Ask if the message in one book can answer the message in the other.
00:12:45 - 00:12:51
Ask him to turn to chapter 12, verse 38 through 44.
00:12:46 - 00:12:52
Ask him to turn to chapter 12, verse 38 through 44.
00:12:52 - 00:12:54
Ask him to preach from that passage.
00:12:53 - 00:12:54
Ask him to preach from that passage.
00:12:56 - 00:12:58
Ask them to preach it's meaning.
00:12:56 - 00:12:57
Ask them to preach it's meaning.
00:13:00 - 00:13:01
Now ask,
00:13:01 - 00:13:01
Now ask,
00:13:05 - 00:13:07
why are there no women trustees?
00:13:06 - 00:13:08
why are there no women trustees?
00:13:11 - 00:13:16
Ask, why no sisters sit on the deacon board?
00:13:11 - 00:13:15
Ask, why no sisters sit on the deacon board?
00:13:18 - 00:13:21
Ask, why brothers ask sisters not to ask?
00:13:18 - 00:13:21
Ask, why brothers ask sisters not to ask?
00:13:24 - 00:13:26
Where does the money go?
00:13:24 - 00:13:26
Where does the money go?
00:13:29 - 00:13:31
Then, counter him.
00:13:30 - 00:13:32
Then, counter him.
00:13:33 - 00:13:36
ount to him the number of sisters in the church.
00:13:33 - 00:13:35
ount to him the number of sisters in the church.
00:13:37 - 00:13:47
Count to him the sisters who serve on the usher board, who sing in the choir, and tell him not to forget those who teach in the Sunday schools.
00:13:38 - 00:13:47
Count to him the sisters who serve on the usher board, who sing in the choir, and tell him not to forget those who teach in the Sunday schools.
00:13:49 - 00:13:50
Yeah.
00:13:50 - 00:13:50
Yeah.
00:13:50 - 00:13:55
Count to him the small number of men in the church.
00:13:51 - 00:13:56
Count to him the small number of men in the church.
00:13:58 - 00:14:05
Count to him the number of times you've heard that only brothers can count the money.
00:13:59 - 00:14:06
Count to him the number of times you've heard that only brothers can count the money.
00:14:10 - 00:14:13
They have to count the money early in the afternoon.
00:14:10 - 00:14:12
They have to count the money early in the afternoon.
00:14:14 - 00:14:23
Because baseball, basketball, football, boxing.
00:14:15 - 00:14:23
Because baseball, basketball, football, boxing.
00:14:23 - 00:14:24
I said boxing.
00:14:24 - 00:14:25
I said boxing.
00:14:27 - 00:14:29
They create conflicts.
00:14:28 - 00:14:30
They create conflicts.
00:14:31 - 00:14:32
And they just can't stay late.
00:14:31 - 00:14:32
And they just can't stay late.
00:14:34 - 00:14:35
Except,
00:14:34 - 00:14:35
Except,
00:14:37 - 00:14:39
oh yeah, except.
00:14:37 - 00:14:39
oh yeah, except.
00:14:39 - 00:14:42
Except if there's a special service.
00:14:39 - 00:14:42
Except if there's a special service.
00:14:43 - 00:14:48
Like that time the champ was called.
00:14:44 - 00:14:49
Like that time the champ was called.
00:14:50 - 00:14:52
Yeah, it was that special Sunday.
00:14:50 - 00:14:51
Yeah, it was that special Sunday.
00:14:51 - 00:14:56
The champ, Iron Mike Tyson was called to walk down the aisle.
00:14:52 - 00:14:56
The champ, Iron Mike Tyson was called to walk down the aisle.
00:15:00 - 00:15:03
And he gave an exceptional donation.
00:15:00 - 00:15:02
And he gave an exceptional donation.
00:15:04 - 00:15:05
All the brothers were there.
00:15:05 - 00:15:06
All the brothers were there.
00:15:07 - 00:15:08
Preacher was there.
00:15:08 - 00:15:09
Preacher was there.
00:15:10 - 00:15:11
You should have been there
00:15:10 - 00:15:11
You should have been there
00:15:13 - 00:15:14
to ask.
00:15:13 - 00:15:13
to ask.
00:15:15 - 00:15:17
Ask him to open that book again.
00:15:16 - 00:15:17
Ask him to open that book again.
00:15:19 - 00:15:22
Yeah, ask him to read that message again.
00:15:19 - 00:15:21
Yeah, ask him to read that message again.
00:15:24 - 00:15:27
Ask him to read the part about when the collection was taken.
00:15:24 - 00:15:27
Ask him to read the part about when the collection was taken.
00:15:29 - 00:15:36
Ask him to read the part about when that multi multi millionaire gave that multi multi money.
00:15:29 - 00:15:36
Ask him to read the part about when that multi multi millionaire gave that multi multi money.
00:15:37 - 00:15:39
And that little itty bitty woman.
00:15:38 - 00:15:39
And that little itty bitty woman.
00:15:41 - 00:15:43
Oh, she gave a little itty bitty bit.
00:15:41 - 00:15:42
Oh, she gave a little itty bitty bit.
00:15:45 - 00:15:46
Read your Bible now.
00:15:46 - 00:15:47
Read your Bible now.
00:15:48 - 00:15:50
Ask who the Bible said gave the most.
00:15:49 - 00:15:51
Ask who the Bible said gave the most.
00:15:53 - 00:15:55
Now, then ask.
00:15:53 - 00:15:54
Now, then ask.
00:15:57 - 00:16:05
Ask if the church's Sunday school teacher says that she's been raped.
00:15:58 - 00:16:06
Ask if the church's Sunday school teacher says that she's been raped.
00:16:07 - 00:16:11
Raped by that same sports hero,
00:16:08 - 00:16:11
Raped by that same sports hero,
00:16:13 - 00:16:14
Iron Mike Tyson.
00:16:14 - 00:16:14
Iron Mike Tyson.
00:16:17 - 00:16:20
That same Seventh Commandment breaking sports hero.
00:16:18 - 00:16:21
That same Seventh Commandment breaking sports hero.
00:16:22 - 00:16:25
Ask, who will the church believe?
00:16:23 - 00:16:26
Ask, who will the church believe?
00:16:28 - 00:16:31
Ask, if his book is still open.
00:16:29 - 00:16:32
Ask, if his book is still open.
00:16:34 - 00:16:35
Finance book
00:16:34 - 00:16:35
Finance book
00:16:37 - 00:16:38
or Bible book.
00:16:38 - 00:16:38
or Bible book.
00:16:40 - 00:16:43
Ask, who gave the money?
00:16:40 - 00:16:43
Ask, who gave the money?
00:16:45 - 00:16:52
Ask, where does that money go?
00:16:45 - 00:16:52
Ask, where does that money go?
00:16:56 - 00:16:59
Toni Blackman, followed by Jonathan Gray.
00:16:57 - 00:16:59
Toni Blackman, followed by Jonathan Gray.
00:17:01 - 00:17:03
Toni Blackman, followed by Jonathan Gray.
00:17:01 - 00:17:03
Toni Blackman, followed by Jonathan Gray.
00:17:10 - 00:17:12
The black woman's struggle.
00:17:11 - 00:17:12
The black woman's struggle.
00:17:13 - 00:17:19
Her head swings low like Sweet's chariot, but she ain't coming forth to carry you home.
00:17:14 - 00:17:20
Her head swings low like Sweet's chariot, but she ain't coming forth to carry you home.
00:17:20 - 00:17:24
She and her sister, carrying too much as it is.
00:17:21 - 00:17:25
She and her sister, carrying too much as it is.
00:17:26 - 00:17:28
Hello, my name is Toni Blackman.
00:17:26 - 00:17:27
Hello, my name is Toni Blackman.
00:17:27 - 00:17:28
I want to give a shout out to E.
00:17:28 - 00:17:29
I want to give a shout out to E.
00:17:28 - 00:17:29
Ethelbert Miller.
00:17:29 - 00:17:30
Ethelbert Miller.
00:17:30 - 00:17:33
One of the reasons that I've been writing for so long.
00:17:30 - 00:17:32
One of the reasons that I've been writing for so long.
00:17:32 - 00:17:33
Irving G.
00:17:33 - 00:17:33
Irving G.
00:17:33 - 00:17:33
Russell.
00:17:33 - 00:17:36
He's a very helpful brother.
00:17:33 - 00:17:33
Russell.
00:17:33 - 00:17:35
He's a very helpful brother.
00:17:36 - 00:17:40
I write a lot of four poems that have maybe seven words in them at the most.
00:17:37 - 00:17:41
I write a lot of four poems that have maybe seven words in them at the most.
00:17:42 - 00:17:46
So, um, I think today that's what I feel like reading.
00:17:42 - 00:17:45
So, um, I think today that's what I feel like reading.
00:17:47 - 00:17:50
And this one is called Accident at the Church.
00:17:47 - 00:17:49
And this one is called Accident at the Church.
00:17:50 - 00:17:58
The steeple toppled into the parking lot, causing the parishioners to scream, to actually care about one another.
00:17:51 - 00:17:59
The steeple toppled into the parking lot, causing the parishioners to scream, to actually care about one another.
00:18:01 - 00:18:02
Spell number three.
00:18:02 - 00:18:03
Spell number three.
00:18:03 - 00:18:11
I tried to write a poem about your eyes, but you kept staring at me.
00:18:04 - 00:18:11
I tried to write a poem about your eyes, but you kept staring at me.
00:18:12 - 00:18:13
Intercourse.
00:18:13 - 00:18:14
Intercourse.
00:18:15 - 00:18:19
Last night I made love to myself for the very first time.
00:18:15 - 00:18:18
Last night I made love to myself for the very first time.
00:18:19 - 00:18:23
There was absolutely nothing painful about it.
00:18:20 - 00:18:23
There was absolutely nothing painful about it.
00:18:28 - 00:18:29
Every Sunday.
00:18:28 - 00:18:28
Every Sunday.
00:18:30 - 00:18:35
Miss Lucy in that old tired red velvet hat struts the avenue as if it were the night.
00:18:30 - 00:18:35
Miss Lucy in that old tired red velvet hat struts the avenue as if it were the night.
00:18:35 - 00:18:47
And my final piece is written for my brothers who chant the pussy song.
00:18:35 - 00:18:47
And my final piece is written for my brothers who chant the pussy song.
00:18:49 - 00:18:54
Obsessed with vaginal chants of regions of acts of nonsense.
00:18:50 - 00:18:54
Obsessed with vaginal chants of regions of acts of nonsense.
00:18:54 - 00:18:58
Not moving us forward, stagnant we remain.
00:18:55 - 00:18:58
Not moving us forward, stagnant we remain.
00:18:58 - 00:19:04
Clutching to those concepts with which they have brainwashed us, with which they have controlled us.
00:18:59 - 00:19:04
Clutching to those concepts with which they have brainwashed us, with which they have controlled us.
00:19:04 - 00:19:09
Sex can be hypnotic if you allow it to be.
00:19:04 - 00:19:08
Sex can be hypnotic if you allow it to be.
00:19:09 - 00:19:13
Sex can be an escape if you allow it to be.
00:19:09 - 00:19:12
Sex can be an escape if you allow it to be.
00:19:13 - 00:19:16
The only true escape from reality is death.
00:19:14 - 00:19:17
The only true escape from reality is death.
00:19:17 - 00:19:22
And we are allowing it to happen one by one by one by one.
00:19:17 - 00:19:21
And we are allowing it to happen one by one by one by one.
00:19:21 - 00:19:23
We are an endangered species.
00:19:22 - 00:19:24
We are an endangered species.
00:19:23 - 00:19:26
Sex is not for our people, no.
00:19:24 - 00:19:27
Sex is not for our people, no.
00:19:27 - 00:19:30
We cannot allow it to happen.
00:19:27 - 00:19:29
We cannot allow it to happen.
00:19:29 - 00:19:33
For we, we must make love.
00:19:30 - 00:19:34
For we, we must make love.
00:19:33 - 00:19:38
Applause
00:19:34 - 00:19:38
Applause
00:19:42 - 00:19:46
Next we have Jonathan Gray, followed by Kwame Alexander.
00:19:43 - 00:19:47
Next we have Jonathan Gray, followed by Kwame Alexander.
00:19:48 - 00:19:48
Jonathan
00:19:49 - 00:19:49
Jonathan
00:19:56 - 00:19:57
from Howard University.
00:19:57 - 00:19:58
from Howard University.
00:19:57 - 00:20:00
Peace to all the brothers from 8 Rock.
00:19:58 - 00:20:00
Peace to all the brothers from 8 Rock.
00:20:01 - 00:20:04
Um, if you think this poem applies to you, then it probably does.
00:20:01 - 00:20:04
Um, if you think this poem applies to you, then it probably does.
00:20:06 - 00:20:07
What?
00:20:07 - 00:20:07
What?
00:20:08 - 00:20:09
You don't really want to battle.
00:20:09 - 00:20:10
You don't really want to battle.
00:20:10 - 00:20:17
Are you buggin Comin at me with some old muley mouth bullshit about why can't the brothers and sisters get along.
00:20:10 - 00:20:17
Are you buggin Comin at me with some old muley mouth bullshit about why can't the brothers and sisters get along.
00:20:18 - 00:20:20
Fuck that, fake punk.
00:20:18 - 00:20:20
Fuck that, fake punk.
00:20:20 - 00:20:29
You know you only kickin that shit so you can have sex with a pseudo revolutionary, nappy headed, falsetto intellectual who is jockin you because you have a nose ring.
00:20:21 - 00:20:30
You know you only kickin that shit so you can have sex with a pseudo revolutionary, nappy headed, falsetto intellectual who is jockin you because you have a nose ring.
00:20:30 - 00:20:31
A nose ring.
00:20:31 - 00:20:32
A nose ring.
00:20:32 - 00:20:36
And you surely ain't no bull like I am.
00:20:32 - 00:20:35
And you surely ain't no bull like I am.
00:20:35 - 00:20:36
Preachin about respect.
00:20:36 - 00:20:37
Preachin about respect.
00:20:37 - 00:20:39
You don't respect what I stand for.
00:20:37 - 00:20:39
You don't respect what I stand for.
00:20:39 - 00:20:44
Always talking about represent, hmm, what the fuck do you represent?
00:20:40 - 00:20:44
Always talking about represent, hmm, what the fuck do you represent?
00:20:45 - 00:20:49
Bourgeois black trust fund baby trying to be real, phony punk, what?
00:20:45 - 00:20:48
Bourgeois black trust fund baby trying to be real, phony punk, what?
00:20:49 - 00:20:50
I know you ain't saying nothing.
00:20:50 - 00:20:51
I know you ain't saying nothing.
00:20:51 - 00:20:55
Doing this rhythm and poetry to rebel against your parents.
00:20:52 - 00:20:56
Doing this rhythm and poetry to rebel against your parents.
00:20:56 - 00:20:57
I don't have parents.
00:20:57 - 00:20:57
I don't have parents.
00:20:58 - 00:21:00
My mother dropped me off when I was 12.
00:20:59 - 00:21:01
My mother dropped me off when I was 12.
00:21:01 - 00:21:03
I was old.
00:21:02 - 00:21:03
I was old.
00:21:03 - 00:21:06
I have suppositions.
00:21:03 - 00:21:06
I have suppositions.
00:21:07 - 00:21:09
And you want to battle me?
00:21:07 - 00:21:09
And you want to battle me?
00:21:10 - 00:21:12
Bitch ass nigga, step!
00:21:11 - 00:21:12
Bitch ass nigga, step!
00:21:13 - 00:21:16
I ain't got nothin to live for, and nothin to lose.
00:21:13 - 00:21:16
I ain't got nothin to live for, and nothin to lose.
00:21:17 - 00:21:18
So what, nigga?
00:21:17 - 00:21:17
So what, nigga?
00:21:18 - 00:21:19
Step.
00:21:19 - 00:21:19
Step.
00:21:21 - 00:21:22
Yeah, that's what I thought.
00:21:21 - 00:21:22
Yeah, that's what I thought.
00:21:29 - 00:21:33
Kwame Alexander, followed by, uh, Nehassaiu deGannes.
00:21:29 - 00:21:32
Kwame Alexander, followed by, uh, Nehassaiu deGannes.
00:21:33 - 00:21:37
What's happenin
00:21:33 - 00:21:37
What's happenin
00:21:48 - 00:21:51
Much props to my daughter, Nandi, the creator.
00:21:49 - 00:21:51
Much props to my daughter, Nandi, the creator.
00:21:52 - 00:21:53
Poet from D.
00:21:52 - 00:21:52
Poet from D.
00:21:52 - 00:21:53
C., 8 Rock.
00:21:53 - 00:21:54
C., 8 Rock.
00:21:54 - 00:21:55
It's your mug.
00:21:55 - 00:21:55
It's your mug.
00:21:55 - 00:21:56
Stage Black.
00:21:56 - 00:21:57
Stage Black.
00:21:58 - 00:22:03
My favorite piece of a journal slash book that I'm editing called The Flow.
00:21:59 - 00:22:03
My favorite piece of a journal slash book that I'm editing called The Flow.
00:22:04 - 00:22:05
New black poetry in motion.
00:22:04 - 00:22:05
New black poetry in motion.
00:22:06 - 00:22:07
Manpower.
00:22:07 - 00:22:07
Manpower.
00:22:10 - 00:22:11
Appetizer.
00:22:10 - 00:22:10
Appetizer.
00:22:12 - 00:22:13
Strawberries.
00:22:12 - 00:22:13
Strawberries.
00:22:13 - 00:22:14
Orange slices.
00:22:14 - 00:22:15
Orange slices.
00:22:15 - 00:22:16
Pineapples.
00:22:15 - 00:22:16
Pineapples.
00:22:16 - 00:22:17
Grapes.
00:22:17 - 00:22:17
Grapes.
00:22:17 - 00:22:18
Apples.
00:22:18 - 00:22:19
Apples.
00:22:19 - 00:22:22
So I ask her, What about the watermelon?
00:22:20 - 00:22:23
So I ask her, What about the watermelon?
00:22:24 - 00:22:28
She reads me like a page out of the Afro listic Guide to Nutrition.
00:22:24 - 00:22:27
She reads me like a page out of the Afro listic Guide to Nutrition.
00:22:28 - 00:22:30
You never mix citrus fruits with melons.
00:22:29 - 00:22:31
You never mix citrus fruits with melons.
00:22:32 - 00:22:35
Start with the scratch, and there will be no itch.
00:22:33 - 00:22:36
Start with the scratch, and there will be no itch.
00:22:36 - 00:22:39
We must return to the old ways, to the old way.
00:22:37 - 00:22:40
We must return to the old ways, to the old way.
00:22:40 - 00:22:43
Abandon that which is new and confusing.
00:22:40 - 00:22:42
Abandon that which is new and confusing.
00:22:42 - 00:22:45
Just because it's modern, don't make it real.
00:22:43 - 00:22:45
Just because it's modern, don't make it real.
00:22:45 - 00:22:49
It just become temporary, like my job.
00:22:45 - 00:22:48
It just become temporary, like my job.
00:22:50 - 00:22:57
Paid 5 G's a week to smile at corporate fearing would be Tarzans with jungled bellies who make 5 G's a day to smile
00:22:51 - 00:22:57
Paid 5 G's a week to smile at corporate fearing would be Tarzans with jungled bellies who make 5 G's a day to smile
00:22:57 - 00:23:02
at corporate wannabes who waste no time making well thought of jokes about OJ.
00:22:57 - 00:23:01
at corporate wannabes who waste no time making well thought of jokes about OJ.
00:23:02 - 00:23:05
Obey your thirst, drink Sprite.
00:23:03 - 00:23:05
Obey your thirst, drink Sprite.
00:23:06 - 00:23:08
Obey your drink, thirst Sprite.
00:23:07 - 00:23:09
Obey your drink, thirst Sprite.
00:23:09 - 00:23:11
Drink your Sprite, obey thirst.
00:23:10 - 00:23:11
Drink your Sprite, obey thirst.
00:23:11 - 00:23:13
Thirst your drink, obey Sprite.
00:23:12 - 00:23:13
Thirst your drink, obey Sprite.
00:23:13 - 00:23:15
Obey Sprite, obey Sprite.
00:23:13 - 00:23:15
Obey Sprite, obey Sprite.
00:23:17 - 00:23:19
The blacker the smile, the sweeter the pension.
00:23:17 - 00:23:19
The blacker the smile, the sweeter the pension.
00:23:20 - 00:23:23
The slower the walk, the faster the lynching.
00:23:20 - 00:23:22
The slower the walk, the faster the lynching.
00:23:24 - 00:23:26
We remember Roots, the latest version.
00:23:25 - 00:23:27
We remember Roots, the latest version.
00:23:27 - 00:23:31
Written, directed, produced, conceived, created, marketed, and starring.
00:23:27 - 00:23:31
Written, directed, produced, conceived, created, marketed, and starring.
00:23:31 - 00:23:33
Introduction, I don't recall.
00:23:32 - 00:23:34
Introduction, I don't recall.
00:23:34 - 00:23:37
Part one, the untouchable, airborne nigger.
00:23:35 - 00:23:38
Part one, the untouchable, airborne nigger.
00:23:38 - 00:23:42
Part two, the innocent, crotch grabbing, more than black nigger.
00:23:38 - 00:23:41
Part two, the innocent, crotch grabbing, more than black nigger.
00:23:43 - 00:23:45
And the saga continues with part three.
00:23:44 - 00:23:45
And the saga continues with part three.
00:23:46 - 00:23:49
The most recent unstoppable airport nigger.
00:23:46 - 00:23:48
The most recent unstoppable airport nigger.
00:23:50 - 00:23:51
Caution, niggers.
00:23:50 - 00:23:51
Caution, niggers.
00:23:51 - 00:23:55
Mixing citrus fruits with melons is hazardous to you and your health.
00:23:52 - 00:23:56
Mixing citrus fruits with melons is hazardous to you and your health.
00:23:56 - 00:23:58
Lately, everything has become sexual.
00:23:57 - 00:23:59
Lately, everything has become sexual.
00:23:59 - 00:24:04
The way you walk, the way we talk, and even my job has become sexual.
00:23:59 - 00:24:03
The way you walk, the way we talk, and even my job has become sexual.
00:24:04 - 00:24:07
Want to stick my disc in the drive and load my software.
00:24:04 - 00:24:07
Want to stick my disc in the drive and load my software.
00:24:09 - 00:24:10
Error.
00:24:09 - 00:24:09
Error.
00:24:09 - 00:24:11
Unable to read the disc.
00:24:10 - 00:24:12
Unable to read the disc.
00:24:12 - 00:24:14
The program worked last week.
00:24:12 - 00:24:14
The program worked last week.
00:24:15 - 00:24:21
So I checked my hardware and discovered that the problem is my memory.
00:24:16 - 00:24:21
So I checked my hardware and discovered that the problem is my memory.
00:24:22 - 00:24:24
I discovered that the problem is my memory.
00:24:23 - 00:24:25
I discovered that the problem is my memory.
00:24:25 - 00:24:27
Was it French or Italian?
00:24:25 - 00:24:27
Was it French or Italian?
00:24:27 - 00:24:30
The tomatoes and olives should be seasoned with feta cheese.
00:24:28 - 00:24:30
The tomatoes and olives should be seasoned with feta cheese.
00:24:30 - 00:24:35
Break the lettuce into half inch pieces and then add the croutons and the radishes.
00:24:30 - 00:24:34
Break the lettuce into half inch pieces and then add the croutons and the radishes.
00:24:35 - 00:24:38
Mix everything in one bowl and chill.
00:24:35 - 00:24:37
Mix everything in one bowl and chill.
00:24:39 - 00:24:43
We walked the slow walk, the walk of zombies and snow.
00:24:39 - 00:24:42
We walked the slow walk, the walk of zombies and snow.
00:24:43 - 00:24:49
We don't owe nobody, don't own nobody, and don't know nobody who listens to Garth Brooks.
00:24:43 - 00:24:48
We don't owe nobody, don't own nobody, and don't know nobody who listens to Garth Brooks.
00:24:49 - 00:24:52
Khaled Mohamed maybe, but not Garth Brooks.
00:24:50 - 00:24:52
Khaled Mohamed maybe, but not Garth Brooks.
00:24:52 - 00:24:55
Leonard Jeffries maybe, but not Garth Brooks.
00:24:52 - 00:24:54
Leonard Jeffries maybe, but not Garth Brooks.
00:24:54 - 00:24:57
Maulana Karenga maybe, but not Garth Brooks.
00:24:55 - 00:24:57
Maulana Karenga maybe, but not Garth Brooks.
00:24:57 - 00:25:01
Professor Egypt himself, but not Garth Brooks.
00:24:58 - 00:25:01
Professor Egypt himself, but not Garth Brooks.
00:25:01 - 00:25:08
How you gonna practice an ancient philosophy in 1994 and expect it to work for you when it didn't work for them in four?
00:25:02 - 00:25:08
How you gonna practice an ancient philosophy in 1994 and expect it to work for you when it didn't work for them in four?
00:25:09 - 00:25:11
Silly rabbits, Afrocentrics are for kids.
00:25:10 - 00:25:12
Silly rabbits, Afrocentrics are for kids.
00:25:13 - 00:25:21
Grownups walk in the sun, avoid snow at all costs, and attend narrow nationalist pre Afro historic lectures as much as they listen to Garth Brooks.
00:25:14 - 00:25:22
Grownups walk in the sun, avoid snow at all costs, and attend narrow nationalist pre Afro historic lectures as much as they listen to Garth Brooks.
00:25:22 - 00:25:23
The phone rings.
00:25:23 - 00:25:24
The phone rings.
00:25:23 - 00:25:24
It's 6.
00:25:24 - 00:25:24
It's 6.
00:25:24 - 00:25:25
30.
00:25:24 - 00:25:24
30.
00:25:24 - 00:25:25
It's not her.
00:25:25 - 00:25:26
It's not her.
00:25:26 - 00:25:30
Fresh green peppers, diced onions, marinated in tamari overnight.
00:25:27 - 00:25:31
Fresh green peppers, diced onions, marinated in tamari overnight.
00:25:30 - 00:25:33
Mushrooms sautéed in olive oil for three minutes.
00:25:31 - 00:25:33
Mushrooms sautéed in olive oil for three minutes.
00:25:33 - 00:25:37
Fresh green peppers, diced onions, marinated in tamari overnight.
00:25:34 - 00:25:37
Fresh green peppers, diced onions, marinated in tamari overnight.
00:25:37 - 00:25:40
Mushrooms sautéed in olive oil for three minutes.
00:25:37 - 00:25:39
Mushrooms sautéed in olive oil for three minutes.
00:25:40 - 00:25:47
Fresh green peppers, diced onions, marinated in tamari overnight, mushrooms sautéed in olive oil for three minutes.
00:25:40 - 00:25:46
Fresh green peppers, diced onions, marinated in tamari overnight, mushrooms sautéed in olive oil for three minutes.
00:25:47 - 00:25:52
I removed a package of Japanese stir fried vegetables from their freezer, where they had been sitting overnight.
00:25:47 - 00:25:51
I removed a package of Japanese stir fried vegetables from their freezer, where they had been sitting overnight.
00:25:52 - 00:25:53
Enter mock duck.
00:25:53 - 00:25:54
Enter mock duck.
00:25:53 - 00:25:55
Not real duck, fake duck.
00:25:54 - 00:25:56
Not real duck, fake duck.
00:25:56 - 00:25:57
Fake deal.
00:25:56 - 00:25:57
Fake deal.
00:25:57 - 00:25:58
Real late.
00:25:57 - 00:25:58
Real late.
00:25:58 - 00:25:59
She's supposed to be here.
00:25:59 - 00:26:00
She's supposed to be here.
00:26:00 - 00:26:02
I'm supposed to be finished.
00:26:00 - 00:26:01
I'm supposed to be finished.
00:26:01 - 00:26:03
Supposing it's 8 o'clock and she still ain't here.
00:26:02 - 00:26:04
Supposing it's 8 o'clock and she still ain't here.
00:26:04 - 00:26:06
Supposing the game is on in one hour.
00:26:04 - 00:26:05
Supposing the game is on in one hour.
00:26:06 - 00:26:08
Supposing she comes at 8.
00:26:06 - 00:26:07
Supposing she comes at 8.
00:26:07 - 00:26:08
45 and expects to eat.
00:26:08 - 00:26:09
45 and expects to eat.
00:26:10 - 00:26:11
Supposing she don't call.
00:26:10 - 00:26:11
Supposing she don't call.
00:26:12 - 00:26:12
She don't.
00:26:12 - 00:26:12
She don't.
00:26:13 - 00:26:15
Supposing I sit down to eat by myself.
00:26:14 - 00:26:15
Supposing I sit down to eat by myself.
00:26:15 - 00:26:18
Supposing I finish eating and sit down to watch the game.
00:26:16 - 00:26:18
Supposing I finish eating and sit down to watch the game.
00:26:18 - 00:26:21
Supposing I find that the game has been preempted by another game.
00:26:18 - 00:26:21
Supposing I find that the game has been preempted by another game.
00:26:21 - 00:26:22
I thought he retired.
00:26:22 - 00:26:23
I thought he retired.
00:26:24 - 00:26:26
Maybe him just tired.
00:26:24 - 00:26:25
Maybe him just tired.
00:26:26 - 00:26:28
Replenish the body, black people.
00:26:27 - 00:26:28
Replenish the body, black people.
00:26:28 - 00:26:30
Feed the mind, African people.
00:26:28 - 00:26:29
Feed the mind, African people.
00:26:30 - 00:26:32
Reawaken the soul, Sun people.
00:26:30 - 00:26:31
Reawaken the soul, Sun people.
00:26:31 - 00:26:33
Chocula for the children.
00:26:32 - 00:26:33
Chocula for the children.
00:26:33 - 00:26:35
Food for the dissatisfied buppies.
00:26:33 - 00:26:34
Food for the dissatisfied buppies.
00:26:35 - 00:26:36
Chocula for the CBC.
00:26:35 - 00:26:36
Chocula for the CBC.
00:26:36 - 00:26:37
Food for the NAACP.
00:26:37 - 00:26:38
Food for the NAACP.
00:26:37 - 00:26:39
BET.
00:26:38 - 00:26:39
BET.
00:26:39 - 00:26:41
BDP.
00:26:39 - 00:26:40
BDP.
00:26:40 - 00:26:41
BBD.
00:26:41 - 00:26:41
BBD.
00:26:41 - 00:26:42
You and me.
00:26:41 - 00:26:42
You and me.
00:26:42 - 00:26:44
Everything that survives on this planet needs food.
00:26:43 - 00:26:45
Everything that survives on this planet needs food.
00:26:45 - 00:26:47
Ask the questions, poets.
00:26:45 - 00:26:46
Ask the questions, poets.
00:26:46 - 00:26:48
Answer the questions, scientists.
00:26:47 - 00:26:48
Answer the questions, scientists.
00:26:48 - 00:26:49
Probe the mind.
00:26:48 - 00:26:49
Probe the mind.
00:26:49 - 00:26:50
Teach the truth.
00:26:49 - 00:26:50
Teach the truth.
00:26:50 - 00:26:51
Grow the child.
00:26:50 - 00:26:51
Grow the child.
00:26:51 - 00:26:52
Till the soil.
00:26:51 - 00:26:52
Till the soil.
00:26:52 - 00:26:53
Plant the earth.
00:26:52 - 00:26:53
Plant the earth.
00:26:53 - 00:26:54
Work the body.
00:26:53 - 00:26:54
Work the body.
00:26:54 - 00:26:55
Study the mind.
00:26:54 - 00:26:55
Study the mind.
00:26:55 - 00:26:56
Watch the people.
00:26:55 - 00:26:56
Watch the people.
00:26:56 - 00:26:57
Love the people.
00:26:56 - 00:26:57
Love the people.
00:26:57 - 00:26:59
Cross the desert of your black mind.
00:26:57 - 00:26:59
Cross the desert of your black mind.
00:26:59 - 00:27:01
Cross the desert of your mind.
00:26:59 - 00:27:00
Cross the desert of your mind.
00:27:01 - 00:27:03
Sprinkle water on black brain cells.
00:27:01 - 00:27:03
Sprinkle water on black brain cells.
00:27:03 - 00:27:05
Sprinkle water on your brain cells.
00:27:03 - 00:27:05
Sprinkle water on your brain cells.
00:27:05 - 00:27:07
Reward your desert with spring water.
00:27:05 - 00:27:07
Reward your desert with spring water.
00:27:07 - 00:27:11
Return to the way of the flow of the water of our people.
00:27:08 - 00:27:11
Return to the way of the flow of the water of our people.
00:27:12 - 00:27:13
Beware.
00:27:12 - 00:27:12
Beware.
00:27:13 - 00:27:22
The wrong river will take you to distant places like wacko Texas, and South Carolina highways, and 7 by 9 foot cells, and separated marriages,
00:27:13 - 00:27:21
The wrong river will take you to distant places like wacko Texas, and South Carolina highways, and 7 by 9 foot cells, and separated marriages,
00:27:21 - 00:27:27
and lonely nights, and tapped phones, and repossessed cars, and ripped condoms, and overdue flowers, and 9
00:27:22 - 00:27:28
and lonely nights, and tapped phones, and repossessed cars, and ripped condoms, and overdue flowers, and 9
00:27:27 - 00:27:35
to 5s, and renovated plantations, and late retirements, and multiple organ failures, and late dates, and late dates.
00:27:28 - 00:27:35
to 5s, and renovated plantations, and late retirements, and multiple organ failures, and late dates, and late dates.
00:27:36 - 00:27:37
And late dates.
00:27:36 - 00:27:37
And late dates.
00:27:38 - 00:27:42
Glancing on the kitchen table, I see my paste up, wondering, when will I get tired of this job?
00:27:39 - 00:27:43
Glancing on the kitchen table, I see my paste up, wondering, when will I get tired of this job?
00:27:43 - 00:27:44
The three month itch is almost up.
00:27:43 - 00:27:44
The three month itch is almost up.
00:27:44 - 00:27:47
When will I retire, or better yet, when will they tire of me?
00:27:45 - 00:27:47
When will I retire, or better yet, when will they tire of me?
00:27:48 - 00:27:54
I mix the citrus fruits with the melons, the nicks with the rockets, and escape to my TV room where I eat
00:27:48 - 00:27:54
I mix the citrus fruits with the melons, the nicks with the rockets, and escape to my TV room where I eat
00:27:54 - 00:27:57
three months of insecurity, pain, laughter, and joy in three minutes.
00:27:54 - 00:27:57
three months of insecurity, pain, laughter, and joy in three minutes.
00:27:58 - 00:28:03
I stood up, contemplate whether leaving the juice would make me any less Afro neolistic.
00:27:58 - 00:28:02
I stood up, contemplate whether leaving the juice would make me any less Afro neolistic.
00:28:03 - 00:28:05
Suddenly, the phone rings at 10.
00:28:04 - 00:28:05
Suddenly, the phone rings at 10.
00:28:05 - 00:28:05
30.
00:28:05 - 00:28:05
30.
00:28:05 - 00:28:06
I answer.
00:28:06 - 00:28:06
I answer.
00:28:06 - 00:28:08
The voice asks, How are you?
00:28:07 - 00:28:08
The voice asks, How are you?
00:28:08 - 00:28:09
It's her.
00:28:09 - 00:28:09
It's her.
00:28:10 - 00:28:21
She who doesn't see the wine, and the glasses, and the vegetables, and the duck, and the juice, and the juice, and my tears.
00:28:10 - 00:28:20
She who doesn't see the wine, and the glasses, and the vegetables, and the duck, and the juice, and the juice, and my tears.
00:28:21 - 00:28:23
Didn't I tell you I had to get my hair done today?
00:28:22 - 00:28:24
Didn't I tell you I had to get my hair done today?
00:28:25 - 00:28:27
Hair today, gone tomorrow.
00:28:25 - 00:28:27
Hair today, gone tomorrow.
00:28:29 - 00:28:31
She asks, What's on my mind?
00:28:29 - 00:28:30
She asks, What's on my mind?
00:28:31 - 00:28:35
I hesitate, wondering whether I should tell her that I mix the citrus fruits with the melons.
00:28:31 - 00:28:35
I hesitate, wondering whether I should tell her that I mix the citrus fruits with the melons.
00:28:36 - 00:28:43
Instead, I choose to calm her unnecessary guilt ridden simplicity with the fruitful culmination of my evening long introspection.
00:28:36 - 00:28:43
Instead, I choose to calm her unnecessary guilt ridden simplicity with the fruitful culmination of my evening long introspection.
00:28:43 - 00:28:45
Everybody's conscious, but when we gonna eat?
00:28:44 - 00:28:46
Everybody's conscious, but when we gonna eat?
00:28:46 - 00:28:47
Peace.
00:28:46 - 00:28:46
Peace.
00:28:53 - 00:28:57
In case you missed it, Brother Alexander's book is for sale upstairs.
00:28:53 - 00:28:56
In case you missed it, Brother Alexander's book is for sale upstairs.
00:28:57 - 00:28:58
Uh, check it out.
00:28:58 - 00:28:58
Uh, check it out.
00:28:58 - 00:29:03
Um, next we have Nehassaiu deGannes, who also is responsible for us having this forum.
00:28:58 - 00:29:03
Um, next we have Nehassaiu deGannes, who also is responsible for us having this forum.
00:29:03 - 00:29:05
and after that, Erica Jackson.
00:29:03 - 00:29:05
and after that, Erica Jackson.
00:29:21 - 00:29:25
I'm an African American poet, African American in the hemispheric sense.
00:29:22 - 00:29:26
I'm an African American poet, African American in the hemispheric sense.
00:29:26 - 00:29:29
I was born in the Caribbean and grew up in Canada.
00:29:26 - 00:29:28
I was born in the Caribbean and grew up in Canada.
00:29:29 - 00:29:32
I'm considered an alien in this country.
00:29:29 - 00:29:31
I'm considered an alien in this country.
00:29:33 - 00:29:40
I've, uh, lived in Philadelphia for the last three years, so, um, I'd like to read this poem.
00:29:33 - 00:29:40
I've, uh, lived in Philadelphia for the last three years, so, um, I'd like to read this poem.
00:29:42 - 00:29:55
Double Dutch girls in West Philadelphia Jump sidewalk cracks home Not breaking mama's back is Sun straddling grid work And heavy iron trellis of an L
00:29:42 - 00:29:54
Double Dutch girls in West Philadelphia Jump sidewalk cracks home Not breaking mama's back is Sun straddling grid work And heavy iron trellis of an L
00:29:54 - 00:30:03
overpass Cuts tic tac toe into ashy skin The tall one, Shaneen, choosing just the right moment to talk.
00:29:55 - 00:30:03
overpass Cuts tic tac toe into ashy skin The tall one, Shaneen, choosing just the right moment to talk.
00:30:03 - 00:30:06
Her talk angles her tongue like a spoon.
00:30:03 - 00:30:06
Her talk angles her tongue like a spoon.
00:30:06 - 00:30:10
Tissa kissed Raheem, put her tongue full in his mouth.
00:30:07 - 00:30:11
Tissa kissed Raheem, put her tongue full in his mouth.
00:30:11 - 00:30:18
Thick black braids and running shoes, swoop like birds of prey circling up to dive again.
00:30:11 - 00:30:17
Thick black braids and running shoes, swoop like birds of prey circling up to dive again.
00:30:18 - 00:30:23
Tongues circle and dive, ululating iron like cistern at a whaling wall.
00:30:18 - 00:30:23
Tongues circle and dive, ululating iron like cistern at a whaling wall.
00:30:24 - 00:30:28
Darkness shivering to the high pitched ring of steel.
00:30:24 - 00:30:28
Darkness shivering to the high pitched ring of steel.
00:30:28 - 00:30:30
So how you know?
00:30:29 - 00:30:30
So how you know?
00:30:30 - 00:30:33
Winged flesh hunts out innocence.
00:30:30 - 00:30:33
Winged flesh hunts out innocence.
00:30:33 - 00:30:36
Sucking gaps in back of full grown teeth.
00:30:33 - 00:30:36
Sucking gaps in back of full grown teeth.
00:30:36 - 00:30:39
Eyes roll sticks of juicy fruit.
00:30:37 - 00:30:39
Eyes roll sticks of juicy fruit.
00:30:39 - 00:30:42
Now or later, lips smack and pop.
00:30:39 - 00:30:41
Now or later, lips smack and pop.
00:30:43 - 00:30:56
Comparing him to red popsicles, Kiss to cool a high noon heat, A girl's own sweat, Glistening on upper lip, Tongue darting in, tongue darting out,
00:30:43 - 00:30:55
Comparing him to red popsicles, Kiss to cool a high noon heat, A girl's own sweat, Glistening on upper lip, Tongue darting in, tongue darting out,
00:30:56 - 00:31:08
Measuring meter and testing rhyme, The thwap of ropes, Against the pavement, the pavement, the flap of rope against black ground cowie tongues curled.
00:30:56 - 00:31:07
Measuring meter and testing rhyme, The thwap of ropes, Against the pavement, the pavement, the flap of rope against black ground cowie tongues curled.
00:31:07 - 00:31:13
Just so are a third eye, a sensor, dividing every black girl's destiny.
00:31:08 - 00:31:14
Just so are a third eye, a sensor, dividing every black girl's destiny.
00:31:13 - 00:31:17
Telling each one when to trust the angle of the turning rope.
00:31:14 - 00:31:17
Telling each one when to trust the angle of the turning rope.
00:31:17 - 00:31:21
Telling each one exactly when to jump.
00:31:18 - 00:31:22
Telling each one exactly when to jump.
00:31:30 - 00:31:39
And my second poem, I'd like to, um, dedicate it to friend of mine whose birthday is coming up soon in almost.
00:31:30 - 00:31:39
And my second poem, I'd like to, um, dedicate it to friend of mine whose birthday is coming up soon in almost.
00:31:39 - 00:31:43
Almost a year ago, when we first met, this is the poem I read to him over the phone.
00:31:40 - 00:31:44
Almost a year ago, when we first met, this is the poem I read to him over the phone.
00:31:45 - 00:31:46
A Woman's Rights.
00:31:45 - 00:31:46
A Woman's Rights.
00:31:46 - 00:32:03
Aching goods deciphering ocean Bear half moons to battle with the dawn Black
00:31:46 - 00:32:02
Aching goods deciphering ocean Bear half moons to battle with the dawn Black
00:32:05 - 00:32:10
palms rocking oceans Talking
00:32:05 - 00:32:09
palms rocking oceans Talking
00:32:11 - 00:32:26
They shed her beads each autumn, Scraped clean this August, Rusted long, aching ghoul, Discipling Oshun.
00:32:12 - 00:32:26
They shed her beads each autumn, Scraped clean this August, Rusted long, aching ghoul, Discipling Oshun.
00:32:27 - 00:32:38
She cups their breasts to Olokun, Taught tributes flowing, Fee his fond.
00:32:27 - 00:32:37
She cups their breasts to Olokun, Taught tributes flowing, Fee his fond.
00:32:38 - 00:32:42
Black palms, rocking oceans,
00:32:39 - 00:32:42
Black palms, rocking oceans,
00:32:44 - 00:32:46
talking drums.
00:32:45 - 00:32:47
talking drums.
00:32:48 - 00:32:57
Seven women rattle old, oh, goo, Breathing coals to baptize this pong.
00:32:48 - 00:32:57
Seven women rattle old, oh, goo, Breathing coals to baptize this pong.
00:32:58 - 00:33:03
Aching goods decipher ring, oh, shoo.
00:32:58 - 00:33:02
Aching goods decipher ring, oh, shoo.
00:33:03 - 00:33:08
She denies the blood red urge to run.
00:33:03 - 00:33:07
She denies the blood red urge to run.
00:33:10 - 00:33:20
Sister warriors, we're Burnt, burnt, knives drawn, black palms, rocking ocean,
00:33:10 - 00:33:19
Sister warriors, we're Burnt, burnt, knives drawn, black palms, rocking ocean,
00:33:21 - 00:33:25
rocking ocean, rocking ocean,
00:33:22 - 00:33:26
rocking ocean, rocking ocean,
00:33:28 - 00:33:29
drum.
00:33:29 - 00:33:30
drum.
00:33:29 - 00:33:36
She lights their pyre, ha, to mock the sun, raffia skirts, praise Oya.
00:33:30 - 00:33:36
She lights their pyre, ha, to mock the sun, raffia skirts, praise Oya.
00:33:37 - 00:33:45
Thunder, yawn, aching goods, deciphering ocean.
00:33:38 - 00:33:45
Thunder, yawn, aching goods, deciphering ocean.
00:33:46 - 00:33:56
Ah, black palms, rocking oceans, into drum, drum.
00:33:47 - 00:33:57
Ah, black palms, rocking oceans, into drum, drum.
00:34:00 - 00:34:01
Thank you.
00:34:01 - 00:34:01
Thank you.
00:34:06 - 00:34:08
I know we're a little bit over, but we're almost finished.
00:34:06 - 00:34:08
I know we're a little bit over, but we're almost finished.
00:34:08 - 00:34:14
Um, next we have Erica Jackson, followed by Jaifa, I'm sorry, Tyepha Walden.
00:34:08 - 00:34:14
Um, next we have Erica Jackson, followed by Jaifa, I'm sorry, Tyepha Walden.
00:34:23 - 00:34:24
Good afternoon.
00:34:23 - 00:34:23
Good afternoon.
00:34:24 - 00:34:24
Um,
00:34:24 - 00:34:24
Um,
00:34:24 - 00:34:37
these are two parts from a five part poem that I wrote called, um, Brown Tiles and it stems from an assault that
00:34:25 - 00:34:37
these are two parts from a five part poem that I wrote called, um, Brown Tiles and it stems from an assault that
00:34:37 - 00:34:45
I suffered in 92 by a boyfriend that I had with fair skin and blue eyes.
00:34:37 - 00:34:44
I suffered in 92 by a boyfriend that I had with fair skin and blue eyes.
00:34:46 - 00:34:50
And the first part is the third part of the five part poem.
00:34:46 - 00:34:49
And the first part is the third part of the five part poem.
00:34:49 - 00:34:51
It's called Stained Glass.
00:34:50 - 00:34:52
It's called Stained Glass.
00:34:54 - 00:34:59
I fell into a friend last night, mourning the loss of you.
00:34:54 - 00:34:58
I fell into a friend last night, mourning the loss of you.
00:34:59 - 00:35:16
His laughter and fraternally engraved body led to Swiss mocha bedsheets and pages of journals and notebooks, papers crinkling under our decision, scratching the flesh.
00:34:59 - 00:35:15
His laughter and fraternally engraved body led to Swiss mocha bedsheets and pages of journals and notebooks, papers crinkling under our decision, scratching the flesh.
00:35:16 - 00:35:26
My breath awakened the red hiding in your thirsty rose sitting in my windowsill as we drifted to the window.
00:35:17 - 00:35:26
My breath awakened the red hiding in your thirsty rose sitting in my windowsill as we drifted to the window.
00:35:26 - 00:35:38
Faced to cold glass, I clawed for warmth and passion, but unearthed a nakedness that runs deeper than the flesh, the truth.
00:35:27 - 00:35:39
Faced to cold glass, I clawed for warmth and passion, but unearthed a nakedness that runs deeper than the flesh, the truth.
00:35:40 - 00:35:41
You raped me,
00:35:40 - 00:35:41
You raped me,
00:35:44 - 00:35:45
and I coped.
00:35:44 - 00:35:45
and I coped.
00:35:46 - 00:35:50
Buried, hid, and rationalized.
00:35:46 - 00:35:50
Buried, hid, and rationalized.
00:35:51 - 00:35:55
Vindicating the blue pureness of you.
00:35:51 - 00:35:54
Vindicating the blue pureness of you.
00:35:55 - 00:35:56
Why?
00:35:56 - 00:35:56
Why?
00:35:57 - 00:36:04
Behind tear stained glass, I stand before hallucinating stars and blindfolded trees.
00:35:58 - 00:36:04
Behind tear stained glass, I stand before hallucinating stars and blindfolded trees.
00:36:04 - 00:36:09
The muteness of nature has acquitted and convicted me.
00:36:05 - 00:36:10
The muteness of nature has acquitted and convicted me.
00:36:12 - 00:36:14
And, uh, this is the last part.
00:36:13 - 00:36:15
And, uh, this is the last part.
00:36:14 - 00:36:15
It's called Satin Blues.
00:36:15 - 00:36:16
It's called Satin Blues.
00:36:16 - 00:36:22
Um, it, it, I can't explain it, it's, I just can't explain it.
00:36:17 - 00:36:23
Um, it, it, I can't explain it, it's, I just can't explain it.
00:36:23 - 00:36:26
Um, I wrote it from the standpoint of a tree.
00:36:23 - 00:36:26
Um, I wrote it from the standpoint of a tree.
00:36:27 - 00:36:29
Any other way I couldn't have gotten it out.
00:36:27 - 00:36:29
Any other way I couldn't have gotten it out.
00:36:31 - 00:36:34
His skin felt good against my branches.
00:36:31 - 00:36:34
His skin felt good against my branches.
00:36:34 - 00:36:40
A blue satin ribbon that danced around my trunk and played hide and seek through my leaves.
00:36:34 - 00:36:40
A blue satin ribbon that danced around my trunk and played hide and seek through my leaves.
00:36:41 - 00:36:42
He gave me joy.
00:36:41 - 00:36:42
He gave me joy.
00:36:43 - 00:36:47
For years he played with me, around me, under me, in me.
00:36:43 - 00:36:47
For years he played with me, around me, under me, in me.
00:36:48 - 00:36:51
Until the day I saw his eyes.
00:36:48 - 00:36:51
Until the day I saw his eyes.
00:36:51 - 00:36:53
Blue eyes.
00:36:51 - 00:36:52
Blue eyes.
00:36:53 - 00:36:55
Satin blue.
00:36:53 - 00:36:54
Satin blue.
00:36:55 - 00:36:57
Poisonous satin.
00:36:55 - 00:36:56
Poisonous satin.
00:36:58 - 00:37:06
Hypnotic blue shroud cracked revealing satin tentacles that overpowered my branches, leaves forming mock barriers.
00:36:58 - 00:37:05
Hypnotic blue shroud cracked revealing satin tentacles that overpowered my branches, leaves forming mock barriers.
00:37:06 - 00:37:07
Disgraced.
00:37:06 - 00:37:07
Disgraced.
00:37:08 - 00:37:10
My fruit is violated.
00:37:08 - 00:37:09
My fruit is violated.
00:37:11 - 00:37:19
Rooted here in his moment, waning each time the wind sojoins through my decaying trunk.
00:37:12 - 00:37:19
Rooted here in his moment, waning each time the wind sojoins through my decaying trunk.
00:37:20 - 00:37:28
A leaf collapses, asking, Does stolen fruit still taste as sweet?
00:37:21 - 00:37:28
A leaf collapses, asking, Does stolen fruit still taste as sweet?
00:37:28 - 00:37:29
Thank you.
00:37:28 - 00:37:28
Thank you.
00:37:34 - 00:37:39
Tyepha Walden, followed by Nakia Green.
00:37:34 - 00:37:38
Tyepha Walden, followed by Nakia Green.
00:37:49 - 00:37:51
Hello, my name is Tyepha Walden.
00:37:49 - 00:37:51
Hello, my name is Tyepha Walden.
00:37:51 - 00:37:55
And today I'm going to read a poem called My First Love.
00:37:52 - 00:37:55
And today I'm going to read a poem called My First Love.
00:37:56 - 00:37:59
It's a personal letter I had written to God this summer.
00:37:56 - 00:37:58
It's a personal letter I had written to God this summer.
00:38:02 - 00:38:06
It pains me to know all the troubles I've been through.
00:38:02 - 00:38:05
It pains me to know all the troubles I've been through.
00:38:06 - 00:38:13
I've turned to alcohol, to sex, and even to death, before I turned to you, my first love.
00:38:06 - 00:38:12
I've turned to alcohol, to sex, and even to death, before I turned to you, my first love.
00:38:14 - 00:38:21
Sometimes I feel ashamed having gone against your wishes, time after time after time.
00:38:15 - 00:38:22
Sometimes I feel ashamed having gone against your wishes, time after time after time.
00:38:23 - 00:38:30
All the things you've given me, all the gifts you've given me, excuse me, I had taken for granted.
00:38:23 - 00:38:29
All the things you've given me, all the gifts you've given me, excuse me, I had taken for granted.
00:38:30 - 00:38:34
But still, you continue to care for me, my first love.
00:38:30 - 00:38:34
But still, you continue to care for me, my first love.
00:38:35 - 00:38:37
Once I had a terrible experience.
00:38:36 - 00:38:38
Once I had a terrible experience.
00:38:38 - 00:38:40
I feared you did not love me anymore.
00:38:38 - 00:38:40
I feared you did not love me anymore.
00:38:41 - 00:38:45
For months and months I pondered the thought of living without you.
00:38:41 - 00:38:45
For months and months I pondered the thought of living without you.
00:38:46 - 00:38:48
Oh, how terrible was that thought.
00:38:46 - 00:38:47
Oh, how terrible was that thought.
00:38:49 - 00:38:51
For you are the very essence of my life.
00:38:49 - 00:38:51
For you are the very essence of my life.
00:38:51 - 00:38:54
You are the reason I can wake up smiling.
00:38:52 - 00:38:54
You are the reason I can wake up smiling.
00:38:55 - 00:38:59
My ever so near, ever so dear, first love.
00:38:55 - 00:38:59
My ever so near, ever so dear, first love.
00:39:00 - 00:39:04
You've always cared for me when I didn't care for myself.
00:39:01 - 00:39:05
You've always cared for me when I didn't care for myself.
00:39:05 - 00:39:09
You've always looked out for me when I didn't look out for myself.
00:39:05 - 00:39:09
You've always looked out for me when I didn't look out for myself.
00:39:09 - 00:39:13
And you've always loved me when I didn't love myself.
00:39:10 - 00:39:13
And you've always loved me when I didn't love myself.
00:39:14 - 00:39:16
My first and only love.
00:39:14 - 00:39:15
My first and only love.
00:39:17 - 00:39:20
I'm sorry for all the pain I caused you.
00:39:18 - 00:39:20
I'm sorry for all the pain I caused you.
00:39:20 - 00:39:22
I have no excuse.
00:39:20 - 00:39:21
I have no excuse.
00:39:22 - 00:39:26
But on this day, this very moment, I have this promise for you.
00:39:22 - 00:39:26
But on this day, this very moment, I have this promise for you.
00:39:27 - 00:39:30
That I will never leave, nor stop loving you.
00:39:27 - 00:39:29
That I will never leave, nor stop loving you.
00:39:30 - 00:39:32
My thoughts shall be our thoughts.
00:39:31 - 00:39:32
My thoughts shall be our thoughts.
00:39:32 - 00:39:34
My words shall be our words.
00:39:33 - 00:39:35
My words shall be our words.
00:39:35 - 00:39:37
And my actions shall be our actions.
00:39:35 - 00:39:37
And my actions shall be our actions.
00:39:37 - 00:39:40
For you were, and are, and always will be.
00:39:38 - 00:39:40
For you were, and are, and always will be.
00:39:41 - 00:39:46
My parent, my friend, my guidance, my strength, and my redeemer.
00:39:41 - 00:39:45
My parent, my friend, my guidance, my strength, and my redeemer.
00:39:46 - 00:39:48
But above all, my first love.
00:39:46 - 00:39:47
But above all, my first love.
00:39:53 - 00:39:54
Nikea
00:39:54 - 00:39:54
Nikea
00:39:54 - 00:39:56
Green, followed by Patricia Johnson.
00:39:54 - 00:39:56
Green, followed by Patricia Johnson.
00:39:56 - 00:39:59
Hi,
00:39:56 - 00:39:58
Hi,
00:40:07 - 00:40:10
my name is Nikea Green, and I'm a senior at Henrico High School.
00:40:08 - 00:40:11
my name is Nikea Green, and I'm a senior at Henrico High School.
00:40:12 - 00:40:15
And this poem is called, I Really Love You.
00:40:12 - 00:40:14
And this poem is called, I Really Love You.
00:40:15 - 00:40:20
And it's dedicated to all the young black girls whose mothers really love them.
00:40:15 - 00:40:20
And it's dedicated to all the young black girls whose mothers really love them.
00:40:22 - 00:40:25
I hear your screams, I hear your cries.
00:40:22 - 00:40:24
I hear your screams, I hear your cries.
00:40:25 - 00:40:26
Yes, I do.
00:40:25 - 00:40:25
Yes, I do.
00:40:26 - 00:40:29
Baby, just be still, let him do what he gotta do.
00:40:27 - 00:40:29
Baby, just be still, let him do what he gotta do.
00:40:30 - 00:40:32
Before he beats me, or you.
00:40:31 - 00:40:33
Before he beats me, or you.
00:40:33 - 00:40:35
I'm sorry, yes I am.
00:40:34 - 00:40:36
I'm sorry, yes I am.
00:40:36 - 00:40:38
I love you, I really do.
00:40:36 - 00:40:37
I love you, I really do.
00:40:38 - 00:40:40
But what is there that I can do?
00:40:38 - 00:40:39
But what is there that I can do?
00:40:40 - 00:40:42
He don't want me, he wants you.
00:40:41 - 00:40:43
He don't want me, he wants you.
00:40:43 - 00:40:45
And there's simply nothing I can do.
00:40:44 - 00:40:46
And there's simply nothing I can do.
00:40:46 - 00:40:48
I know he's your daddy and you're a little young.
00:40:47 - 00:40:49
I know he's your daddy and you're a little young.
00:40:50 - 00:40:53
But it won't happen for long, he'll find another kind of fun.
00:40:50 - 00:40:53
But it won't happen for long, he'll find another kind of fun.
00:40:54 - 00:40:55
Baby, I love you.
00:40:54 - 00:40:55
Baby, I love you.
00:40:55 - 00:40:59
I really do, but there's really nothing that I can do.
00:40:56 - 00:40:59
I really do, but there's really nothing that I can do.
00:41:00 - 00:41:02
But, I really love you.
00:41:00 - 00:41:02
But, I really love you.
00:41:09 - 00:41:11
Patricia Johnson, followed by Monifa A.
00:41:09 - 00:41:11
Patricia Johnson, followed by Monifa A.
00:41:11 - 00:41:12
Love
00:41:11 - 00:41:11
Love
00:41:11 - 00:41:17
Ah, don't lie to me.
00:41:12 - 00:41:18
Ah, don't lie to me.
00:41:17 - 00:41:20
The me I used to be.
00:41:18 - 00:41:20
The me I used to be.
00:41:20 - 00:41:23
Dream of being the me I'd be.
00:41:20 - 00:41:22
Dream of being the me I'd be.
00:41:22 - 00:41:26
Dream the dream I thought would never be.
00:41:23 - 00:41:26
Dream the dream I thought would never be.
00:41:26 - 00:41:27
Dream the
00:41:26 - 00:41:27
Dream the
00:41:34 - 00:41:37
dream so far from me.
00:41:35 - 00:41:37
dream so far from me.
00:41:37 - 00:41:41
A sunshine, a halo, a orange, pink, and blue.
00:41:37 - 00:41:41
A sunshine, a halo, a orange, pink, and blue.
00:41:41 - 00:41:44
Dreaming dreams of being, to be.
00:41:41 - 00:41:44
Dreaming dreams of being, to be.
00:41:44 - 00:41:48
So for me, I used to be.
00:41:44 - 00:41:47
So for me, I used to be.
00:41:47 - 00:41:51
So the dreams and fears are not for me.
00:41:48 - 00:41:52
So the dreams and fears are not for me.
00:41:51 - 00:41:54
For me, I used to be.
00:41:52 - 00:41:54
For me, I used to be.
00:41:54 - 00:41:59
So for me, I be and need to be.
00:41:54 - 00:41:58
So for me, I be and need to be.
00:41:58 - 00:42:01
Dreams of being, let me I be.
00:41:59 - 00:42:02
Dreams of being, let me I be.
00:42:01 - 00:42:04
Dreams of dreams, my father's dreams.
00:42:02 - 00:42:05
Dreams of dreams, my father's dreams.
00:42:39 - 00:42:41
I love it.
00:42:39 - 00:42:41
I love it.
00:42:41 - 00:42:41
Monifa A.
00:42:41 - 00:42:41
Monifa A.
00:42:41 - 00:42:43
Love,
00:42:42 - 00:42:43
Love,
00:42:52 - 00:42:54
followed by, finally, for, who is Tim Wells.
00:42:52 - 00:42:54
followed by, finally, for, who is Tim Wells.
00:43:02 - 00:43:03
Good afternoon, everyone.
00:43:02 - 00:43:03
Good afternoon, everyone.
00:43:05 - 00:43:16
This poem is entitled Maximum Security, and it's dedicated to Evans Hopkins, a brilliant writer who is doing life in a Brookville, Virginia penitentiary.
00:43:06 - 00:43:17
This poem is entitled Maximum Security, and it's dedicated to Evans Hopkins, a brilliant writer who is doing life in a Brookville, Virginia penitentiary.
00:43:19 - 00:43:21
This darkness doesn't scare me.
00:43:20 - 00:43:21
This darkness doesn't scare me.
00:43:22 - 00:43:33
No darkness can after Quang Tri Province, that sticky, heavy night, when there was no moon, when I had no eyes, when
00:43:23 - 00:43:34
No darkness can after Quang Tri Province, that sticky, heavy night, when there was no moon, when I had no eyes, when
00:43:33 - 00:43:39
I had no hands, when everything was pitch, and the smell of death was strong.
00:43:34 - 00:43:39
I had no hands, when everything was pitch, and the smell of death was strong.
00:43:40 - 00:43:49
No one died that night, but our fear had us in body bags, on choppers, in coffins, in the ground, back home.
00:43:41 - 00:43:50
No one died that night, but our fear had us in body bags, on choppers, in coffins, in the ground, back home.
00:43:50 - 00:43:52
There was jasmine in the air.
00:43:51 - 00:43:53
There was jasmine in the air.
00:43:53 - 00:43:54
No one smelled it.
00:43:54 - 00:43:55
No one smelled it.
00:43:56 - 00:43:59
I have stories I can tell myself to mark the hours.
00:43:56 - 00:43:59
I have stories I can tell myself to mark the hours.
00:44:00 - 00:44:03
I will know when it is morning when it is light.
00:44:00 - 00:44:03
I will know when it is morning when it is light.
00:44:04 - 00:44:09
Even if there are no sounds outside this darkness, I will know.
00:44:04 - 00:44:08
Even if there are no sounds outside this darkness, I will know.
00:44:09 - 00:44:13
I will feel the surge of waking restless bodies through the walls.
00:44:09 - 00:44:12
I will feel the surge of waking restless bodies through the walls.
00:44:14 - 00:44:16
I will feel them as they work.
00:44:14 - 00:44:15
I will feel them as they work.
00:44:15 - 00:44:19
The weights work, the tears work themselves.
00:44:16 - 00:44:19
The weights work, the tears work themselves.
00:44:20 - 00:44:29
I will know, and I will feel them struggling through the night, calling out, calling.
00:44:21 - 00:44:29
I will know, and I will feel them struggling through the night, calling out, calling.
00:44:30 - 00:44:37
I have learned from sitting with men in the dark, with the young hopeful farmers in Bluefields, the
00:44:30 - 00:44:37
I have learned from sitting with men in the dark, with the young hopeful farmers in Bluefields, the
00:44:37 - 00:44:42
old patient ones in Four Corners, the nervous marketeers in Manila.
00:44:37 - 00:44:42
old patient ones in Four Corners, the nervous marketeers in Manila.
00:44:43 - 00:44:45
I have learned how to rein myself in.
00:44:44 - 00:44:46
I have learned how to rein myself in.
00:44:46 - 00:44:48
I have learned how to watch.
00:44:47 - 00:44:48
I have learned how to watch.
00:44:48 - 00:44:54
Circumspectly, I have learned how to let what is going to happen come.
00:44:49 - 00:44:55
Circumspectly, I have learned how to let what is going to happen come.
00:44:56 - 00:44:58
This darkness doesn't scare me.
00:44:56 - 00:44:58
This darkness doesn't scare me.
00:44:58 - 00:45:01
No darkness can after Quang Tri Province.
00:44:58 - 00:45:00
No darkness can after Quang Tri Province.
00:45:01 - 00:45:07
That cool, crystal night when the moon sat plump and regal on a throne of clouds.
00:45:02 - 00:45:08
That cool, crystal night when the moon sat plump and regal on a throne of clouds.
00:45:07 - 00:45:11
When sparks crackled along the surface of my skin.
00:45:08 - 00:45:12
When sparks crackled along the surface of my skin.
00:45:12 - 00:45:16
When everything was desire, keen edged and elastic.
00:45:13 - 00:45:16
When everything was desire, keen edged and elastic.
00:45:17 - 00:45:20
We all died that night and woke reformed.
00:45:17 - 00:45:20
We all died that night and woke reformed.
00:45:21 - 00:45:23
There was jasmine in the air.
00:45:21 - 00:45:22
There was jasmine in the air.
00:45:23 - 00:45:29
We lifted our heads to catch the fragrance, our eyes shut to better find the scent.
00:45:23 - 00:45:28
We lifted our heads to catch the fragrance, our eyes shut to better find the scent.
00:45:29 - 00:45:35
And we let it take us to our memories, winsome, fragile memories of love and coupling.
00:45:29 - 00:45:34
And we let it take us to our memories, winsome, fragile memories of love and coupling.
00:45:35 - 00:45:43
I could see my small, thin, gap toothed girl letting my unskilled lips and tongue taste her smooth skin.
00:45:35 - 00:45:43
I could see my small, thin, gap toothed girl letting my unskilled lips and tongue taste her smooth skin.
00:45:44 - 00:45:45
Seeing her then.
00:45:44 - 00:45:45
Seeing her then.
00:45:45 - 00:45:49
I reached for her, my handheld invisible fruit.
00:45:46 - 00:45:50
I reached for her, my handheld invisible fruit.
00:45:51 - 00:45:56
Yes, I have stories I can tell myself to mark the hours.
00:45:51 - 00:45:56
Yes, I have stories I can tell myself to mark the hours.
00:45:56 - 00:45:59
I will feel the falsetto songs of the morning.
00:45:56 - 00:45:59
I will feel the falsetto songs of the morning.
00:45:59 - 00:46:02
I will feel men turning from sleep and reaching.
00:45:59 - 00:46:02
I will feel men turning from sleep and reaching.
00:46:02 - 00:46:08
I will feel the repetition of prayers, the flood of invectives, the proclamations of survival.
00:46:02 - 00:46:07
I will feel the repetition of prayers, the flood of invectives, the proclamations of survival.
00:46:07 - 00:46:10
I will know when it is morning and I will be fine.
00:46:08 - 00:46:11
I will know when it is morning and I will be fine.
00:46:10 - 00:46:14
I will feel men touching their tattooed places.
00:46:11 - 00:46:14
I will feel men touching their tattooed places.
00:46:14 - 00:46:18
And I will feel them rub the history they have pushed into their skin.
00:46:15 - 00:46:19
And I will feel them rub the history they have pushed into their skin.
00:46:20 - 00:46:22
I have learned from sitting with men in the dark.
00:46:20 - 00:46:22
I have learned from sitting with men in the dark.
00:46:23 - 00:46:24
The frightened.
00:46:23 - 00:46:23
The frightened.
00:46:24 - 00:46:25
Resigned.
00:46:24 - 00:46:25
Resigned.
00:46:25 - 00:46:26
Betrayed.
00:46:26 - 00:46:27
Betrayed.
00:46:27 - 00:46:28
And ecstatic.
00:46:27 - 00:46:28
And ecstatic.
00:46:29 - 00:46:31
I have learned how to set myself flying.
00:46:30 - 00:46:32
I have learned how to set myself flying.
00:46:32 - 00:46:34
I have learned how to swim and to become water.
00:46:33 - 00:46:35
I have learned how to swim and to become water.
00:46:35 - 00:46:37
I have learned how to billow.
00:46:36 - 00:46:37
I have learned how to billow.
00:46:38 - 00:46:40
No darkness can scare me.
00:46:39 - 00:46:41
No darkness can scare me.
00:46:41 - 00:46:43
Not after Quang Tri Province.
00:46:41 - 00:46:43
Not after Quang Tri Province.
00:46:43 - 00:46:45
Because I have learned to incandesce.
00:46:44 - 00:46:46
Because I have learned to incandesce.
00:46:45 - 00:46:47
Hold
00:46:46 - 00:46:47
Hold
00:46:47 - 00:46:49
still.
00:46:47 - 00:46:48
still.
00:46:48 - 00:46:52
Um, I'd like
00:46:49 - 00:46:53
Um, I'd like
00:47:08 - 00:47:09
to make a request real quick.
00:47:09 - 00:47:10
to make a request real quick.
00:47:10 - 00:47:15
I know at first we were supposed to have a slam, and then they changed it to kind of a, you know, open reading.
00:47:10 - 00:47:15
I know at first we were supposed to have a slam, and then they changed it to kind of a, you know, open reading.
00:47:15 - 00:47:18
And there's a sister that wants to read after me, and I'm supposed to be last.
00:47:16 - 00:47:19
And there's a sister that wants to read after me, and I'm supposed to be last.
00:47:18 - 00:47:20
Is it okay with y'all if she reads too?
00:47:19 - 00:47:21
Is it okay with y'all if she reads too?
00:47:21 - 00:47:21
You know.
00:47:21 - 00:47:21
You know.
00:47:24 - 00:47:29
Okay, I just wanted to make sure, because otherwise I would give her my time, because, you know, you should let her read.
00:47:24 - 00:47:29
Okay, I just wanted to make sure, because otherwise I would give her my time, because, you know, you should let her read.
00:47:29 - 00:47:37
Okay, um, this is kind of participatory, uh, and I also have a poem for Gwendolyn Brooks.
00:47:30 - 00:47:38
Okay, um, this is kind of participatory, uh, and I also have a poem for Gwendolyn Brooks.
00:47:37 - 00:47:46
It's kind of like I'm putting two poems together, but um, in this first poem, um, whenever I put my fist up, I want you to say, shut up, alright?
00:47:38 - 00:47:46
It's kind of like I'm putting two poems together, but um, in this first poem, um, whenever I put my fist up, I want you to say, shut up, alright?
00:47:48 - 00:47:51
Somebody says, shut up!
00:47:49 - 00:47:52
Somebody says, shut up!
00:47:51 - 00:47:53
But I keep talking.
00:47:52 - 00:47:53
But I keep talking.
00:47:53 - 00:48:01
The teacher whom trained my brain from the womb And even if he had his way to the tomb, says Shut up!
00:47:53 - 00:48:00
The teacher whom trained my brain from the womb And even if he had his way to the tomb, says Shut up!
00:48:00 - 00:48:06
But I keep talking The preacher that sermon surmounted on the mount Pounded, pillaged, pounced
00:48:01 - 00:48:07
But I keep talking The preacher that sermon surmounted on the mount Pounded, pillaged, pounced
00:48:06 - 00:48:11
the gospel That he only quite well believed for a spell, says Shut up!
00:48:07 - 00:48:12
the gospel That he only quite well believed for a spell, says Shut up!
00:48:11 - 00:48:19
But I keep talking The man that I admired Until I realized and got tired Of last hired, first fired In six weeks I'll
00:48:12 - 00:48:19
But I keep talking The man that I admired Until I realized and got tired Of last hired, first fired In six weeks I'll
00:48:19 - 00:48:28
be retired, says But I keep talking, the woman of my dreams could steam and scheme, do most anything, says.
00:48:19 - 00:48:27
be retired, says But I keep talking, the woman of my dreams could steam and scheme, do most anything, says.
00:48:28 - 00:48:33
But I keep talking, the addict in the basement, displaced, erased, and hastened.
00:48:28 - 00:48:32
But I keep talking, the addict in the basement, displaced, erased, and hastened.
00:48:32 - 00:48:34
Addict want more drug.
00:48:33 - 00:48:34
Addict want more drug.
00:48:34 - 00:48:36
Addict want more drug.
00:48:35 - 00:48:36
Addict want more drug.
00:48:37 - 00:48:39
Addict want more drug.
00:48:37 - 00:48:38
Addict want more drug.
00:48:38 - 00:48:42
Won't hold back the crack, cold shrug, cause I bug, says.
00:48:39 - 00:48:42
Won't hold back the crack, cold shrug, cause I bug, says.
00:48:43 - 00:48:49
But I keep talking the white liberal conservative and nervous perplexed and perverse curse by the path of
00:48:43 - 00:48:49
But I keep talking the white liberal conservative and nervous perplexed and perverse curse by the path of
00:48:49 - 00:48:57
come around bloodbath says, but I keep talking the child in the wild streets of burning yearning.
00:48:49 - 00:48:56
come around bloodbath says, but I keep talking the child in the wild streets of burning yearning.
00:48:56 - 00:48:58
Maybe tomorrow will be a turning point.
00:48:57 - 00:48:59
Maybe tomorrow will be a turning point.
00:48:58 - 00:49:04
Change seems to be strange says, but I keep talking the demon in my mind.
00:48:59 - 00:49:05
Change seems to be strange says, but I keep talking the demon in my mind.
00:49:05 - 00:49:15
Left behind by a thought, sold and bought By a peculiar institution Sees no solution, says But I keep talking, I
00:49:05 - 00:49:15
Left behind by a thought, sold and bought By a peculiar institution Sees no solution, says But I keep talking, I
00:49:15 - 00:49:19
keep talking Matter of fact, the other day I was talking to Gwendolyn Brooks
00:49:15 - 00:49:18
keep talking Matter of fact, the other day I was talking to Gwendolyn Brooks
00:49:26 - 00:49:36
I met Mother Nature We had a pleasant talk She was born in Topeka, stayed there for six weeks Then moved to Chi town Now
00:49:26 - 00:49:35
I met Mother Nature We had a pleasant talk She was born in Topeka, stayed there for six weeks Then moved to Chi town Now
00:49:35 - 00:49:40
she's moving the world Large auditoriums are too small for her big heart.
00:49:36 - 00:49:41
she's moving the world Large auditoriums are too small for her big heart.
00:49:41 - 00:49:44
Crowds tighten up until she lets it loose.
00:49:41 - 00:49:43
Crowds tighten up until she lets it loose.
00:49:43 - 00:49:46
I want my children to read her rather than Dr.
00:49:44 - 00:49:46
I want my children to read her rather than Dr.
00:49:46 - 00:49:47
Seuss.
00:49:46 - 00:49:47
Seuss.
00:49:47 - 00:49:51
She has more children coming home than Mother Goose.
00:49:47 - 00:49:50
She has more children coming home than Mother Goose.
00:49:51 - 00:49:53
Some are young and unrefined like me.
00:49:51 - 00:49:53
Some are young and unrefined like me.
00:49:53 - 00:49:56
Some are seasoned and scholarly like Haki.
00:49:53 - 00:49:55
Some are seasoned and scholarly like Haki.
00:49:58 - 00:50:02
Felt like she was already close to me.
00:49:59 - 00:50:02
Felt like she was already close to me.
00:50:02 - 00:50:05
Neophytes new to poetry are curious.
00:50:02 - 00:50:04
Neophytes new to poetry are curious.
00:50:04 - 00:50:07
I never knew flowers could be so furious.
00:50:05 - 00:50:08
I never knew flowers could be so furious.
00:50:07 - 00:50:07
Yes.
00:50:08 - 00:50:08
Yes.
00:50:08 - 00:50:12
When she's in Chicago, it's my kind of town.
00:50:08 - 00:50:11
When she's in Chicago, it's my kind of town.
00:50:11 - 00:50:15
Don't call her African American, she prefers black.
00:50:12 - 00:50:15
Don't call her African American, she prefers black.
00:50:15 - 00:50:17
Cause she's my kind of brown.
00:50:16 - 00:50:17
Cause she's my kind of brown.
00:50:17 - 00:50:23
She can run the NAACP and enlist more members than Ben Chavis and Ben Hooks.
00:50:17 - 00:50:22
She can run the NAACP and enlist more members than Ben Chavis and Ben Hooks.
00:50:23 - 00:50:25
She has no political aspirations.
00:50:23 - 00:50:25
She has no political aspirations.
00:50:25 - 00:50:29
Children, come home to Gwendolyn Brooks.
00:50:26 - 00:50:29
Children, come home to Gwendolyn Brooks.
00:50:29 - 00:50:31
And it's for peace.
00:50:29 - 00:50:31
And it's for peace.
00:50:31 - 00:50:36
I think that was a perfect way to
00:50:31 - 00:50:36
I think that was a perfect way to
00:50:47 - 00:50:50
I really apologize, but the next panel has to get on.
00:50:47 - 00:50:50
I really apologize, but the next panel has to get on.
00:50:50 - 00:50:51
Dr.
00:50:50 - 00:50:50
Dr.
00:50:50 - 00:50:53
Gabbin's giving me the cut sign.
00:50:51 - 00:50:53
Gabbin's giving me the cut sign.
00:50:53 - 00:50:55
Could we please have a big round of applause for everyone who read?
00:50:54 - 00:50:56
Could we please have a big round of applause for everyone who read?
00:50:55 - 00:51:09
For those of you who are interested, young, emerging, not necessarily young, but emerging poets, there is going to be a contest out of this gathering.
00:50:56 - 00:51:10
For those of you who are interested, young, emerging, not necessarily young, but emerging poets, there is going to be a contest out of this gathering.
00:51:09 - 00:51:13
It's going to be called the Gwendolyn Brooks Poetry, First Annual Poetry Conference.
00:51:10 - 00:51:13
It's going to be called the Gwendolyn Brooks Poetry, First Annual Poetry Conference.
00:51:13 - 00:51:15
Please send your submissions.
00:51:13 - 00:51:14
Please send your submissions.
00:51:15 - 00:51:16
To Dr.
00:51:15 - 00:51:15
To Dr.
00:51:15 - 00:51:24
Joanne Gabbin, care of the first annual Gwendolyn Brooks Poetry Contest Honors Program, James Madison University, Harrisonburg, Virginia, 22807.
00:51:16 - 00:51:25
Joanne Gabbin, care of the first annual Gwendolyn Brooks Poetry Contest Honors Program, James Madison University, Harrisonburg, Virginia, 22807.
00:51:25 - 00:51:26
Thank you very much.
00:51:26 - 00:51:27
Thank you very much.